English Gothic

In the fall of 1962, twenty-seven-year-old Jemma Barker is desperate to escape her life in Chicago—and the spirits she has always been able to see. When she receives an unexpected job offer from the Duchon family in New Orleans, she accepts, thinking it is her chance to start over. But Jemma discovers that the Duchon family isn’t what it seems. Light enough to pass as white, the Black family members look down on brown-skinned Jemma.

For 300 years, Sister Autumn has incited wars, burnt villages, killed kings, and released plagues at the bidding of the grimoire. When an order from the grimoire sends Agatha to the Kingdom of Merveille, she already anticipates the worst. Unless she wants to face the wrath of the Goddess, Agatha must keep her head down and do as she's commanded. But when the grimoire orders her to marry a pompous prince and play the role of a peasant "accepted" by vicious aristocrats, she finds herself at the center of a war between the classes and an age-old prophecy.

"What are you wearing under this dress?" he asked, his mouth brushing hers, the words whisper-soft. Not what she expected him to say. "E-excuse me?" His teeth sank into her lower lip, making her yelp. "Focus." On what? The demon club? The humans dying downstairs? The fact that you're a f--king vampire? Where should I begin? He sighed, his forehead falling to hers. "Astasiya, we have very little time to sort this before the Conclave. I need you to work with me. Both our lives depend on it. What are you wearing?"

Half-vampire Catherine Crawfield is going after the undead with a vengeance, hoping that one of these deadbeats is her father—the one responsible for ruining her mother's life. Then she's captured by Bones, a vampire bounty hunter, and is forced into an unlikely partnership. In exchange for help finding her father, Cat agrees to train with the sexy night stalker until her battle reflexes are as sharp as his fangs. She's amazed she doesn't end up as his dinner…are there actually good vampires?

At the dawn of the twentieth century in Paris, Samantha Harker, daughter of Dracula's killer, works as a researcher for the Royal Society for the Study of Abnormal Phenomena. But no one realizes how abnormal she is. Sam is a channel into the minds of monsters: a power that could help her solve the gruesome deaths plaguing turn-of-the-century Paris—or have her thrown into an asylum.

In a world devastated by a deadly zombie outbreak, Rise and his vampire coven hide within the eerie sanctuary of Owl Court, a crumbling refuge in a landscape haunted by both the undead and their own darker instincts. While the outside world drowns in chaos, the tension within their walls is just as dangerous. Rise’s intense, unbreakable bond with Cypriot, his human lover, stirs a love that defies life, death—and even the end of the world. But this isn’t just survival.

Elric is the estranged emperor of the Melnibonéan empire, struggling with his nature while desperately striving to move forward with his dying empire alongside the constant thirst of his soul-sucking sword, Stormbringer. Elric is on the hunt for the great Citadel of Forgotten Myths while traveling through the remnants of his empire with his tragic best friend Moonglum, as Elric seeks the answers to the nature of the phroon of The Young Kingdoms.

On prom night, Caroline Winterfield walked away from the ruins of an abandoned mansion called Haven Cliff and into the woods…never to be seen again. Only her three best friends know what really happened. But a secret is a secret, and a promise is a promise—even when it shatters lifelong friendships. On the twenty-fifth anniversary of that night, Midge, Kelly, and Talia reunite at Haven Cliff, now a gleaming architectural jewel. But they aren’t alone. Someone is watching.

Jealousy, tragedy, survival, and revenge - the discovery of Christopher’s diary in the ruins of Foxworth Hall brings new secrets of the Dollanganger family to light and obsesses a new generation. With Flowers in the Attic and Petals on the Wind both now major Lifetime TV events, this first new addition to the Dollanganger story in nearly 30 years is a timely look at the events in the attic - from teenage Christopher’s point of view.

Alone in the world, Elspeth Swansome takes the position of nanny to a family on the remote Scottish island of Skelthsea. Her charge, Mary, hasn’t uttered a word since the sudden death of her twin, William—just days after their former nanny disappeared. No one will speak of what happened to William. Just as no one can explain the hypnotic lullabies sung in empty corridors. Or the strange dolls that appear in abandoned rooms. Or the faint whistling that comes in the night . . .

