English Poetry Literature

Warm and witty, direct and droll, the sharply funny Pam Ayres has been amusing and entertaining her many fans for years. Her humorous observations of daily life touch a chord with anybody who's ever been bewildered by the exercise craze or has yearned after the vanished Spotted Dick.

I want you to know that I see you. I want you to know that even if no one else does, even if you are a ghost in this bookshop, or just the static floating across the screen of your computer, wherever you’re reading this, I see you. I see you in the dark and I see you in the grey. I see you as a story, as words I have spoken or may yet speak. Maybe only in a memory or a dream. I see your hands and your arms and your body and your legs and your face and I see what you have been and what you will be.

From New York Times best-selling author Karen Kingsbury comes an unforgettable story of love struggling against all odds to snatch hope from the jaws of despair. Annie Warren’s concern for her adult son Josh has intensified ever since a drunk driver careened into him.

Here are eight fundamental works by one of the few greatest English poets: three lyric pieces, Songs of Innocence, The Book of Thel, Songs of Experience; the prose satire An Island in the Moon, the mystical prose poem The Marriage of Heaven & Hell, and three visionary poems: The French Revolution, Visions of the Daughters of Albion, America, a Prophecy. William Blake (1757-1827) is one of the great relevant figures of his time, who like Beethoven in music bridges the classical and romantic, remaining himself uncategorizable.

In The Nectar of Pain, Zebian sheds light on the feelings and experiences that emerge from a painful heartbreak. She writes that the process of cleansing oneself of that pain—day by day, hour by hour, and second by second—is the real work of healing. With uncommon warmth and wisdom, Zebian empowers all who have lost to let go of anger and transform their suffering into the softness, sweetness, and beauty of nectar. She holds her listeners by the hand as they heal.

The Waste Land is a seminal work of modernist poetry by T.S. Eliot. Written in 1922, this five-part poem is a portrait of its time, a work that expresses the disillusionment of the modernist era and the desperation that the generation of writers of that time was feeling....

Emory Hall’s debut poetry collection follows the anatomy of a river, swelling with loss and grief, and dances with the sacred waters of transformation and motherhood. Full of magic and deep emotion, Made of Rivers will wash anew those who come to it, uncovering hidden corners of the self. It draws upon Emory’s wellspring of experiences, hardships, triumphs and revelations.

Enjoy this amazing narration of Robert Frost's poetry, including his most famous poems, Stopping by Woods on a Snowy Evening, The Road Not Taken, among many others.

With Muse of Fire, Michael Korda, the bestselling author of Alone and Hero, takes a novel approach to World War I by telling its history through the lives of the soldier-poets whose verses memorialize the war's unimaginable horrors. He begins with Rupert Brooke and the halcyon days before violence engulfed his generation—destroying the self-contented world of Edwardian England—and ends with the tragic death of Wilfred Owen, killed only days before the armistice brought an end to a war that took over 25,000,000 lives.

Richard Burton reads from Hardy and Donne, and performs a wonderful unabridged version of Samuel Taylor Coleridge's "The Rime of the Ancient Mariner" (along with Robert Hardy and John Neville).

One of the most recognizable young poets in America, Olivia Gatwood dazzles with her tribute to contemporary American womanhood in her debut book, New American Best Friend. Gatwood's poems deftly deconstruct traditional stereotypes. The focus shifts from childhood to adulthood, gender to sexuality, violence to joy. And always and inexorably, the book moves toward celebration, culminating in a series of odes: odes to the body, to tough women, to embracing your own journey in all its failures and triumphs.

In 1855, Walt Whitman published, at his own expense, the first edition of Leaves of Grass, a visionary volume of 12 poems. Showing the influence of a uniquely American form of mysticism known as Transcendentalism, the writing is distinguished by an explosively innovative free-verse style and previously unmentionable subject matter. Exalting nature, celebrating the human body, and praising the senses and sexual love, this monumental work, now a classic of American poetry, was condemned as immoral upon publication.

“The poet is endemic with life itself,” Will Alexander once said, and in this searing pas de trois, Refractive Africa: Ballet of the Forgotten, he has exemplified this vital candescence with a transpersonal amplification worthy of the Cambrian explosion. “This being the ballet of the forgotten,” he writes as diasporic witness, “of refracted boundary points as venom.” The volume’s opening poem pays homage to the innovative Nigerian-Yoruban author Amos Tutuola; it ends with an encomium to the modernist Malagasy poet Jean-Joseph Rabearivelo.

The Fable of the Bees—a satirical poem, prose discussion, three essays and six dialogues completed in 1729—exposes human vices but defends them as a necessity within a wealthy society. Mandeville’s bees thrive until they start living by honesty and virtue… then they are impoverished. Mandeville did not play by the rules: he satirized the sins of society but also ridiculed the widespread hypocrisy of deploring these sins whilst reaping their benefits. He and his work were attacked for the rest of the century.

Mind Platter is a compilation of reflections on life as seen through the eyes of an educator, student, and human who experienced her early days in silence. It is written in the words of a woman who came from Lebanon to Canada at the age of 16 and experienced what it was like to have fate push her to a place where she didn't belong. It is written in the voice of every person who has felt unheard, mistreated, misjudged, or unseen.

Poetry Rx presents 50 great poems as seen through the eyes of a renowned psychiatrist and New York Times best seller. In this book, you will find insights into love, sorrow, ecstasy, and everything in between: love in the moment or for a lifetime; love that is fulfilling or addictive; when to break up and how to survive when someone breaks up with you.

Radiant and tender, My Baby First Birthday is a collection that examines innocence, asking us who gets to be loved and who has to deplete themselves just to survive. It's about existence and nonexistence, about being born - without consent. Jenny Zhang writes about accepting pain, about the way we fetishize womanhood and motherhood, and reduce women to their violations, traumas, and body parts.

Du Fu (712-70) is one of China’s greatest poets. His career coincided with periods of famine, war and huge upheaval, yet his secular philosophical vision, combined with his empathy for the common folk of his nation, ensured that he soon became revered. Like Shakespeare or Dante, his poetry resonates in a timeless manner that ensures it is always relevant and offers something new to the modern generation. Broadcaster and historian Michael Wood follows in his footsteps to try to understand the places that inspired Du Fu to write some of the most famous and best-loved poetry the world has known.

Under Sonoran Skies: Prose and Poetry from the High Desert is an anthology of fiction and nonfiction that includes poems and short stories, as well as general, historical, and reflective essays. Drawing on diverse life experiences, spanning education, engineering, ministry, law, and the performing arts, the six authors bring a complementary tone, style, and rhythm to both fiction and nonfiction in this 240-page book.

With searing intelligence and great sensitivity, the poems of Kelly Caldwell—many addressed to Cass Donish, her partner in the years before her suicide at thirty-one, swim through a complex matrix of transformations: mental illness, divorce, gender transition, and self-discovery. But they wrestle, too, with the poet’s painful relationships with her family of Christian missionaries, who refused to affirm her identity.