English High Society

Olive Belgrave is delighted with her new flat at South Regent Mansions where she’s made several friends, including the modern career woman, Minerva, who draws a popular cartoon about a flapper for a London newspaper. But then Minerva comes to Olive for help after catching a glimpse of a disturbing sight—a dead body. At least, that’s what Minerva thought she saw, but there’s not a dead body anywhere in the posh building, and the residents are continuing with their lives as they normally do. Is Minerva seeing things? Is she barmy? Or is there a more sinister explanation?

Paul Strom is the perfect husband: breadwinner, protector, provider. That's why he's planned a romantic weekend for his wife, Mia, at their lake house, just the two of them. And he's promised today will be the best day ever. But as Paul and Mia drive out of the city and toward the countryside, a spike of tension begins to wedge itself between them, and doubts start to arise. How perfect is their marriage, or any marriage, really? How much do they trust each other? Is Paul the person he seems to be? And what are his secret plans for their weekend?

High atop a snow-covered hill, the stately old Wyatt mansion is perched like a crown, its stone spires pointing upward, its stained glass windows glowing like colorful jewels. Such opulence means success and, surely, happiness. But on the eve of wealthy philanthropist Cecil Wyatt's 80th birthday, all the money in the world won't bring back his missing grandson, William Wyatt. The only thing for certain: Foul play was involved.

Anglemore Park is the ancestral home of Lady Emily Hargreave's husband Colin. But the stately calm of country life is destroyed when their neighbor, the Marquess of Montagu, bursts through the French doors from the garden and falls down dead in front of the shocked gathering. But who has a motive for murdering the young aristocrat? The lovely cousin who was threatened by his engagement, the Oxford friend he falsely accused of cheating, the scheming vicar's daughter he shamelessly seduced or the relative no one knew existed who appears to claim the Montagu title?

November, 1923. Olive’s school chum, Gigi, invites Olive to London because Gigi’s dotty grandmother fears for her life—or so she’s said to Gigi. However Olive is surprised to find that the dowager is far from muddled. The sharp and imperious matriarch refuses to admit to her worries and sends Olive on her way. Without a client or case, Olive is swept into the glittering lifestyle of the “fast set,” and their decadent excess. But then among the cocktails and champagne, a murderer strikes during a frivolous party game, and Olive realizes the dowager’s fears were well-founded.

After the final curtain of Swan Lake, an animated crowd exits the Mariinsky theatre brimming with excitement from the night's performance. But outside, the scene is somber. A ballerina's body lies face down in the snow, blood splattered like rose petals over the costume of the Swan Queen. The crowd is silenced by a single cry - "Nemetseva is dead!" When the dead ballerina's aristocratic lover comes begging for justice, Emily must apply her own set of skills to discover the rising star's murderer.

After an odd encounter at a grand masquerade ball, Lady Emily becomes embroiled in the murder investigation of one of the guests, a sometime actress trying to pass herself off as the mysterious heiress and world traveler Estella Lamar. Each small discovery, however, leads to more questions. Was the intended victim Miss Lamar or the imposter? And who would want either of them dead?

November, 1923. An invitation to a house party at the estate of Parkview Hall is a welcome respite for Olive Belgrave, a newly minted working girl who’s become the solver of high society’s trickiest problems. But when the sumptuous black-tie event turns deadly, Olive’s cousin Peter becomes the main suspect. Olive must unmask a sophisticated killer before an innocent man takes the blame . . . because murder doesn’t RSVP.

Many people believe that, at its core, biological sex is a fundamental, diverging force in our development. According to this familiar story, differences between the sexes are shaped by past evolutionary pressures - women are more cautious and parenting-focused, men seek status to attract more mates - re-created in each generation by sex hormones and male and female brains. This, in turn, is the basis of supposedly entrenched inequalities in our modern societies.

Taking stock of our fragmented political landscape, Michael Patrick Lynch delivers a trenchant philosophical take on digital culture and its tendency to make us into dogmatic know-it-alls. The internet - where most shared news stories are not even read by the person posting them - has contributed to the rampant spread of "intellectual arrogance". In this culture, we have come to think that we have nothing to learn from one another; we are rewarded for emotional outrage over reflective thought; and we glorify a defensive rejection of those different from us.

