English High Society

Many people believe that, at its core, biological sex is a fundamental, diverging force in our development. According to this familiar story, differences between the sexes are shaped by past evolutionary pressures - women are more cautious and parenting-focused, men seek status to attract more mates - re-created in each generation by sex hormones and male and female brains. This, in turn, is the basis of supposedly entrenched inequalities in our modern societies.

Widowed and forced to remarry in three years' time or forfeit her son's inheritance, Daisy Bristol, Lady Chatwick, has plenty of suitors vying for her hand - and her fortune. But a letter from a long-lost love sends Daisy and her young son to her Scottish Highland estate to buy time for his return. Along the way she encounters the powerful Cailean Mackenzie, laird of Arrandale and a notorious smuggler, and she is utterly - though unwillingly - bewitched.

Taking stock of our fragmented political landscape, Michael Patrick Lynch delivers a trenchant philosophical take on digital culture and its tendency to make us into dogmatic know-it-alls. The internet - where most shared news stories are not even read by the person posting them - has contributed to the rampant spread of "intellectual arrogance". In this culture, we have come to think that we have nothing to learn from one another; we are rewarded for emotional outrage over reflective thought; and we glorify a defensive rejection of those different from us.

Democratic Delusions explores the potential of our media and tech systems to be democratic and contribute to a just and transformative democracy. This is only possible, Natalie Fenton argues, by first situating our political systems and mediated worlds within global capitalism. By interrogating different media and their relationship to seven key elements of democracy—power, participation, freedom, equality, public good, trust, and hope—the book asks: What is the response of society when the ability of news media to speak truth to power has been restricted by corporate logic?

November, 1923. Olive’s school chum, Gigi, invites Olive to London because Gigi’s dotty grandmother fears for her life—or so she’s said to Gigi. However Olive is surprised to find that the dowager is far from muddled. The sharp and imperious matriarch refuses to admit to her worries and sends Olive on her way. Without a client or case, Olive is swept into the glittering lifestyle of the “fast set,” and their decadent excess. But then among the cocktails and champagne, a murderer strikes during a frivolous party game, and Olive realizes the dowager’s fears were well-founded.

On a quest to distract her lifelong friend Jeremy from his recent heartbreak, Lady Emily organizes a holiday in Greece. As a lover of all things Greek, she quickly finds herself occupied with tours of ancient ruins, lively debates with Margaret, a devoted Latinist, and slightly more scandalous endeavors with her dashing husband, Colin Hargreaves. But the pleasantries are brought to an abrupt halt when a man long believed dead greets the party at their island villa. Lord Philip Ashton, Colin's childhood best friend and Emily's first husband, has returned.

Olive Belgrave is delighted with her new flat at South Regent Mansions where she’s made several friends, including the modern career woman, Minerva, who draws a popular cartoon about a flapper for a London newspaper. But then Minerva comes to Olive for help after catching a glimpse of a disturbing sight—a dead body. At least, that’s what Minerva thought she saw, but there’s not a dead body anywhere in the posh building, and the residents are continuing with their lives as they normally do. Is Minerva seeing things? Is she barmy? Or is there a more sinister explanation?

Emily and Colin Hargreaves make it a rule to spend as little time as possible with her parents in Kent, but are unable to refuse Lady Catherine Bromley’s invitation to join them for a pre-Christmas party that includes the family of Ala Kapur Singh, a powerful Punjabi maharaja who has come to England after receiving the Order of the Star of India.

November, 1923. An invitation to a house party at the estate of Parkview Hall is a welcome respite for Olive Belgrave, a newly minted working girl who’s become the solver of high society’s trickiest problems. But when the sumptuous black-tie event turns deadly, Olive’s cousin Peter becomes the main suspect. Olive must unmask a sophisticated killer before an innocent man takes the blame . . . because murder doesn’t RSVP.

In 63 BC, frustrated by his failure to be elected leader of the Roman Republic, the aristocrat Catiline tried to topple its elected government. Backed by corrupt elites and poor, alienated Romans, he fled Rome while his associates plotted to burn the city and murder its leading politicians. The attempted coup culminated with the unmasking of the conspirators in the Senate. In How to Stop a Conspiracy, Josiah Osgood presents a brisk, modern new translation of the definitive account of these events, Sallust's The War with Catiline.

