English Poetry Literature

Here is a massive collection of poems from classics through contemporary, grouped by poetry subject, including: Romance; Inspiration and faith; Lust, betrayal and lost love; Eternity; Growing up and growing old; Children; Ghosts, evil and superstition; Loss and sorrow; Nature; the Human condition; Working; that Make a Statement; Choices; War and Peace; and Writing, art, and poetry.

Jake volunteers at a nursing home because he likes helping people. He likes skating and singing, playing Bingo and Name That Tune, and reading mysteries and comics aloud to his teachers. He also likes avoiding people his own age . . . and the cruelty of mirrors . . . and food. Jake has read about kids like him in books—the weird one, the outsider—and would do anything not to be that kid, including shrink himself down to nothing. But the less he eats, the bigger he feels. How long can Jake punish himself before he truly disappears?

The Smeds (who are red) never mix with the Smoos (who are blue). So when a young Smed and Smoo fall in love, their families strongly disapprove. But peace is restored and love conquers all in this happiest of love stories. There’s even a gorgeous purple baby to celebrate!

Reha feels torn between two worlds: school, where she’s the only Indian American student, and home, with her family’s traditions and holidays. But Reha’s parents don’t understand why she’s conflicted - they only notice when Reha doesn’t meet their strict expectations. Reha feels disconnected from her mother, or Amma, although their names are linked - Reha means “star” and Punam means “moon” - but they are a universe apart. Then Reha finds out that her Amma is sick.

The Iliad and The Odyssey are epic poems traditionally attributed to Homer, of which the written versions are dated to the 8th century BCE. Chronicling events in the Greek Bronze Age, this magnificent pair of poems forms the cornerstone of Western literature. If The Iliad is a classic war story, The Odyssey is symbolic of the individual’s journey through life.

This evening, no one looks like me. I put my heart into the fridge, my eyes into the shoe closet. I left my fingers yonder on the door handle.

The journey of healing occurs simultaneously with the journey of self-discovery, as one continues to understand and embrace who they are, shedding all those things that deter them from becoming their greater self.

The 12 Lays of Marie de France offer one of the most striking collections of short narrative poems of the 12th century - two centuries before Chaucer. Written in Anglo-French, they contain beguiling and entertaining stories of love and romance, of chivalry and adventure with sometimes even a magical twist. They are especially unique in early literature by being ascribed to a female poet, Marie de France: in the very first Lay - 'Guigemar' - is the introductory line: ‘Hear my Lords, what Marie says, who does not wish to be forgotten in her time.’

In Preface to Paradise Lost, the Christian apologist and revered scholar and professor of literature closely examines the style, content, structure, and themes of Milton’s masterpiece, a retelling of the biblical story of the Fall of Humankind, Satan’s temptation, and the expulsion of Adam and Eve from the Garden of Eden. Considering the story within the context of the Western literary tradition, Lewis offers invaluable insights into Paradise Lost and the nature of literature itself, unveiling the poem’s beauty and its wisdom.

The Iliad is one of the two great epics of Homer, and is typically described as one of the greatest war stories of all time, but to say the Iliad is a war story does not begin to describe the emotional sweep of its action and characters: Achilles, Helen, Hector, and other heroes of Greek myth and history in the tenth and final year of the Greek siege of Troy.

The most captivating part of perhaps the greatest epic poem ever written, Dante's Inferno still holds the power to thrill and inspire. The medieval equivalent of a thriller, Inferno follows Dante and his faithful guide, Virgil, as they traverse the complex geography of hell, confronting its many threats, macabre punishments, and historical figures before reaching the deep chamber where Satan himself resides.

"The sonnet, like poverty, teaches you what you can do / without," Diane Seuss writes in this brilliant, candid work, her most personal collection to date. These poems tell the story of a life at risk of spilling over the edge of the page, from Seuss's working-class childhood in rural Michigan to the dangerous allures of New York City and back again. With sheer virtuosity, Seuss moves nimbly across thought and time, poetry and punk, AIDS and addiction, Christ and motherhood, showing us what we can do, what we can do without, and what we offer to one another when we have nothing left to spare.

It is clear that the author is madly in love, not only with her partner for whom she writes both idiosyncratic and sultry poems, but in love with language, in love with queerness, in love with the therapeutic process of bankrupting the politics of shame. These poems tackle gun violence, toxic masculinity, LGBTQ* struggles, suicidality, and the oppression of women’s bodies, while maintaining a vivid wildness that the tongue aches to speak aloud.

In 2013, Neil Hilborn's performance of his poem "OCD" went viral. To date, it has been watched over 100 million times. Our Numbered Days is Neil’s debut full-length poetry collection, containing 45 of Neil's poems including "OCD", "Joey", "Future Tense", "Liminality", "Moving Day", and many, many never-before-seen poems.

Helium is the debut poetry collection by internet phenom Rudy Francisco, whose work has defined poetry for a generation of new audiences. Rudy's poems and quotes have been viewed and shared millions of times as he has traveled the country and the world performing for sell-out crowds. Helium is filled with work that is simultaneously personal and political, blending love poems, self-reflection, and biting cultural critique on class, race, and gender into an unforgettable whole.

When America is not so beautiful, or right, or just, it can be hard to know what to do. Best friends Walt and Noah decide to use their voices to grow more good in the world, but first they've got to find cool. Walt is convinced junior year is their year, and he has a plan to help them woo the girls of their dreams and become amazing athletes. Never mind that he and Noah failed to make the high school baseball team yet again, and Noah's love interest since third grade, Sam, has him firmly in the friend zone.

Dan Starkey takes on the mantle of William Hope Hodgson's supernatural detective, Thomas Carnacki, in this collection of enhanced audiobook readings: 'The Gateway of the Monster', 'The House Among the Laurels', 'The Whistling Room', 'The Horse of the Invisible', 'The Searcher of the End House' and 'The Thing Invisible'. Directed by Scott Handcock.

Rese Barrett and Lance Michelli have agreed to run her Sonoma B&B as partners. But Lance is still driven to unravel the mystery behind papers he found buried in the basement there: papers left by his grandfather, who built this house two generations ago. Now they have gone to Lance's family in New York to find some answers.

Almustafa has been exiled in the island city of Orphalese for twelve years when he sees his ship coming with the mist. Before he sets sail, the beloved prophet is asked by his followers to impart his truth. In these twenty-eight poetic essays, he offers profound inspiration on such matters of love and friendship, freedom and self-knowledge, joy and sorrow, pleasure, prayer, and death. In doing so, Almustafa offers a universal serenity. A Lebanese émigré to the United States, Gibran wrote The Prophet to transcend the barriers between East and West.

The only thing more beautiful than Beyoncé is God, and God is a black woman sipping rosé and drawing a lavender bath, texting her mom, belly laughing in the therapist's office, feeling unloved, being on display, daring to survive. Morgan Parker stands at the intersections of vulnerability and performance, of desire and disgust, of tragedy and excellence. Unrelentingly feminist, tender, and ruthless, these poems are an altar to the complexities of black American womanhood in an age of non-indictments and déjà vu.