English Poetry Anthology

This collection pays tribute in story and verse to our four-footed canine friends - those doggone dogs. You will find every kind of dog: loyal and devoted dogs, honest to a fault dogs, brave dogs, trouble-prone dogs, hungry dogs, bad dogs, misunderstood dogs, understanding dogs, comforting dogs, and many more. You will laugh, cry, and ponder as you listen to this delightful tribute to our dog companions. For, without them - and their doggy hearts - the world would be a colder, less interesting, and certainly less loving place. So here's to those doggone dogs!

Butterflow will take you into the author’s experiences of dealing with emotional trauma and complex PTSD spanning 33 years. The author acquired complex PTSD when she was a young child, and because she wasn’t diagnosed her struggles continued into adulthood. At the age of 36, she discovered she had complex PTSD and began the journey of understanding and healing. The poems in this book are expressive and candid. Through the twists and turns she shares personal details of her experiences, emotions, and lessons learnt along the way.

Beyond Soul is a collection of late 20th century poems and short stories deeply influenced by societal observations, spirituality, and nature. The audiobook depicts a stream of consciousness connected by the view points of animate and inanimate narrators, discussing the matters of life and transitioning.

Drive-in dreams and terror at the show, stories and poetry as well. There are still plenty of spaces for you to pull your car into and the concession stand is serving dishes of fear, cotten cravings, fresh hot barbecued ravens and all sorts of delights. It's a triple show at twilight, bring your best girl and watch as the lights go dim. Drive-In Horrors will take you to the other side and back.

101 Famous Poems, compiled by Roy J. Cook and first published in 1916, is a collection of one familiar poem each by the best-known poets in the English language, including Alfred Tennyson, William Shakespeare, Robert Frost, Percy Bysshe Shelley, John Milton, Elizabeth Barret Browning, Edna St. Vincent Millay, Robert Louis Stevenson, Walt Whitman, Lord Byron, Emily Dickinson and William Wordsworth. The anthology is indexed by title, author and first line.

Sound interesting? The author thinks so, too! Listen to Poetry, Paintings and Short Stories and enjoy poems about love and nature by the author who is also an exhibited artist.

In this volume of fifty poems our classic poets delve with storied verse into every facet of this institution. From the good, the bad and even the ugly, from the Wedding day to the realisation that divorce and separation maybe the better path. Between these two frontiers other avenues and facets are explored by the pens of many including Shakespeare, Khalil Gibran, Emily Dickinson and the Rossetti’s.

The idea of sexual fluidity may seem new, but it is at least as old as the ancient Greeks, who wrote about queer experiences with remarkable frankness, wit, and insight. How to Be Queer is an infatuating collection of these writings about desire, love, and lust between men, between women, and between humans and gods, in lucid and lively new translations.

Imagine if the poets of the past could speak to you today? How would we interpret those messages? Walk with the author through a journey toward enlightenment. This book concludes the Gift Of Life series. From love to loss, no topic is untouched. We all feel a sense of journey in life. This book highlights those awakening moments in all of us. Can you relate? I guess there is only one way to find out. The journey begins now.

Loneliness, death, grief, and conflict. We all suffer from these, but will they kill us? This poet thinks so. More than 100 micro poems, only a few words each, speak for all of us that are slowly dying from isolation, distance, death, and fear. Recognized as "a meaningful new voice in American Poetry", Plett's poems have been described as "fragile portals" to connect, feel, and bond with. Longlisted for the 2018 Sexton Poetry Prize, Death Rattles is loaded with daily mantras, promises to oneself, comfort chants, and sometimes, jokes to help you lighten up.

In Orion's Hands is an evocative collection of poems by Miranda Levi that delves deep into the human experience, touching on themes of love, trauma, self-discovery, and the power of the universe. With a raw and unfiltered voice, Levi invites listeners to explore the intimate corners of her heart and mind, weaving a narrative that is both deeply personal and universally relatable.

Canonized, overlooked, and forgotten African American poets star in Terrance Hayes's brilliant contemplations of personal, canonical, and allegorical literary development. Proceeding from Toni Morrison's aim to expand the landscape of literary imagination in Playing in the Dark ("I want to draw a map, so to speak, of a critical geography"), Watch Your Language charts a lyrical geography of reading and influence in poetry.

Seventeen iconic poems from World War One, including: Wilfred Owen's "Dulce et Deorum Est"; "In Flanders Fields" by John McRae; "Counter Attack" by Siegfried Sassoon; Rupert Brook's "The Soldier"; and many more that bring the horrors of the Great War vividly to life through the eyes of those living them.

Throughout his life, Noel Coward the master songwriter, 'derived a considerable amount of private pleasure from writing verse'. Much of it is gathered in this first ever audio collection. From moving war-time encounters to satirical barbs at familiar Coward targets and personal reminiscences, this delightful collection is a perfect blend of vintage Noel Coward sure to be enjoyed by faithful fans and new listeners alike.

In this volume of classic poetry our wordsmiths are our companions on journeys near and far. They describe and create worlds that we can explore with them, word by word and line by line. In the company of Keats, Wordsworth, Bronte, Whitman, Kipling and a wealth of others these journeys in verse will be like no other.

While the issues of the day that consumed the attention of scholar, accomplished linguist, politician and severe Puritan, John Milton (1608-1674) are now largely of historical interest, the verse which they inspired remains a staple of English literature.

Andrew Barton 'Banjo" Paterson (1864 - 1941) may be considered the unofficial poet laureate of Australia. After training as a solicitor he began contributing verse to the Sydney "Bulletin" under the pseudonym of "The Banjo", taken from the name of a horse. His first collection, "The Man from Snowy River", was published in 1895. Two further collections followed: Rio Grande's Last Race and Other Verses in 1902 and Saltbush Bill, JP. and Other Verses in 1917.

Thomas Roop has been fortunate enough to travel widely through his life, learning from a wide variety of cultures, traditions, and religions. These encounters inculcated and developed a love for humankind. While travelling through Denmark, he encountered and fell in love with the work of the 19th century poet, novelist, and playwright Hans Christian Anderson. The literature of T. S. Eliot, Carl Sandburg, Sylvia Plath, Maya Angelou, and others are all evident influences on Roop’s own work.

The classical poetry of Japan focuses on direct experience of fleeting moments, in total contrast with its Occidental counterpart. These seminal poems were passed down orally, before great collections reassembled works of art spanning several centuries in written form as early as the 8th century, from the Kojiki to the Kokinshu. Later, a number of female writers rose to prominence (Murasaki Shikibu, Sei Shonagon); then in the 17th century, the haiku form became extremely popular, in large part due to the work of Matsuo Bashō, a prolific writer and traveler.

What is it that makes poetry...well, poetry? Is it the devices and techniques used by its creators like rhyme and rhythm? Alliteration and assonance? Or is it something much deeper that these tools merely convey? Compared to prose, poetry has to tell a lot with a little. Therein lies the core of what poetry may be. It is the product of a poet placing one finger on the pulse of the world or reality, nature, or human experience, and holding a pen with the other hand.