Jo Slater has it all. The queen of Manhattan society, she has dealt successfully with a tricky period in which she lost her husband, her fortune, and her reputation. But she bounced back, and now, newly single in the greatest city in the world, there is not a cloud in the sky.

Empathy has become a gaping fault line in American culture. Pioneering programs aim to infuse our legal and educational systems with more empathic thinking, even as pundits argue over whether we should bother empathizing with our political opposites at all. Meanwhile, we are inundated with the buzzily termed "empathic marketing" - which may very well be a contradiction in terms. In I Feel You, Cris Beam carves through the noise with a revelatory exploration of how we perform empathy, how it is learned, what it can do - indeed, what empathy is in the first place.

In The Adventuress, Emily and husband Colin have come to the French Riviera for what should be a joyous occasion - the engagement party of her lifelong friend, Jeremy, duke of Bainbridge, and Amity Wells, an American heiress. But the merrymaking is cut short with the shocking death of one of the party in an apparent suicide. Not convinced by the coroner's verdict, Emily must employ all of her investigative skills to discover the truth and avert another tragedy.

Recognizing the power of the new and trying to understand and promote the conditions that make it possible, the Greeks were the first to write about innovation and even the first to record a word for forging something new. In short, the Greeks "invented" innovation itself - and they still have a great deal to teach us about it. How to Innovate is an engaging introduction to key ideas about - and examples of - innovation and creative thinking from ancient Greece. Armand D'Angour provides lively new translations of selections from Aristotle, Diodorus, and Athenaeus.

Talking Cure is a timely and enticing excursion into the art of good conversation. Paula Marantz Cohen reveals how conversation connects us in ways that social media never can and explains why simply talking to each other freely and without guile may be the cure to what ails our troubled society. Drawing on her lifelong immersion in literature and culture and her decades of experience as a teacher and critic, Cohen argues that we learn to converse in our families and then carry that knowledge into a broader world where we encounter diverse opinions and sensibilities.

Democratic Delusions explores the potential of our media and tech systems to be democratic and contribute to a just and transformative democracy. This is only possible, Natalie Fenton argues, by first situating our political systems and mediated worlds within global capitalism. By interrogating different media and their relationship to seven key elements of democracy—power, participation, freedom, equality, public good, trust, and hope—the book asks: What is the response of society when the ability of news media to speak truth to power has been restricted by corporate logic?

Widowed and forced to remarry in three years' time or forfeit her son's inheritance, Daisy Bristol, Lady Chatwick, has plenty of suitors vying for her hand - and her fortune. But a letter from a long-lost love sends Daisy and her young son to her Scottish Highland estate to buy time for his return. Along the way she encounters the powerful Cailean Mackenzie, laird of Arrandale and a notorious smuggler, and she is utterly - though unwillingly - bewitched.

From a plague in Athens during the Peloponnesian War in 430 BCE, to another in 540 that wiped out half the population of the Roman empire, down through the Black Death in the Middle Ages and on through the 1918 flu epidemic (which killed between 50 and 100 million people) and this century's deadly SARS outbreak, plagues have been a much more relentless fact of life than many realize. The legacy of epidemics, Brian Michael Jenkins observes, is not only one of lives lost but of devastated economies and social disorder, all of which have severe political repercussions.

'I would be most unhappy to think that any part of this memoir should be cut on grounds of 'decency', for those bits are essential....' So begins the lively true story of aristocrat and travel writer Roderic Fenwick Owen. Born in 1921, Fenwick Owen had an extraordinary life, which careered between some of the biggest moments in history and took him to the ends of the earth, meeting (and even living with) some of the 20th century's most well-known people along the way, including Eisenhower, Jackson Pollock, Christopher Lee and Sean Connery.

Hatred is often considered the opposite of love, but in many ways it is much more complicated. It also may be considered one of the dominant emotions of our time, as individuals, groups, and even nations express or enact hatred to varying degrees. What is hatred? Where does it come from, and what does it reveal about the hater? And is hatred always a bad thing? Brogaard makes a deep dive into the moral psychology of one of our most complex and vivid emotions.