English Horror

Twenty years ago, a boy named Jack Sawyer traveled to a parallel universe called the Territories to save his mother and her “Twinner” from an agonizing death that would have brought cataclysm to the other world. Now Jack is a retired Los Angeles homicide detective living in the nearly nonexistent hamlet of Tamarack, Wisconsin. He has no recollection of his adventures in the Territories....

Perhaps Danielle's first clue should have been that Hillary's muse is male. He brings with him restless spirits and murders to solve - if Danielle dares. She has already been warned to stay away.

The Hunter from the Woods marks the much-anticipated return of Michael Gallatin, the lycanthropic hero of Robert McCammon's classic, The Wolf's Hour. These all-new, interlinked stories offer a full measure of McCammon's trademark narrative excitement, and comprise a fascinating composite portrait of a unique fictional creation. The volume opens with a pair of brief glimpses into Michael's early life in Russia and his initial recruitment into the British Secret Service. It ends with a haunting vision of the werewolf at twilight.

Twenty-five years ago, Maggie Holt and her parents, Ewan and Jess, moved into Baneberry Hall, a rambling Victorian estate in the Vermont woods. Three weeks later they fled in the dead of night, an ordeal Ewan later recounted in a nonfiction book called House of Horrors. His horror memoir of ghostly happenings and encounters with malevolent spirits became a worldwide phenomenon, rivaling The Amityville Horror in popularity — and skepticism.

On a misty cemetery world, three strangers are drawn together through mysterious circumstances. Each of them has a tale to tell of a narrow escape from death. Amid the toll of funerary bells and the creep and click of mortuary-servitors, the truth is confessed. But whose story can be trusted? Whose recollection is warped, even unto themselves?

When Lewis Barnavelt and Rose Rita Pottinger explore an abandoned theater, they discover an unpublished opera score entitled "The Day of Doom". Ignoring a strange omen, they show it to their music teacher, who heralds "The Day of Doom" as a masterpiece. Little do they know that the eerie Henry Vanderhelm, the composer's grandson, arrives - with a plan. A plan to awaken the dead and enslave the world!

Since they were lured to the festival at Carousel, Riley (the Film Buff), Antoine (the Athlete), Camden (the Scholar), Anna (the Final Girl), and Kimberly (the Eye Candy) have lived through entire horror movie plots. So far, Riley's survival strategy is working. He's high on his Moxie, Hustle, and Savvy stats. But his Mettle and Grit have dropped dangerously low, leaving him vulnerable. If he gets caught by a killer, he's done for.

According to The Nice and Accurate Prophecies of Agnes Nutter, Witch (the world's only completely accurate book of prophecies, written in 1655, before she exploded), the world will end on a Saturday. Next Saturday, in fact. Just before dinner. So the armies of Good and Evil are amassing, Atlantis is rising, frogs are falling, tempers are flaring. Everything appears to be going according to Divine Plan.

Still looking for answers to explain her uncanny ability to see her dead ancestors, Abby shifts her focus to spiritualists, seers, and psychics of all kinds. Meeting them with an open mind - and a healthy dose of skepticism - she wants to know if any of them genuinely share her strange experiences or if they're simply conning gullible people. When she ventures into a series of "readings" given by area psychics, she makes a startling connection that defies even her wildest expectations.

Acclaimed author Meg Cabot is the creator of the #1 New York Times best seller The Princess Diaries. This latest edition to the Mediator series is a suspenseful tale of 16-year-old Suze, who acts as the middleman for ghosts and the real world. Unintentionally, Suze has fallen in love with a 19th-century ghost. Will she lose him forever if she solves his murder?

Hot on the heels of her 2018 This Is Horror Award–winning short story collection Spectral Evidence, critically horror author Gemma Files compiles fifteen more of her most startling recent nightmares—a creepily seductive downward spiral of dark poetry and existential dread, entirely suitable to the slow apocalypse going on all around us. So take your mind off your troubles and send it somewhere the rules still operate, if only to punish those who violate them.

Located on the Long Island Sound, random attacks by unknown creatures are terrorizing local residents. The question: Who is going to do something about it? Marine biologist Katie DiNardo and ichthyologist Nick Tanner have seen the damage caused by their mystery creatures, but are at a complete loss as to the attacking species. All they know is that they need to get to the bottom of this - and fast.

In December 1975, the Lutz family moved into their new home on suburban Long Island. George and Kathleen Lutz knew that, one year earlier, Ronald DeFeo had murdered his parents, brothers, and sisters in the house, but the property - complete with boathouse and swimming pool - and the price were too good to pass up. This is the shocking true story of an American dream that turned into a nightmare beyond imagining for the Lutz family, who were forced to flee their new home in terror.

Grace Alban has spent 20 years away from her childhood home, the stately Alban House on the shores of Lake Superior - for reasons she would rather forget. But when her mother’s unexpected death brings Grace and her teenage daughter home, she finds more than just her own personal demons haunting the halls and passageways of Alban House.

New research has uncovered deeply buried military secrets—both the Allied and Axis special operations during WWII included monsters. Did the Soviets use a dragon to win the Battle of Kursk? Did a vampire fight for the Canadians in Holland? Did the US drop the second atomic bomb on a kaiju? This collection takes real events from World War II and injects them with fantastical creatures that mirror the “unreality” of war itself. Each story—and two poems—feature mythical, mystical, and otherwise unexplainable beings that change the course of history.

Lorelei is a hint over 30 - nobody better ask how much of a hint - and isn't sure why the hell she's been magically hauled to the land of werewolves. But she has. Which sucks. At least they stole her while she was at the gun range. Go Pink Pistol of Doom! So, they stole her, she stole a cell phone in return, and all is crazy in her new werewolf-laced world. It gets even crazier when, one - she discovers her sisters have been kidnapped, too, and two - werewolves are sexy as all get out.

After recent events, a little fun in the sun is just what Doc and the gang need. Unfortunately, it may take a bit more than beach time to make things right because something is very, very wrong with Doc Holliday....

The deadly dimensions over London have been sealed, and the monsters have departed. But word has come to Sherlock Holmes and Dr. Watson of a more terrifying creature still - the great Cthulhu has been sighted off the waters of Innsmouth, Massachusetts. Only Holmes can defeat him. And in the muddy village of Innsmouth, surrounded by villagers who are more sea-monster than human, Holmes meets again his nemesis, Moriarty, and yet greater foes: Amelia Scarcliffe and Maria Fitzgerald, harbingers of Dagon, who have called forth Cthulhu.

Amelia Scarcliffe’s monstrous brood, harbingers of Cthulhu, will soon spawn. Her songs spell insanity, death...and illimitable wealth. And Moriarty will do anything to get his hands on gold, even if it means tearing down the walls between this world and a realm of horrors. Meanwhile, after Sherlock Holmes’s last tangle with the Order of Dagon, horrifying monsters haunt the Thames, and madness stalks the streets of Whitechapel. Gang war between Moriarty’s thugs and the powerful cult can only bring more terror - unless Holmes and Dr. Watson can prevent it.

Fresh out of rehab, Mallory Quinn takes a job as a babysitter for Ted and Caroline Maxwell. She is to look after their five-year-old son, Teddy. Mallory immediately loves it. She has her own living space, goes out for nightly runs, and has the stability she craves. And she sincerely bonds with Teddy, a sweet, shy boy who is never without his sketchbook and pencil. His drawings are the usual fare: trees, rabbits, balloons. But one day, he draws something different: a man in a forest, dragging a woman’s lifeless body.