English Mythology

Is there life after John Wayne? After his glory days as the "cowboy" of Wall Street, the "master" of the podium and pulpit, or the "road warrior" of interstates, airports, and convention centers, the middle-aged man yearns to fill a void that he has just discovered, right in the center of his being. He wants to stop, to grow roots, to become somehow whole.

Persephone and Hades are engaged. In retaliation, Demeter summons a snowstorm that cripples New Greece and refuses to lift the blizzard unless her daughter calls off her engagement. When the Olympians intervene, Persephone finds her future in the hands of ancient gods, and they are divided. Do they allow Persephone to marry Hades and go to war with Demeter or prohibit their union and take up arms against the God of the Dead?

I've been kidnapped by Zeus. Plucked from the streets of Manhattan and frightened half to death by a freaking Olympian god. And now I'm trapped in the Underworld, being forced to compete in a series of deadly trials for the position of Queen of the Underworld. Which would mean marrying Hades, the utterly terrifying Lord of the Dead. Who the hell wants a husband at all, let alone one made of smoke and riddled with death?

Just hours after humans are born, the gods take what little power we have. In return, they protect our borders from the vicious, merciless fae. The humans who manage to keep their power are known as the corrupt. And they are burned. When my forbidden power is discovered, I’m forced to flee my tiny village and the life I adore. To survive, I make a desperate bargain with the mercenary who abandoned me at my weakest moment. Our deal is simple: I’ll help him and his mysterious friends sneak into the city, and he’ll help me learn to wield the strange, dark power I’ve always kept hidden.

Elmore Trent is a professor of Indigenous studies who finds himself entangled in an affair that's ruining his marriage; Paul North plays in the IHL (Indigenous Hockey League), struggling to keep up with the game that's passing him by; Detective Ruby Birch is chasing a string of gruesome murders, with clues that conspicuously lead her to both Elmore and Paul. And then there's Fabiola Halan, former journalist-turned-author and famed survivor of a plane crash that sparked a nationwide tour promoting her book.

Game of Thrones, book and show alike, is spun from classic myth, from the tales of Robin Hood and King Arthur to the Norse Ring Cycle and saga of Ragnarok. Above all these human adventures soar Daenerys' dragons adapted from the dragons, wyverns, and wyrms of Western bestiaries. But what about the merlings, seal folk, wargs, greenseers, grumpkins, and snarks: Which mythologies created them?

An alien pyramid has appeared on Earth, squatting in the middle of Chicago. It is growing, destroying the city as it does, and nothing seems able to stop it, not even the might of the US military. Somehow, the alien device is snatching people and for unknown reasons transporting them into worlds of mythology. Dr. Lukacs is one of the victims. Granted, he's an expert on mythology. But myths are not something he'd thought to encounter personally. Or wanted to!

The tellers of Greek myths—historically men—have routinely sidelined the female characters. When they do take a larger role, women are often portrayed as monstrous, vengeful or just plain evil—like Pandora, the woman of eternal scorn and damnation whose curiosity is tasked with causing all the world’s suffering and wickedness when she opened that forbidden box. But, as Natalie Haynes reveals, in ancient Greek myths there was no box. It was a jar . . . which is far more likely to tip over.

The northern mountain village offers protection from the threat of dragons, but is a difficult place, especially for a misfit like Jason Dreshen. His days are spent hunting for food for his family, praying for warmth, and trying to hide his strange silver eye that grants him dragon sight. When a stranger visits during the local Freedom Festival searching for a different kind of dragon, everything changes.

The land of Ascarlia, a fabled realm of bloodied steel and epic sagas, has been ruled by the Sister Queens for centuries. No one has dared question their rule. Until now. Whispers speak of longships of mysterious tattooed warriors, sailing under the banners of a murderous cult of oath-breakers long thought extinct. A tide of black steel that threatens to vanquish all in its path. Thera of the Blackspear, favored servant of the Sister Queens, is ordered to uncover the truth. As Thera sails north, her reviled brother, Felnir, sets out on his own adventure.

The Mahabharata is one of the two major Sanskrit epics of ancient India. It is of immense importance to the culture of the Indian subcontinent and is a major text of Hinduism. Its discussion of human goals (artha or 'purpose', kama or 'pleasure', dharma or 'duty' and moksha or 'liberation') takes place in a long-standing tradition, attempting to explain the relationship of the individual to society and the world (the nature of the 'self') and the workings of karma.

Inside you will find some of the most famous highlights from history along with the greatest stories ever written. Children will learn about the past and our ancestors in new and exciting ways.

Suspend your disbelief and embark on a journey through time and space, stepping into a world of Norse magic, paganism, runes, mythology, and mystery. Have you always been fascinated by Norse mythology and its myriad of powerful gods—including Odin, Thor, Loki, Freya, and Baldur? Have the Norse runes always mystified you, and would you love to know more about their history, symbolism, and usage? Would you like to harness the power of Norse magic, rites, and rituals, so you can connect with the extraordinary Norse gods and goddesses?

The Masks of God is a four-volume study of world religion and myth that stands as one of Joseph Campbell’s masterworks. In this second volume of The Masks of God - Campbell’s major work of comparative mythology - the preeminent mythologist looks at Asian mythology as it developed over the course of five thousand years into the distinctive religions of Egypt, Mesopotamia, India, China, and Japan.

This audiobook collection includes five captivating books, a huge collection of the best myths and stories of gods, goddesses, monsters, and mortals.

The stars and constellations are among the few remaining objects that appear to us just as they appeared to our distant ancestors. From anywhere on Earth, a person may view the celestial panorama simply by stepping outside at night and gazing upward. This nonfiction narrative presents the tales of the 48 classical constellations, compiled from literature spanning a thousand years from Homer to Claudius Ptolemy. These age-old tales have captured the human imagination from ancient times to the present.

Among the women of Greek mythology, the witch Medea may be the most despised. Known for the brutal act of killing her own children to exact vengeance on her deceitful husband, Jason, the leader of the Argonauts, Medea has carved out a singularly infamous niche in our histories.

More than 80 classic myths retold and explained, from early creation beliefs to classical hero narratives and the recurring theme of the afterlife, narrated by Emma Fenney. The Mythology Book explores the compelling worlds and characters depicted in myths and legends. Delve into each myth and discover the meanings behind these stories, getting to the heart of their significance to different cultures worldwide. More than just stories, myths are testament to the amazing creativity of humans striving to explain and make sense of the world around them.

Discover fascinating ancient Japanese fairy tales as well as the folk tales of the Ainu/Aino. The first book in this collection, titled Japanese Fairy Tales, was written by Iwaya Sazanami and translated by Yei Theodora Ozaki, a 20th-century translator of Japanese short stories and fairy tales. The second book in this collection is a rare one that is not usually available in audio format: Aino Folk-Tales by Basil Chamberlain, one of the most prominent British Japanologists active in Japan during the latter half of the 19th century.

Relive the magic of captivating legends and folktales in this rich collection on Celtic Mythology. In 58 BCE, when Julius Caesar – the famous Roman general – wrote a commentary on the Gallic wars, he described the “Celt” speaking people who lived in the area then known as the Gaul. These people had their own culture, gods, and beliefs – called Celtic Mythology – which were very different from the Romans. The influence of this mythology, however, was not limited to a small territory.