English Gothic

In the tradition of Shirley Jackson’s We Have Always Lived in the Castle, a darkly humorous modern classic of Scottish literature about a doomed adolescent growing up in the mid-19th century—featuring a new introduction by Maggie O’Farrell, award-winning author of Hamnet.

Written in 1786, this Asian fantasy tells the story of a dissolute and debauched Caliph, Vathek. Having become obsessed with power and immortality, Vathek embarks on a journey to obtain supernatural powers, in pursuit of which he proves willing to renounce his religion and sacrifice both his children and his soul. We follow Vathek’s remarkable travels to the subterranean palace of Eblis, where his ultimate fate awaits him. Among the themes explored in Vathek are ambition, desire and the consequence of unbridled power

Lucia and her sisters grew up on the edge of Mockbeggar Woods. They knew it well—its danger, but also its beauty. As a lonely teenager, Kate was drawn to these sisters, who were unlike anyone she’d ever met. But when they brought her into the woods, something dark was awakened, and Kate has never been able to escape the terrible truth of what happened there. Now, Kate is returning home for the first time in years—for Sam and Chloe’s wedding. But the woods are stirring again, and Kate must reconnect with Lucia, her first love, to protect Chloe, the village, and herself.

Wuthering Heights is Emily Brontë's only novel. It was first published in 1847 under the pseudonym Ellis Bell, and a posthumous second edition was edited by her sister Charlotte. The name of the novel comes from the Yorkshire manor on the moors on which the story centres (as an adjective, wuthering is a Yorkshire word referring to turbulent weather). The narrative tells the tale of the all-encompassing and passionate, yet thwarted, love between Heathcliff and Catherine Earnshaw, and how this unresolved passion eventually destroys them and many around them.

In this original collection from Skyboat Media and Blackstone Publishing, Elizabeth Gaskell showcases the height of gothic fiction's ability to delight in the otherworldly and to dig deep into what truly haunts us. Set against the backdrop of the Salem witch trials, "Lois the Witch" reveals much about the complicity of mankind. Recently orphaned, Lois is forced to leave the English parsonage that had been her home and sail to America.

I used to be Ellis Landon. Ordinary at best. And literally haunted. But now I'm Ryker's Firestarter. Levi's Dangerous Girl. Jacob's Princess. Funny how different love will make you. Stronger. Braver. Bound and free, all at once. Pursued by demons and by the company that would imprison us to unlock the secrets of the Far, we have to find the Fourth. The last member of my harem. Together, we'll be a force to be reckoned with. Together, we'll protect my mother and rescue my sister from the dark afterlife. Together with my harem, I'll never be unloved and unwanted again.

Seven months ago, Ollie surrendered to the darkness, abandoning me in the process. He stripped me of my walls, only to leave me defenseless. Now he's back, along with fresh new faces and obstacles standing in our way. He says to trust no one. Not even him. How am I supposed to be strong for us both when I'm losing my grip?

I have 36 hours to live. Thirty-six hours to find a solution. Thirty-six hours to kill them all. My friends. My family. My subjects. It's a cruel fate, one my maker subjected me to over a century ago when she placed me in this hell. I learned then that freedom is a falsehood. Escape doesn't exist. I'm a ticking time bomb, slated to erupt.

Consumption has ravaged Louise Pinecroft's family, leaving her and her father alone and heartbroken. But Dr. Pinecroft has plans for a revolutionary experiment: convinced that sea air will prove to be the cure his wife and children needed, he arranges to house a group of prisoners suffering from the disease in the caves beneath his new Cornish home. While he devotes himself to his controversial medical trials, Louise finds herself increasingly discomfited by the strange tales her new maid tells of the fairies that hunt the land, searching for those they can steal away to their realm.

Nellie Gardner is looking for a way out of an abusive marriage when she learns that her long-lost grandfather, August Redfern, has willed her his turpentine estate. She throws everything she can think of in a bag and flees to Georgia with her eleven-year-old son, Max, in tow. It turns out that the "estate" is a decrepit farmhouse on a thousand acres of old (rotting) pine forest, but Nellie is thrilled about the chance for a fresh start for her and Max. So it takes her a while to notice the strange scratching in the walls, the faint whispering at night, how the forest is eerily quiet.