High atop a snow-covered hill, the stately old Wyatt mansion is perched like a crown, its stone spires pointing upward, its stained glass windows glowing like colorful jewels. Such opulence means success and, surely, happiness. But on the eve of wealthy philanthropist Cecil Wyatt's 80th birthday, all the money in the world won't bring back his missing grandson, William Wyatt. The only thing for certain: Foul play was involved.

In the winelands of 16th-century Germany, Obsopoeus witnessed the birth of a poisonous new culture of bingeing, hazing, peer pressure, and competitive drinking. Alarmed, and inspired by the Roman poet Ovid's Art of Love, he wrote The Art of Drinking (1536), a how-to manual for drinking with pleasure and discrimination. In How to Drink, Michael Fontaine offers the first proper English translation of Obsopoeus' text, rendering his poetry into spirited, contemporary prose and uncorking a forgotten classic that will appeal to drinkers of all kinds and (legal) ages.

After an odd encounter at a grand masquerade ball, Lady Emily becomes embroiled in the murder investigation of one of the guests, a sometime actress trying to pass herself off as the mysterious heiress and world traveler Estella Lamar. Each small discovery, however, leads to more questions. Was the intended victim Miss Lamar or the imposter? And who would want either of them dead?

After the final curtain of Swan Lake, an animated crowd exits the Mariinsky theatre brimming with excitement from the night's performance. But outside, the scene is somber. A ballerina's body lies face down in the snow, blood splattered like rose petals over the costume of the Swan Queen. The crowd is silenced by a single cry - "Nemetseva is dead!" When the dead ballerina's aristocratic lover comes begging for justice, Emily must apply her own set of skills to discover the rising star's murderer.

Artificial intelligence is revolutionizing the modern world. It is ubiquitous-in our homes and offices, in the present and most certainly in the future. Today, we encounter AI as our distant ancestors once encountered fire. If we manage AI well, it will become a force for good, lighting the way to many transformative inventions. If we deploy it thoughtlessly, it will advance beyond our control. As AI policy experts Ben Buchanan and Andrew Imbrie show in The New Fire, few choices are more urgent—or more fascinating—than how we harness this technology and for what purpose.

In The Adventuress, Emily and husband Colin have come to the French Riviera for what should be a joyous occasion - the engagement party of her lifelong friend, Jeremy, duke of Bainbridge, and Amity Wells, an American heiress. But the merrymaking is cut short with the shocking death of one of the party in an apparent suicide. Not convinced by the coroner's verdict, Emily must employ all of her investigative skills to discover the truth and avert another tragedy.

Cohen shows how smart guys like Jeff Bezos, Peter Thiel, and Mark Zuckerberg fell in love with a radically individualistic ideal and then mainstreamed it. With these very rich men leading the way, unions, libraries, public schools, common courtesy, and even government itself have been pushed aside to make way for supposedly efficient market-based encounters via the Internet. Donald Trump's election victory was an inadvertent triumph of the "disruption" that Silicon Valley has been pushing. A society that belittles civility, empathy, and collaboration can easily be led astray.

In the insightful and engaging book "How to Behave Around the Wealthy" by Jeff Coker, listeners are taken on a comprehensive journey into the exclusive world of high society. This isn't just a guide; it's an enlightening exploration into the nuanced lifestyles, values, and behaviors of the affluent. Whether you're seeking to form personal connections, enhance your professional network, or simply understand the intricacies of interacting with the wealthy, this book offers a treasure trove of wisdom and practical advice.

Recognizing the power of the new and trying to understand and promote the conditions that make it possible, the Greeks were the first to write about innovation and even the first to record a word for forging something new. In short, the Greeks "invented" innovation itself - and they still have a great deal to teach us about it. How to Innovate is an engaging introduction to key ideas about - and examples of - innovation and creative thinking from ancient Greece. Armand D'Angour provides lively new translations of selections from Aristotle, Diodorus, and Athenaeus.

Talking Cure is a timely and enticing excursion into the art of good conversation. Paula Marantz Cohen reveals how conversation connects us in ways that social media never can and explains why simply talking to each other freely and without guile may be the cure to what ails our troubled society. Drawing on her lifelong immersion in literature and culture and her decades of experience as a teacher and critic, Cohen argues that we learn to converse in our families and then carry that knowledge into a broader world where we encounter diverse opinions and sensibilities.