English Irish

There's a mantra real writers know but wannabe writers don’t. And the secret phrase is this: "Nobody wants to read your shit." Recognizing this painful truth is the first step in the writer's transformation from amateur to professional.

After an audacious assassination attempt on boss Daniel Kinahan's life, the Kinahan Cartel recruited an unprecedented number of killers to retaliate against their attackers, the Hutch gang. Kinahan Assassins is the compelling behind-the-scenes account of one man's thirst for vengeance and how it proved fatal for his organization. Kinahan Assassins has the stories of the men who killed for the cartel - including vulnerable drug addicts, a former British soldier, an MMA fighter and an invisible 'Mr Nobody' who acted as a cartel quartermaster - as well as those who gave them orders.

Emer is just a woman living in New York City who takes the subway, buys ice cream from the bodega on the corner, has writerly aspirations, and lives with her boyfriend, Con. But is this life she lives the only path she’s on?

On the morning of her 25th birthday, Lily Harper opens the very last letter written to her by her beloved mother, who died when she was eight. Learning about the first and only real love of her mom's life is a revelation. The same momentous day, Lily meets Eddie Tessler, an actor fleeing fame who could change her world in unimaginable ways. But her childhood friend, Dan, has his own reasons for not wanting Lily to get too carried away by Eddie's attentions.

A new family moves in over the road. The new family is acting strange. This new family has some secrets. From the author of Audible's Thriller of the Year, Silent Child, comes another psychological thriller to keep you guessing until the very end. Performed by Sophie McShera, (Daisy Mason, Downton Abbey), enter the world of a family broken by lies, a woman traumatised by a dark past, and a child caught in the crossfire.

Small Bones in a Fist is composed of stories drawn from Blindboy's first two published books: The Gospel According to Blindboy and Boulevard Wren and Other Stories. Curated, narrated and scored by the author, Small Bones in a Fist is a surreal, provocative and darkly funny introduction to one of the most original voices in Irish literature.

Within this audiobook lies the heart of Irish identity—a rich heritage of storytelling that has been passed down through the generations, from the mysterious Druids and the formidable Tuatha Dé Danann to legendary heroes whose deeds are still sung. Meet the awe-inspiring gods and goddesses who wielded power over life and death and shaped the destiny of Ireland itself.

Au phare, c'est cette destination vers laquelle se tend et se déploie tout le roman, un serment en suspens, à flux tendu au-dessus des profondeurs abyssales de la conscience des personnages. La promesse d'une promenade scelle l'alliance de Mrs Ramsey avec ses enfants, contre le père, contre vents et marées, le temps qui passe et la Guerre - c'est autour de cette parole donnée que se nouent les désirs enfouis et les pensées tues, que se cristallisent tragiquement les souvenirs d'enfance.

Make Shakespeare a part of your daily routine with Shakespeare for Every Day of the Year, a yearlong collection of passages from Shakespeare's greatest works. Drawing from the full spectrum of plays and sonnets to mark each day of the year, whether it's a scene from Hamlet to celebrate Christmas or a Sonnet in June to help you enjoy a summer's day. There are also passages to mark important days in the Shakespeare calendar, both from his own life and from his plays.

Christine Valters Paintner, best-selling Catholic author and online abbess for Abbey of the Arts, uses reflections, stories, guided activities, prayer experiences, and a variety of creative arts to help you patiently and attentively listen to God's invitation. Everyone wants to understand God's will for their lives. Christine Valters Paintner shares one of the most ancient paths to understanding from her study of monasticism and immersion into Celtic spirituality while living in Ireland.

When two children happen across an ancient shrine, they unintentionally summon an impish sprite named Puck, also known as Robin Goodfellow. To their wonderment, the fairy conjures up the past, taking them on ten magical adventures: They visit Roman Britain and the legion guarding Hadrian's Wall, the thirteenth-century court of King John, and Old England from the time of William the Conqueror.

The narrator is Max Morden, a middle-aged Irishman who, soon after his wife’s death, has gone back to the seaside town where he spent his summer holidays as a child—a retreat from the grief, anger, and numbness of his life without her. But it is also a return to the place where he met the Graces, the well-heeled vacationing family with whom he experienced the strange suddenness of both love and death for the first time.

Everyone knows where they were when Ray Houghton outfoxed the Italian goalkeeper in the 1994 World Cup finals. Every television in the country was tuned in to the match, and The Heights Bar in Loughinisland, Co. Down was no exception. But two miles down the road, three men with no interest in Ireland's footballing progress were planning a deadly massacre. Shortly after half-time they burst through the door of the bar and opened fire, spraying bullets indiscriminately. As they fled the scene, six innocent men lay dead or dying.

Jeanie Masterson has a gift: She can hear the recently dead and give voice to their final wishes and revelations. Inherited from her father, this gift has enabled the family undertakers to flourish in their small Irish town. Yet she has always been uneasy about censoring some of the dead's last messages to the living. Unsure, too, about the choice she made when she left school seventeen years ago: to stay or leave for a new life in London with her charismatic teenage sweetheart.

The Marriage of Heaven and Hell by the English poet William Blake consists of a series of texts written in the style of biblical prophecy but expressing Blake's own beliefs. Composed between 1790 and 1793, the book makes reference to Milton and Swedenborg, and adopts a device from Dante's Divine Comedy and Milton's Paradise Lost: a visit to hell. Blake expresses a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are both part of the divine order.

The Great War is over - but in Ireland, in the wake of the bloody 1916 Easter Rising, anyone who served in France is now considered a traitor, including Nurse Eileen Flynn and former soldier Michael Sullivan, who only want to be married in the small, isolated village where she grew up. Even her grandmother is against it, and Eileen’s only protection is her cousin Terrence, who was a hero of the Rising and is still being hunted by the British.

When her father remarries, the honest, innocent Molly Gibson suddenly finds herself with a new stepsister, Cynthia, who is beautiful, worldly and impetuous. This would be more than enough to deal with, but the new wife is the deeply snobbish (and darkly secretive) Hyacinth. Thwarted love, scheming ambition and small-town gossip underlie the warmth, irony and brilliant social observation which link the relationships and the inevitable conflicts as profound change comes to rural England.

The disturbing disappearance of yet another young, red-haired gal from the Irish Travellers’ Caravan site has everyone on edge. Then Shamus Maguire’s 12-year-old sister, Erin, vanishes. While searching for clues to his sister’s disappearance, Shamus meets Lash Boswell, an older man from a Romani caravan. Lash decides to help Shamus, and they set out together to find the truth about the many disappearances.

London 1940. As the war rages in Europe, Rose Brown steps on board a ship bound for America, hoping to escape the danger. She's frightened, but her widowed mammy and three sisters in Ireland need the money she earns as nanny to the rich Townsend family. But while Rose plays with baby Sarah in the salty spray on deck, disaster strikes, and the ocean liner begins to sink. In the chaos, Rose and the baby are separated from the family.

Bytown, 1836: The lawless cesspool that will become the city of Ottawa is beginning to reek of more than just swamp water. Rife with squalor, corruption, and organized crime, class injustice divides the town more starkly than the canal that bisects it, cutting off its Irish poor—who are ready to fight back. On a homestead in the woods near Bytown, a domestic drama is also reaching a fever pitch