English Gothic

When Peter Constantine inherited a vast, remote estate, his life began to change. Free at last from money worries, Peter and his wife, Meg, could relax - and Peter could explore his new, mysterious home. From the thick woods, the winding trails, the bizarre, sensual sculpture, came a pulsing, ancient call that stirred his very soul. Then he heard the music and saw the beautiful woman who beckoned him into the wood...into an ancient ritual, a blood curse, a world of violent, unbridled lust.

Miss Eleanor Sheffield is a talented evaluator of antiquities, but with her father's passing and her uncle's decline into dementia, the family business is at risk. In the Victorian era, unmarried Eleanor cannot run Sheffield Brothers alone. The death of a longtime client, Baron Lydney, offers an unexpected complication when Eleanor is appointed the temporary trustee of the baron's legendary collection. She must choose whether to donate the priceless treasures to a museum or allow them to pass to the baron's only living son, Harry - the man who broke Eleanor's heart.

Diagnosed by her physician husband with a “temporary nervous depression - a slight hysterical tendency” after the birth of her child, a woman is urged to rest for the summer in an old colonial mansion. Forbidden from doing work of any kind, she spends her days in the house’s former nursery, with its barred windows, scratched floor, and peeling yellow wallpaper. In a private journal, the woman records her growing obsession with the “horrid” wallpaper. Its strange pattern mutates in the moonlight, revealing what appears to be a human figure in the design.

An outcast her entire life, Corvina Clemm is left adrift after losing her mother. When she receives the admission letter from the mysterious University of Verenmore, she accepts it as a sign from the universe. The last thing she expects though is an olden, secluded castle on top of a mountain riddled with secrets, deceit, and death.

Victor Frankenstein, un jeune étudiant brillant, crée de toutes pièces un être à l'apparence humaine. Bien vite, il regrette son geste. En effet, la créature prend l'apparence d'un monstre sanguinaire qui ne pense qu'à semer la mort et le malheur sur son passage et qui persécute son créateur. Au travers de l'histoire de Victor Frankenstein et de son monstre, Mary W. Shelley nous pose la question de l'origine de la cruauté humaine. Le monstre de Frankenstein est rejeté par tous. Il aimerait avoir des relations avec les humains mais ceux-ci le fuient. Il devient alors violent et s'en prend aux personnes qu'il rencontre.

Nothing ever happens on the Otter Lake reservation. But when 16-year-old Tiffany discovers her father is renting out her room, she’s deeply upset. Sure, their guest is polite and keeps to himself, but he’s also a little creepy. Little do Tiffany, her father, or even her astute Granny Ruth suspect the truth. The mysterious Pierre L’Errant is actually a vampire, returning to his tribal home after centuries spent in Europe. But Tiffany has other things on her mind.

Elle Edwards, who has been told she's a product of her mother's sinful mistake, has never gone to school, never met a teenager her own age, never even been allowed off of her grandparents' property. Convinced that their granddaughter is infected with evil, Myra and Prescott Edwards believe that only the harshest child-rearing methods will prevent Elle from becoming an instrument of the devil.

With any great change, there is always strife, and Covenant University has become the front line between pure-bloods who want the Breed Order reinstated and the half-bloods who want the right to control their own destinies. The violence is escalating, and war between the races seems inevitable. Hyperion may be out of commission, but Josie and Seth know that they have only earned a reprieve. Seth must get Josie fully prepared, which means controlling her newfound abilities, and they need to find the other demigods before the Titans do.

1920s England. Sarah Piper’s lonely, threadbare existence changes when her temporary agency sends her to assist an obsessed ghost hunter. Alistair Gellis—rich, handsome, and scarred by World War I—has been summoned to investigate the spirit of the nineteen-year-old maid Maddy Clare, who is said to haunt the barn where she committed suicide.

The time: the waning years of the 1990s at the dawn of the millennium. The place: an isolated rural town called Auburn, which could be anywhere at all - a town where everyone knows everyone else - where dark secrets run through its veins like blood. Everyone knows that 16-year old Mikey Childress is "different." A target for bullies since he was a small boy, everything Mikey does attracts abuse: the way he walks, the way he talks, the way he looks. Everyone knows he's not like the other boys in Auburn - the boys who play hockey, who fight, the boys who pursue girls.

Lucinda's boyfriend Dracula claims to be the Dracula - he sleeps in a coffin, hunts pigeons for blood, and only goes out at night. But is he really? Unsettlingly, there has been a spate of recent disappearances and Dracula may be connected. Lucinda doesn't know for sure or which is more dangerous: dating an immortal vampire or a UPS driver with a night shift who thinks he's one?

They call me a playboy. Society’s pretty pet. What they don’t know is I’m so much more. My only directive was to keep her hidden, and safe. After everything she’s been through I’m the last person to offer comfort and care. I have little experience with either. Both of us have been broken by our pasts. But mine is catching up to me, and I would deal with it as I usually do: with total decimation. But that puts her in the crosshairs, and that’s unacceptable.

After years of avoiding each other, Daisy Darker’s entire family is assembling for Nana’s 80th birthday party in Nana’s crumbling gothic house on a tiny tidal island. Finally back together one last time, when the tide comes in, they will be cut off from the rest of the world for eight hours. The family arrives, each of them harboring secrets. Then at the stroke of midnight, as a storm rages, Nana is found dead. And an hour later, the next family member follows…

Beauty and the Beast meets Medusa in this gothic, sapphic tale with lethal women, haunting spirits, poisonous florals and reptiles, and off the charts spice.

In Edwardian Suffolk, a manor house stands alone in a lost corner of the Fens: a glinting wilderness of water whose whispering reeds guard ancient secrets. Maud is a lonely child growing up without a mother, ruled by her repressive father. When he finds a painted medieval devil in a graveyard, unhallowed forces are awakened. Maud's battle has begun. She must survive a world haunted by witchcraft, the age-old legends of her beloved fen - and the even more nightmarish demons of her father's past.

The year is 1880. Two hundred years after the trials in Salem, Adelaide Thom has left her life in the sideshow to open a tea shop with another young woman who feels it's finally safe enough to describe herself as a witch: a former medical student and gardien de sorts (keeper of spells), Eleanor St. Clair. Together they cater to Manhattan's high society ladies, specializing in cures, palmistry and potions - and in guarding the secrets of their clients.

A psychologically twisted story of the escape of a lifelong prisoner.

Only a woman with an iron backbone could succeed as an undertaker in Victorian England, but Violet Morgan takes great pride in her trade. While her husband, Graham, is preoccupied with elevating their station in society, Violet is cultivating a sterling reputation for Morgan Undertaking.

Half-vampire Catherine Crawfield is going after the undead with a vengeance, hoping that one of these deadbeats is her father—the one responsible for ruining her mother's life. Then she's captured by Bones, a vampire bounty hunter, and is forced into an unlikely partnership. In exchange for help finding her father, Cat agrees to train with the sexy night stalker until her battle reflexes are as sharp as his fangs. She's amazed she doesn't end up as his dinner…are there actually good vampires?

Filmmaker Tessa Shepherd helped free a man she believed was wrongly imprisoned for murder. When he kills again, Tessa’s life is upended. She’s reeling with guilt, her reputation destroyed. Worse, Tessa’s mother has unexpectedly passed away, and her sister, Margot, turns on her after tensions from their past escalate. Hounded by a bullying press, Tessa needs an escape. That’s when she learns of a strange inheritance bequeathed by her mother: a derelict and isolated estate known as Fallbrook. It seems like the perfect refuge.