English Gothic

The startling conclusion to the instant New York Times bes-tselling Something Dark and Holy trilogy The girl, the monster, the prince, the queen. They broke the world. And some things can never be undone. In Emily A. Duncan’s Blessed Monsters, they must unite once more to fight the dark chaos they've unleashed - but is it already too late?

Caroline Verlaine knows something is wrong. Her sister has gone missing, and no one can tell her why. The only option is to go where Roma was last seen—an estate with a deadly history. The Stacy family has lived off the Dover coast for generations, carefully navigating the treacherous quick sands nearby. But the sands aren't Caroline's biggest threat. Everyone here has a secret, especially the enigmatic young heir Napier Stacy. No matter where Caroline turns, the ground she walks is dangerous.

After a whirlwind romance, a young woman returns to the opulent, secluded Long Island mansion of her new fiancé, Max Winter - a wealthy politician and recent widower - and a life of luxury she’s never known. But all is not as it appears at the Asherley estate. The house is steeped in the memory of Max’s beautiful first wife, Rebekah, who haunts the young woman’s imagination and feeds her uncertainties, while his very alive teenage daughter, Dani, makes her life a living hell.

London, 1852. Genevieve Timmons has made her living posing as a spiritualist to swindle wealthy believers, until one misstep lands her in a jail cell awaiting the noose. Then a stranger, Mr. Lockhart, arrives to make her a peculiar offer. The lord he serves, Mr. Pemberton, has been grieving the mysterious death of his beautiful bride-to-be for six months. Although no foul play was ever uncovered, the young lord is convinced that she was murdered.

Published in 1820 and written by the Protestant curate Charles Maturin, Melmoth the Wanderer is considered one of the greatest works of Gothic literature. Consisting of a series of stories within stories, the narrative features the scholar John Melmoth, condemned to wander the earth in search of a victim to take his place and free him from his eternal torment.

The Great War left grieving families willing to sacrifice anything for the chance to say goodbye to a lost loved one. Mr. Owen is no exception. He is desperate to speak to his son, but he doesn’t want to face the spirits alone. When the séance—hosted by a trio of mediums billing themselves as The Three Fates—goes awry, Mr. Owen’s secrets begin to unravel, threatening to reveal a history that he has been running from for half his life. Something Ruby knows all too well how to do.

The charm of spending the Christmas holidays in South Wales, with its crumbling castles and ancient myths, seems the perfect distraction from the nightmares that have plagued literary agent Lyn Ravenshaw since the loss of her baby five years ago. Instead she meets an emotionally fragile young widow who's convinced that Lyn's recurring dreams have drawn her to Castle Farm for an important purpose - and she's running out of time.

Chuck Dutton built Music City Salvage with patience and expertise, stripping historic properties and reselling their bones. Inventory is running low, so he's thrilled when Augusta Withrow appears in his office offering salvage rights to her entire property. This could be a gold mine, so he assigns his daughter, Dahlia, to personally oversee the project. The crew finds a handful of surprises right away. Firstly, the place is in unexpectedly good shape. And then there's the cemetery, about 30 fallen and overgrown graves dating to the early 1900s.

Family is who you make it and I’ve discovered blood means nothing, not unless I’ve slipped my blade into flesh and drawn my scythe with it. Just when things were starting to look up and all the pieces of my f--ked up life were coming together, I’m once again thrust into a war and this time I’m taking no prisoners. This is it, the final showdown, my scythe is sharpened and my boys are by my side. We might just find ourselves dead but not before I’ve drawn my scythe on every one of our enemies’ foreheads.

Darius is back. Edinburgh thought that it had seen the last of this seductive dragon king, but that was before Darius found something worthwhile. He just can't stay away from the impossibly beautiful Dr. Sophie Martin, even though he knows that a passion this strong could prove detrimental for them both. Sophie tried to forget her encounter with smoking-hot Darius to no avail. He's in her dreams, tempting her.

The Rhys who has existed for centuries is gone. Stripped of his ability to shift forms, Rhys can no longer embody the majestic, powerful dragon he was at birth. Cut off from his heritage by one of his own, this Dragon King must remain a man, haunted by demons who torment his every waking moment. The darkness would swallow him whole, except a woman so beautiful and haunted becomes the one beam of light in his world.

Born on the Isle of Skye, Darcy is a beautiful woman of many gifts. Fortune-telling is her forte, and she remains the only Druid who could unlock the secrets - and desires - of a dragon king. His name is Warrick. And now that Darcy's seen into his dragon heart, nothing will ever be the same.

Obsession. It's dangerous. Reckless. Exhilarating. Richard enjoys watching him in the interrogation room, his eyes coveting the way the cigarette easily slid between his lips. For a brief moment, his fingers yearn to trace the tattoos wrapped around his toned flesh. If he squints, he can focus on those emerald-green eyes, haunting yet so familiar. Everything about the man pulls him in, awakening something deep within long since beaten dead. Richard knows exactly what Beau's nighttime occupation is.

From book one: Being able to rip the soul out of a creature, store it in a precious gem, and use it to cast spells might make me the most powerful student at the Astra Argent Magical Academy. Only I can’t tell anybody about it. Because it's illegal, and they’ll kill me if they find out. But they need me whether they know it yet or not, so I’m going to capture a lot of souls and cast a lot of spells. This is gonna be a crazy semester. This is a monster-girl harem dark-magic academy story.

Penny and Hattie are sisters in a small town, bound tight to the point of knots. They share a secret they cannot escape, even while it pulls them apart. One night, a match is lit, and Penny's terrible husband is killed - a marriage going up in flames and offering the potential of a new life. The sisters retreat into their family home, a house of secrets and memories, and try to live in the shadow of what they put in motion. But Penny's husband is not the only thing they are hiding - both from the outside world and from each other.

Ghost underestimated me. Judas likely didn’t think of me at all. Wolf pitied me. To them, I was a peculiar jokester, a shameless flirt, and a restless musician. Brothers and lovers often trivialized the gifts of their counterparts.

The Phantom of the Opera is Gaston Leroux's exquisite blend of Gothic horror and tragic romance that formed the basis for a world-renowned stage musical. This Penguin Classics edition is translated with notes by Mireille Ribiere and an introduction by Jann Matlock.

Magnolia Brown is nineteen years old, broke, and effectively an orphan. She feels stuck and haunted: by her overdrawn bank account, her predatory landlord, and the ghost of her late grandmother Mama Brown. One night, while working at her dead-end gas station job, a mysterious, slick stranger named Cotton walks in and offers to turn Magnolia’s luck around with a lucrative “modeling” job at his family’s funeral home. She accepts. But despite things looking up, Magnolia’s problems fatten along with her wallet.

Naomi Alderman's The Lessons reflects the truth that the lessons life teaches often come too late. Hidden away in an Oxford backstreet is a crumbling Georgian mansion, unknown to any but the few who possess keys to its unassuming front gate. Its owner is the mercurial, charismatic Mark Winters, whose rackety trust-fund upbringing has left him as troubled and unpredictable as he is wildly promiscuous.

From the attic of Lyntons, a dilapidated English country mansion, Frances Jellico sees them - Cara first - dark and beautiful - then Peter - striking and serious. The couple is spending the summer of 1969 in the rooms below hers while Frances is researching the architecture in the surrounding gardens. But she's distracted. Beneath a floorboard in her bathroom, she finds a peephole that gives her access to her neighbors’ private lives.