English Mythology

From the translator of the best-selling Poetic Edda comes a gripping new rendering of two of the greatest sagas of Old Norse literature. Together the two sagas recount the story of seven generations of a single legendary heroic family and comprise our best source of traditional lore about its members - including, among others, the dragon slayer Sigurd, Brynhild the Valkyrie, and the Viking chieftain Ragnar Lothbrok.

Ganga, joyful goddess of the river, serves as caretaker to the mischievous godlings who roam her banks. But when their antics incur the wrath of a powerful sage, Ganga is cursed to become mortal, bound to her human form until she fulfills the obligations of the curse. Though she knows nothing of mortal life, Ganga weds King Shantanu and becomes a queen, determined to regain her freedom no matter the cost. But in a cruel turn of fate, just as she is freed of her binding, she is forced to leave her infant son behind. Her son, prince Devavrata, unwittingly carries the legacy of Ganga’s curse.

For hundreds of years, the legend of King Arthur and the Knights of the Round Table has been one of the world's most precious literary possessions. In 1902, the distinguished American artist Howard Pyle undertook to retell and illustrate this classic. His four-volume work has long been considered one of the outstanding interpretations of the Arthurian cycle.

All Jared Martin had ever wanted was to be normal, which was already hard enough when he had to cope with Maggie, his hard-partying, gun-toting, literal witch of a mother, Indigenous teen life and his own addictions. When he wakes up naked, dangerously dehydrated and confused in the basement of his mom's old house in Kitimat, some of the people he loves - the ones who don't see the magic he attracts - just think he fell off the wagon after a tough year of sobriety. The truth for Jared is so much worse.

Thirteen-year-old Sik wants a simple life going to school and helping at his parents' deli in the evenings. But all that is blown to smithereens when Nergal comes looking for him, thinking that Sik holds the secret to eternal life. Turns out Sik is immortal but doesn't know it, and that's about to get him and the entire city into deep, deep trouble.

While exploring World’s End, an area in Aski they've just discovered, Morgan and Emily delight in their developing relationship, while Eli struggles to understand his new-found power: the ability to locate a portal. A shocking turn of events leads them to a new village, Ministik, where the animal beings who live there are going missing. Horrified to discover who is responsible, the children vow to help and turn to friends, old and new. But it's getting harder and harder to keep the two worlds separate, especially when details of a traditional legend change everything. Forever.

The Masks of God is a four-volume study of world religion and myth that stands as one of Joseph Campbell’s masterworks. In this second volume of The Masks of God - Campbell’s major work of comparative mythology - the preeminent mythologist looks at Asian mythology as it developed over the course of five thousand years into the distinctive religions of Egypt, Mesopotamia, India, China, and Japan.

Upbeat and exciting, yet deeply moving, this unique collection of myths, retold by Jim Weiss, addresses the equality of the sexes and the value of love and honor.

Life was far from perfect after my mother's sudden death, but it was one I'd grown to love. And now, it's a life I'll never know again. Not after she and her two cruel sons entered our lives. My father swore he'd never love again, but just as suddenly as Merelda arrived, she became the very center of his world . . . and just as quickly, I was all but forgotten. Still, I did not complain . . . if only for my father's sake. Not even when cruel words turned into even crueler punishments at my new step family's hands.

They live in shadows - deep in the forest, late in the night, in the dark recesses of our minds. They're spoken of in stories and superstitions, relics of an unenlightened age, old wives' tales, passed down through generations. Yet no matter how wary and jaded we have become, as individuals or as a society, a part of us remains vulnerable to them: werewolves and wendigos, poltergeists and vampires, angry elves and vengeful spirits.

For many centuries the figure of the witch has haunted our imagination and our nightmares. There have been many attempts to quash our fascination with these wielders of forbidden powers, but all have failed. We invite you now on a journey through a moonlit world, where every shadow tells a tale of magic, persecution and persistence. In this fascinating volume, discover witches real and legendary, who once terrorized, devoured, helped or empowered their communities, but who are now largely forgotten.

Petra Grady has known since adolescence that she has no talent for magic—and that’s never going to change. But as a sweeper first-class, she’s parlayed her rare ability to handle dross—the damaging, magical waste generated by her more talented kin’s spellwork—into a decent life working at the mages’ university. Except Grady’s relatively predictable life is about to be upended.

An illuminating exploration of Ireland's ancient dark goddess - the beloved "phantom queen" of the Celtic world - with practices for modern-day devotees. The Morrigan is one of Pagan Ireland's most famous - and notorious - goddesses. Her name translated as "phantom queen" or "great queen," the Morrigan is famous for being a goddess of war, witchcraft and death, protection and retribution. This book also explores her patronage of motherhood, healing, shapeshifting, and the land.

The folklore that has shaped our dominant culture teems with frightening female creatures. In our language, in our stories (many written by men), we underline the idea that women who step out of bounds - who are angry or greedy or ambitious, who are overtly sexual or not sexy enough - aren’t just outside the norm. They’re unnatural. Monstrous. But maybe, the traits we’ve been told make us dangerous and undesirable are actually our greatest strengths.

A History of Magic, Witchcraft and the Occult charts the extraordinary narrative of one of the most interesting and often controversial subjects in the world - from ancient animal worship and shamanism, through alchemy and divination to modern Wicca and the resurgence of the occult in 21st-century literature, cinema, and television.

More preoccupied with drinking, sleeping, and writing, an unnamed student neglects his studies and invents three separate openings for a novel. The first introduces the Pooka MacPhellimey, "a member of the devil class", the second involves Mr. John Furriskey, a character belonging to another of the student's creations (writer Dermot Trellis), while the final opening features legendary Irish heroes Finn Mac Cool and Mad King Sweeny. Soon, Trellis' creations rebel against him, doing as they like while he sleeps, and the characters begin wandering in and out of each other's tales.

Nationally bestselling author of Daughters of Sparta Claire Heywood returns with an imaginative and female-centered reinterpretation of the myth of the great hero Perseus, told through the voices of three women who are sidelined in the traditional version—his mother, Danae; his trophy, Medusa; and his wife, Andromeda—but whose viewpoints reveal a man who is not, in fact, a hero at all.

An undeniable masterpiece of Western Civilization, The Metamorphoses is a continuous narrative that covers all the Olympian legends, seamlessly moving from one story to another in a splendid panorama of savage beauty, charm, and wit. All of the gods and heroes familiar to us are represented. Such familiar legends as Hercules, Perseus and Medusa, Daedelus and Icarus, Diana and Actaeon, and many others, are breathtakingly recreated.

Traditional interpretations of the creatures of the Bible have sanded down their sharp, unsavory edges, transforming them into celestial beings of glory and light—or chubby, happy cherubs. Those cherubs? They're actually hybrid guardian monsters, more closely associated with the Egyptian sphinx than with flying babies. And the seraphim? Winged serpents sent to mete out God's vengeance. Demons aren't at war with angels; they're a distinct supernatural species used by Satan and by God. The pattern is chilling. Most of these monsters aren't God's opponents—they're God's entourage.

Marion Shaw has been raised in the slums, where want and deprivation are all she knows. Despite longing to leave the city and its miseries, she has no real hope of escape until the day she spots a peculiar listing in the newspaper seeking a bloodmaid. Though she knows little about the far north—where wealthy nobles live in luxury and drink the blood of those in their service—Marion applies to the position. In a matter of days, she finds herself the newest bloodmaid at the notorious House of Hunger. There, Marion is swept into a world of dark debauchery.