English Gothic

Swedish Lapland, 1717. Maija, her husband Paavo and her daughters Frederika and Dorotea arrive from their native Finland, hoping to forget the traumas of their past and put down new roots in this harsh but beautiful land. Above them looms BlackAsen, a mountain whose foreboding presence looms over the valley and whose dark history seems to haunt the lives of those who live in its shadow.

Browsing an antiques shop in Wiltshire, Alison Bannister stumbles across a delicate old portrait - identified as the doomed Tudor queen Anne Boleyn. Except Alison knows better. The subject is Mary Seymour, the daughter of Katherine Parr, who was taken to Wolf Hall in 1557 and presumed dead after going missing as a child. And Alison knows this because she, too, lived at Wolf Hall and knew Mary...more than 400 years ago.

1798, France. Nuns move along the dark corridors of a Versailles hospital where the young Sister Perpetué has been tasked with sitting with the patient who must always be watched. The man, gaunt, with his sallow skin and distended belly, is dying: they say he ate a golden fork, and that it’s killing him from the inside. But that’s not all—he is rumored to have done monstrous things in his attempts to sate an insatiable appetite…an appetite they say tortures him still.

A psychologically twisted story of the escape of a lifelong prisoner.

While sheltered in the clan's stronghold, Syssi is unaware that Kian and Amanda are not human, and neither are the supposedly religious fanatics that are after her. She feels a powerful connection to Kian, and as he introduces her to a world of pleasure she never dared imagine, his dominant sexuality is a revelation. Considering that she's completely out of her element, Syssi feels comfortable and safe letting go with him. That is, until she begins to suspect that all is not as it seems.

Ever since her father was killed when she was just a child, Miranda Crabtree has kept her head down and her eyes up, ferrying contraband for a mad preacher and his declining band of followers to make ends meet and to protect an old witch and a secret child from harm. But dark forces are at work in the bayou, both human and supernatural, conspiring to disrupt the rhythms of Miranda’s peculiar and precarious life.

Thea Knight loves a spot of mischief. She especially loves her current mischief: masquerading as her sister, while finalizing her scheme to expose the dastardly knaves whose lies ruined her life. Then big, bad-tempered Lord Luxborough upends her game by maneuvering her into marriage. But it's her sister’s name on the license, so the marriage won’t be valid. Thea’s idea? Keep pretending to be her sister until she can run away.

England, 1917. Reeling from the death of her fiancé, Stella Marcham welcomes the opportunity to stay with her pregnant sister, Madeleine, at her imposing country mansion, Greyswick - but she arrives to discover a house of unease and her sister gripped by fear and suspicion. Before long, strange incidents begin to trouble Stella - sobbing in the night, little footsteps on the stairs - and as events escalate, she finds herself drawn to the tragic history of the house.

In a world where vampires and angels live in secret, one woman is prophesied to destroy them all. Astasiya Davenport knows she's different. It's hard to miss her peculiar skillset when she can persuade everyone around her to do whatever she wants just by uttering a few words. But she's never understood where the ability came from. Until she met him. Issac Wakefield. Billionaire extraordinaire. Vampire. A dark knight who should kill her, but offers her a deal instead. He's full of secrets and answers and the truth about her past.

1988. Beth Soames is 14 years old when her aunt takes her to stay at Raven Hall, a rambling manor on the Norfolk coast. The Averells, the family who lives there, are warm and welcoming, and Beth becomes fast friends with their daughter, Nina. At times, Beth even feels like she's truly part of the family...until they ask her to help them with a harmless game - and nothing is ever the same.

Harry Adams has always loved horror movies, so it’s not a total coincidence that she took the job cleaning house for movie director Javier Castillo. His forbidding graystone Chicago mansion, Bright Horses, is filled from top to bottom with terrifying props and costumes, as well as glittering awards from his career making films that thrilled audiences—until family tragedy and scandal forced him to vanish from the industry.

The story begins with an investigation into some strange reports of an "opera ghost", legendary for making the great Paris opera performers ill-at-ease when they sit alone in their dressing rooms. Some allege to have seen the ghost in evening clothes moving about in the shadows. Nothing is done, however, until the disappearance of Christine during her triumphant performance.

As identical twins, Haylee and Kaylee Fitzgerald have always done things in exactly the same way. Under their mother's guidance, their every outfit, every meal, and every thought was identical. But now things are different. With Kaylee back at home after her sister's betrayal, her life has been turned inside out. Both her mother and Haylee are away, and Kaylee's alone and more lost than ever.

Deep in the labyrinthine corridors of Gormenghast Castle, a child is born. Titus, 77th Earl of Groan, is heir to arcane and all-embracing rituals that determine the activities of everyone from Lord Sepulchrave, his father, to the vast cook, Swelter, and the irrepressible Dr Prunesquallor. But not the steely and devious Steerpike, who will lie, cheat and even murder to get on. One of the greatest feats of sustained imaginative writing, the world of Gormenghast Castle is brilliantly realised in this darkly fantastic novel.

Filmmaker Tessa Shepherd helped free a man she believed was wrongly imprisoned for murder. When he kills again, Tessa’s life is upended. She’s reeling with guilt, her reputation destroyed. Worse, Tessa’s mother has unexpectedly passed away, and her sister, Margot, turns on her after tensions from their past escalate. Hounded by a bullying press, Tessa needs an escape. That’s when she learns of a strange inheritance bequeathed by her mother: a derelict and isolated estate known as Fallbrook. It seems like the perfect refuge.

The grand, Gothic Wyndemere House is a labyrinth, containing as many secrets as it does corners obscured in shadow. It's home to the Davenports, a wealthy and distinguished family, and Fern Corey and her mother have lived there as servants for Fern’s entire young life. Despite their difference in station, Fern and Dr. Davenport’s son, Ryder, have always been extremely close. Which was never a problem...until they came of age.

In the tradition of Shirley Jackson’s We Have Always Lived in the Castle, a darkly humorous modern classic of Scottish literature about a doomed adolescent growing up in the mid-19th century—featuring a new introduction by Maggie O’Farrell, award-winning author of Hamnet.

A desperate young woman’s bargain with a wealthy couple is not what it seems in this gothic tale of big city dreams gone wrong from the number-one New York Times best-selling author and literary phenomenon V.C. Andrews - whose books are now major Lifetime TV movies.

After publishing his debut novel, The Shattered Man, to disappointing sales and reviews, Campbell P. Marion is struggling to find inspiration for a follow-up. When Edenville College invites him to join as a writer-in-residence, he’s convinced that his bad luck has finally taken a turn. His girlfriend Quinn isn’t so sure—she grew up near Edenville and has good reasons for not wanting to move back. Cam disregards her skepticism and accepts the job, with Quinn reluctantly following along.

Even a year removed from living in the bayou, Ruby still wonders at the splendor of her family’s New Orleans mansion. She rejoices in the love of the father she had never known, even as true happiness remains as elusive as swamp mist. Her stepmother sneers at her backwater upbringing, and while discovering she has a twin sister should be a cause for joy, Gisselle has greeted Ruby with nothing but a bitter heart.