English Irish

Rachel Ford has returned to Kilbrook to take revenge on the bullies who ruined her childhood and destroyed her family. Australian actor Finn MacKenzie sets hearts fluttering when he arrives in Kilbrook to help his aunt. Finn isn’t looking for love, but there’s a definite spark between them. Rachel is torn between her desire for revenge and this new love affair. Will he understand why she must keep her promise, no matter the cost?

The story girl of the title is the 14-year-old Sara Stanley who weaves spellbinding tales that enchant her audience that comes from near and far. These 32 stories range from the humorous and satirical to exotic romances, Scottish folk tales, retellings of Greek myths and poems by Tennyson, to ghost stories. They include the scary "Tale of the Family Ghost", and the bittersweet "The Blue Chest of Rachel Ward".

C. S. Lewis wrote of George MacDonald: "I know hardly any other writer who seems to be closer, or more continually close, to the Spirit of Christ Himself." Lewis also claimed that everything he wrote was influenced by this Scottish pastor and novelist who lived a century before Lewis. George MacDonald serves as an act of appreciation, with Lewis gathering 365 of the best and most profound lines from his mentor as well as providing a preface detailing the impact MacDonald had on Lewis' own literary and spiritual career.

Four hot Irishmen sitting in a leprechaun's bar . . . all staring at me like I'm his pot of gold. Oh yeah, I'm one lucky woman. But everything isn't rainbows and lucky charms with my four Irish treasures. Warwick may have helped me break the curse trapping Doran as the stone gargoyle, but the guys don't trust the leprechaun. At all. Worse, demons are pouring into our world unchecked despite the four treasures being reunited. I am their treasure keeper, the conduit that allows their magic to flow, but there are disturbing holes in my memory. Someone doesn't want me to remember . . .

All the delightful and bizarre inhabitants of Wonderland are here: the White Rabbit and the Cheshire Cat, the hooka-smoking Caterpillar and the Mad Hatter, the March Hare and the Ugly Duchess... and, of course, Alice herself - growing alternately taller and smaller, attending demented tea parties and eccentric croquet games, and observing everything with clarity and rational amazement.

This varied, well-chosen selection brings onto one audiobook the best of Dylan Thomas. Here is the legendary recording of "Under Milk Wood", with Richard Burton and Richard Bebb as narrators; but here also are two radio productions he wrote before that great classic, and though interesting in their own right, they show how "Under Milk Wood" grew gradually in his imagination.

In the tradition of Frank McCourt’s Angela’s Ashes and Alice Taylor’s To School Through the Fields, Tom Phelan’s We Were Rich and We Didn't Know It is a heartfelt and masterfully written memoir of growing up in Ireland in the 1940s. We Were Rich and We Didn't Know It recounts Tom’s upbringing in an isolated, rural community from the day he was delivered by the local midwife. With tears and laughter, it speaks to the strength of the human spirit in the face of life's adversities.

A member of a prominent New Jersey family has been found dead on St. Patrick's Day—and Pamela Paterson and her knitting club have a parade of suspects . . . The Listers have been part of Arborville society for generations—though seventy-something Isobel Lister doesn't fit the role of upper-crust heiress. She's always been a colorful character, and her fun-loving spirit is on display at the senior center celebration as she performs some beloved Irish songs. But just minutes later, her body is found backstage.

Within this audiobook lies the heart of Irish identity—a rich heritage of storytelling that has been passed down through the generations, from the mysterious Druids and the formidable Tuatha Dé Danann to legendary heroes whose deeds are still sung. Meet the awe-inspiring gods and goddesses who wielded power over life and death and shaped the destiny of Ireland itself.

It's men like Jimmy Coonan and Mickey Featherstone who gave Hell's Kitchen its name. In the mid-1970s, these two longtime friends take the reins of New York's Irish mob, using brute force to give it hitherto unthinkable power. Jimmy, a charismatic sociopath, is the leader. Mickey, whose memories of Vietnam torture him daily, is his enforcer. Together they make brutality their trademark, butchering bodies or hurling them out the window.