My "true love" conspired with my stepmother to have me killed and stole my throne. But they failed. I've been in hiding and refining my vengeance. I'm no longer the damsel they mistook me for once upon a time. I'm coming for them. And my kingdom, too. Who needs dwarves when you have wolves? Who needs blades when you have arrows? My name used to be Snow. Now they call me the Winter's Arrow. Because I'm here to destroy them all.

Wieland (1798) is an early American novel set in 1760s Pennsylvania. Based on a real case of a New York farmer who murdered his family, the story is imbued with suspense and intrigue, adopting Gothic devices such as ventriloquism and spontaneous combustion. The satanic interloper Carwin exercises his power over the narrator, Clara Wieland, wreaking havoc over the Wieland family with disastrous consequences. A central theme in the novel is the issue of the values that formed the basis of a new democratic and republican America.

The time is 1902. The setting, eastern Oregon. Magic Child, a 15-year-old Native American girl, wanders into the wrong whorehouse looking for the right men. She finds Cameron and Greer, two gunmen taking a timeout from the game after an aborted job in Hawaii. Their violent past doesn't concern Magic Child. She wants them to kill a monster for her, one she says lives in the ice caves under the basement of Miss Hawkline's yellow house, and one she says has killed before. But the more she tells them about the monster, the more her story unravels.

Nicoletta knows all too well the curse that plagues the house of Scarletti. Then she gazes into the dark, mesmerizing eyes of Don Scarletti and she fears for her future - for it is Scarletti's ancient right to select a bride from among his people...and he has chosen her. Compelled by duty, driven by burning, inescapable desire, Nicoletta surrenders to this powerful, hypnotic man, giving her body willingly into his keeping. But will the tormented don be her heart's destiny... or her soul's destruction?

Once upon a time Orla was: a woman, a painter, a lover. Now she is a mother and a wife, and when her husband Nick suggests that their city apartment has grown too small for their lives, she agrees, in part because she does agree, and in part because she is too tired to think about what she really does want. She agrees again when Nick announces with pride that he has found an antiquated Georgian house on the Dorset cliffs—a good house for children, he says, tons of space and gorgeous grounds. But as the family settles into the mansion—Orla finds herself unsettled.

Lady Dona St Columb seems to revel in scandal: she is involved in every intrigue of the Restoration Court. But secretly, the shallowness of Court life disgusts her, and in her heart she longs for freedom and honest love. Retreating to Navron, her husband's Cornish estate, she seeks peace and solitude away from London. But Navron is being used as the base for a French pirate, an outlaw hunted all over Cornwall. Instead of feeling fear, Dona's thirst for adventure has never been more aroused; in Jean-Benoit Auéry she finds a sensitive man who would, like her, gamble his life for a moment's joy.

My father enslaved me. Ruined me. Sold me. Left me to suffer. Until he rescued me. Alpha Sven Mickelson of Norse Sector claims to be my savior, to want me to live, and vows to protect me. But I know Alphas can’t be trusted. All he wants is my mating bond. To own me. To make me his.

Iris Chapel and her five elegant sisters, all of them heiresses to the Chapel firearms fortune, live cloistered in a lavish Victorian mansion. Neglected by both a distant, workaholic father and a mentally troubled mother—who believes their home is haunted by the victims of Chapel weapons—the sisters have grown up with only each other for company. They long to escape the eerie fairy tale of their childhood and move forward into the modern world, but for young women in 1950s Connecticut, the only way out is through marriage.

It's another paranormal investigation for the Gulf Coast Paranormal team but this one is at the scene of an infamous murder at Brady Hall. While Midas and Cassidy enjoy a small getaway, Sierra and Joshua take the lead on this ghost hunt

In a world where vampires and angels live in secret, one woman is prophesied to destroy them all. Astasiya Davenport knows she's different. It's hard to miss her peculiar skillset when she can persuade everyone around her to do whatever she wants just by uttering a few words. But she's never understood where the ability came from. Until she met him. Issac Wakefield. Billionaire extraordinaire. Vampire. A dark knight who should kill her, but offers her a deal instead. He's full of secrets and answers and the truth about her past.