English Gothic

As identical twins, Haylee and Kaylee Fitzgerald have always done things in exactly the same way. Under their mother's guidance, their every outfit, every meal, and every thought was identical. But now things are different. With Kaylee back at home after her sister's betrayal, her life has been turned inside out. Both her mother and Haylee are away, and Kaylee's alone and more lost than ever.

Thanks to house tamer Hulda Larkin, the mischief infesting Whimbrel House has calmed. But if Hulda’s job is done, what does that mean for Merritt Fernsby, inheritor of the remote Narragansett Bay estate, who’s only now coming to terms with his enchanted place in the world? Merritt has realized his own burgeoning powers, which draw the thoughts of every plant, insect, and dog. His nights are sleepless, with an uncontrollable cacophony of voices that compel a long-overdue search into his uncanny bloodline. It’s not the only puzzle uniting Merritt and his ex-housekeeper, Hulda.

In the tradition of Shirley Jackson’s We Have Always Lived in the Castle, a darkly humorous modern classic of Scottish literature about a doomed adolescent growing up in the mid-19th century—featuring a new introduction by Maggie O’Farrell, award-winning author of Hamnet.

The most notorious “Penny Dreadful”: Pulp-Lit Productions is proud to present this new edition of Varney the Vampyre, the most scandalous example of the Victorian Age’s most notorious style of popular literature.

They call me mad, but I don’t see anything wrong with using science to create the perfect monster girl. They call me insane, but I just want to live my life with a harem of beautiful cat-girls, bear-girls, fox-girls, snake-girls, and...well, pretty much any type of monster girl. They call me a megalomaniac, but why wouldn’t any red blooded man want to make cute babies with all these beautiful monster girls? They call me evil, but they just don’t realize that I’d destroy anyone who tries to harm my monster girls.

1908, Long Island: For Millie Turner, the young wife of a powerful New York stockbroker, Rose Briar Hall—a gleaming edifice of white marble on the North Shore—is more than a home. Every detail speaks of Charles Turner's wealth, and its interior is testament to Millie's sophistication. All that's left is to prove her worthiness to be his bride. What better way than to throw a grand party for New York's social elite? After painstaking planning, the night of the event arrives and all is perfection—until Millie wakes to a cold, eerily quiet house, and a gray cloud where her memory should be.

Dracula. A name of horror, depravity and the darkest sensuality. Yet the real Dracula was just as alluring, just as terrifying, his story not of a monster but of a man - and a contradiction. For the one they called 'The Devil's Son' was both tyrant and lawgiver, crusader and mass slaughterer, torturer and hero, lover and murderer. His tale is told by those who knew him best. The only woman he ever loved, who he must sacrifice. His closest comrade and traitor.

Mexico in the 1970s is a dangerous country, even for Maite, a secretary who spends her life seeking the romance found in cheap comic books and ignoring the activists protesting around the city. When her next-door neighbor, the beautiful art student Leonora, disappears under suspicious circumstances, Maite finds herself searching for the missing woman—and journeying deeper into Leonora’s secret life of student radicals and dissidents.

The neighbors all whisper about the two sisters who live on the hill: It's Blanche Hudson who lives in that house, you know. The Blanche Hudson, who starred in big Hollywood films all those years ago. Such a shame her career ended so early, all because of that accident. They say it was her sister, Jane, who did it - that she crashed the car because she was drunk. They say that's why she looks after Blanche now, because of the guilt. That's what they say, at least.

From the first moment Vincentio di Vivaldi, a young nobleman, sets eyes on the veiled figure of Ellena, he is captivated by her enigmatic beauty and grace. But his haughty and manipulative mother is against the match and enlists the help of her confessor to come between them. Schedoni, previously a leading figure of the Inquisition, is a demonic, scheming monk with no qualms about the task, whether it entails abduction, torture - or even murder.