In Preface to Paradise Lost, the Christian apologist and revered scholar and professor of literature closely examines the style, content, structure, and themes of Milton’s masterpiece, a retelling of the biblical story of the Fall of Humankind, Satan’s temptation, and the expulsion of Adam and Eve from the Garden of Eden. Considering the story within the context of the Western literary tradition, Lewis offers invaluable insights into Paradise Lost and the nature of literature itself, unveiling the poem’s beauty and its wisdom.

Tales of the Elders of Ireland (Acallam na Senórach) represents the largest literary text surviving from 12th-century Ireland, the most comprehensive early collection of Fenian stories and poetry. Three parallel worlds interact: the contemporary Christian world of Saint Patrick with his scribes, clerics, occasional angels, and souls rescued from Hell; the earlier pagan world of the ancient, giant Fenians and an array of Irish kings; and the timeless Otherworld, peopled by ever-young shape-shifting fairies.

In Paddy Whacked, best-selling author and organized crime expert T. J. English brings to life nearly two centuries of Irish American gangsterism, which spawned such unforgettable characters as Mike "King Mike" McDonald, Chicago's subterranean godfather; Big Bill Dwyer, New York's most notorious rumrunner during Prohibition; Mickey Featherstone, troubled Vietnam vet turned Westies gang leader; and James "Whitey" Bulger, the ruthless and seemingly untouchable Southie legend.

When Louis Trevelyan's young wife meets an old family acquaintance, his unreasonable jealousy of their friendship sparks a quarrel that leads to a brutal and tragic estrangement.

Award-winning author Colm Tóibín turns his incisive gaze to three of the world's greatest writers, Oscar Wilde, W.B. Yeats, and James Joyce, and their earliest influences: their fathers. In Mad, Bad, Dangerous to Know, Colm Tóibín illuminates not only the complex relationships between three of the greatest writers in the English language and their fathers, but also illustrates the surprising ways they surface in their work.

The Hobbit is one of the most widely read and best-loved books of the 20th century. Now Professor Corey Olsen takes listeners deep within the text to uncover its secrets and delights. Chapter by chapter, he reveals the stories within the story: the dark desires of dwarves and the sublime laughter of elves, the nature of evil and its hopelessness, the mystery of divine providence and human choice, and, most of all, the transformation within the life of Bilbo Baggins.

On Easter Monday, April 24, 1916, the first great revolution of the twentieth century began as working-class men and women occupied buildings throughout Dublin, Ireland, including the general post office on O’Connell Street. Among the commoners in the GPO was a young staff captain of the Irish Volunteers named Michael Collins. He was joined a day later by a fourteen-year-old messenger boy, Eoin Kavanagh.

We think of fairies as little winged people with magic wands, but Irish fairies were flesh-and-blood extraterrestrials who towered over humans. We knew them as angels, demons, phantoms, mermaids, fairies, gods and not-gods, and the Gentry. Giant, chalk-white humanoids with piercing blue eyes, and flaming red or golden-yellow hair cascading in curls over their shoulders, that’s the true appearance of the ancient fairies of Ireland who came down from the cosmos thousands of years ago.

The Barnes family is in trouble. Dickie’s once-lucrative car business is going under—but Dickie is spending his days in the woods, building an apocalypse-proof bunker with a renegade handyman. His wife, Imelda, is selling off her jewelry on eBay and half-heartedly dodging the attention of fast-talking cattle farmer Big Mike, while their teenage daughter, Cass, formerly top of her class, seems determined to binge drink her way through her final exams. As for twelve-year-old PJ, he’s on the brink of running away.

Emily Dickinson (1830-1886) was a reclusive poet whose only friendships were carried out by letter. She wrote nearly 1,800 poems in her life, but very few were published until after her death. In this volume, the poems are presented in chronological order in their original form, unaltered by editorial revision. It offers a wide-angle view of Dickinson's poetic development, from the clunky rhyme schemes of her youth, through valentines she wrote in the early 1850s, to the gloomy writings of her last years.