Delightfully spooky sequel to Jane Austen's novel Northanger Abbey. Newly married to her beloved Henry, Catherine’s eyes are now open to the grownup pleasures of wedded life. Yet she still hasn’t quite given up her girlhood fascination with all things Gothic. When she first visited Northanger Abbey, she only imagined dreadful events had occurred there. This time the horror is all too real. There’s been a murder, and Henry has fallen under suspicion.

The year is 1880. Two hundred years after the trials in Salem, Adelaide Thom has left her life in the sideshow to open a tea shop with another young woman who feels it's finally safe enough to describe herself as a witch: a former medical student and gardien de sorts (keeper of spells), Eleanor St. Clair. Together they cater to Manhattan's high society ladies, specializing in cures, palmistry and potions - and in guarding the secrets of their clients.

The final, haunting novel, in the extraordinary story that has enthralled millions! The horror began with Flowers in the Attic, the terrifying tale of four innocent children locked away from the world by a cruel mother. The shocking fury continued with Petals on the Wind and If There be Thorns. Now V.C. Andrews has created the last dark chapter in the strange, chilling tale of passion and peril.

The Lost Country centers on Edgewater, who's recently been discharged from the navy, and a one-armed con man named Roosterfish who takes him under his wing as they both search desperately for a forgotten past and a future that may never come. The Lost Country cements Gay as one of the strongest voices in Southern literature, alongside Cormac McCarthy, Flannery O'Connor, and William Faulkner.

In her grandmother's fine, rich Boston house, Heaven Leigh Casteel dreamed of a wonderful new life of new friends, the best schools, beautiful clothes, and most important, love. The pearls of culture, wisdom, and breeding would now be hers. Soon, she would make the Casteel name respectable, find her brothers and sisters, and have a family again. But even in the world of the wealthy, there were strange forebodings, secrets best forgotten. And as Heaven reached out for love, she was slowly ensnared in a sinister web of cruel deceits and hidden passions.

In the midst of the woods stands a house called Lichen Hall. This place is shrouded in folklore—old stories of ghosts, of witches, of a child who is not quite a child. Now the woods are creeping closer, and something has been unleashed. Pearl Gorham arrives in 1965, one of a string of young women sent to Lichen Hall to give birth. And she soon suspects the proprietors are hiding something. Then she meets the mysterious mother and young boy who live in the grounds—and together they begin to unpick the secrets of this place.

In an immersive Southern Gothic with echoes of Shirley Jackson’s The Lottery and Sharp Objects by Gillian Flynn, a restauranteur lured by pandemic-era incentives moves her family to a seemingly idyllic small town in Georgia, only to discover a darkness lurking beneath the Southern hospitality and sun-dappled streets.

I never thought I'd move to New York. I certainly never expected to live in a mansion, rent free, with five super hot roommates. But none of those things surprised me as much as discovering the truth about my destiny, the revelation of the ancient power flowing through my veins and how it changes my life. I am the Raven Queen.

Audrina remembers a better time, when her husband, Arden, was a young man with a heart filled with devotion for her. He didn't used to be this ambitious, this expansive...this cruel. But then, the death of Aurdina's father changed a great many things. When the reading of her father's will reveals that Audrina herself will control 51 percent of the family brokerage, the halls of Whitefern again don't feel safe. Arden's protestations become frantic, nearly violent.

Annaleigh lives a sheltered life at Highmoor with her sisters and their father and stepmother. Once there were 12, but loneliness fills the grand halls now that four of the girls' lives have been cut short. Disturbed by a series of ghostly visions, Annaleigh becomes increasingly suspicious that her sister's deaths were no accidents. The girls have been sneaking out every night to attend glittering balls, dancing until dawn in silk gowns and shimmering slippers, and Annaleigh isn't sure whether to try to stop them or to join their forbidden trysts.