Ever since her father was killed when she was just a child, Miranda Crabtree has kept her head down and her eyes up, ferrying contraband for a mad preacher and his declining band of followers to make ends meet and to protect an old witch and a secret child from harm. But dark forces are at work in the bayou, both human and supernatural, conspiring to disrupt the rhythms of Miranda’s peculiar and precarious life.

Lianna Mercier has everything. She’s beautiful, well-educated, her father is rich, powerful - and she works for him. The perfect little princess, raised to be just like daddy. But it’s all a lie. A bloody, screwed up lie, and David Gethen is about to tear it all down and destroy Lianna in the process. He wants revenge, he wants to finish the plan his father started years ago - but after he takes her, after he tortures her, he begins to realize just how wrong he may have been.

When Alice's husband disappears while investigating a series of strange and terrible incidents in the bustling seaport of Salem, she is forced to bring her young daughter, Abigail, along from Boston while she takes up the search. But she soon learns of a terrible curse that has the entire town bracing for nightfall: One hundred years after the infamous witch trials, the vengeful spirit of a woman hanged for witchcraft will rise from hell to claim the souls of Salem's children.

I never thought I'd move to New York. I certainly never expected to live in a mansion, rent free, with five super hot roommates. But none of those things surprised me as much as discovering the truth about my destiny, the revelation of the ancient power flowing through my veins and how it changes my life. I am the Raven Queen.

The Lost Country centers on Edgewater, who's recently been discharged from the navy, and a one-armed con man named Roosterfish who takes him under his wing as they both search desperately for a forgotten past and a future that may never come. The Lost Country cements Gay as one of the strongest voices in Southern literature, alongside Cormac McCarthy, Flannery O'Connor, and William Faulkner.

It is the summer of 1921, and a group of Bolsheviks have taken over Irina and Lili Goliteva’s ancestral home in Moscow, a stately mansion falling into disrepair and decay. The remaining members of their family are ordered to move into the cramped attic, while the officials take over an entire wing of grand rooms downstairs. The sisters understand it is the way of things and know they must forget their noble upbringing to make their way in this new Soviet Russia. But the house begins to whisper of a traumatic past not as dead as they thought.

Blood. Death. War. A dynasty destroyed, leaving me as the ultimate prize. I'm an unmated Omega Wolf, a princess destined to rule. But the remaining Alpha Princes all want to claim me, their brutal methods terrifying and cruel. I’ve spent the last century running and hiding in places where no one would think to look. Only he found me: Prince Kieran, the most powerful shifter of them all. Our game of hide and seek has come to an end. It’s time for me to submit...or to die fighting.

When Kian confesses his true nature, Syssi is not as much shocked by the revelation as she is wounded by what she perceives as his callous plans for her. If she doesn't turn, he'd be forced to erase her memories and let her go. His family's safety demands secrecy - no one in the mortal world is allowed to know that immortals exist. Resigned to the cruel reality, Syssi is determined to enjoy what little time she has with Kian, one day at a time.

In 1948, Irene Willard, who’s had five previous miscarriages in a quest to give her beloved husband the child he desperately desires and is now pregnant again, comes to an isolated house-cum-hospital in the Berkshires, run by a husband-and-wife team of doctors who are pioneering a cure for her condition. Warily, she enlists herself in the efforts of the Doctors Hall to “rectify the maternal environment,” both physical and psychological. In the meantime, she also discovers a long-forgotten walled garden on the spacious grounds, a place imbued with its own powers and pulls.

I am not a liar or a thief or a criminal. At least, not anymore. But here I am doing the things that I promised myself I would never do again. Nicholas Crawford made me an offer I couldn’t refuse. He is dangerous and damaged but so am I. Our relationship is an addiction that we have to feed. Now, things are about to get even more complicated. Allegiances will be tested. Lies will be told. Truths will be revealed. We have both made promises that we can’t keep. The secrets we have uncovered only scratch the surface, and I’m afraid to find out what lies below.