English Poetry Literature

When Emily Wilson’s translation of The Odyssey appeared in 2017―rendering the ancient poem in contemporary language that was “fresh, unpretentious and lean” (Madeline Miller, Washington Post)―critics lauded it as “a revelation” (Susan Chira, New York Times) and “a cultural landmark” (Charlotte Higgins, Guardian) that would forever change how Homer is read in English. Now Wilson has returned with an equally revelatory translation of Homer’s other great epic―the most revered war poem of all time.

Hush, Little Bunny is a heartwarming, lyrical love letter from a papa bunny to his little one - from David Ezra Stein, Caldecott Honor-winning creator of Interrupting Chicken and Leaves. "Hush Little Baby" is a lullaby that parents have sung to their children for generations. Now Caldecott Honor winner David Ezra Stein has reimagined the classic featuring an irresistible papa bunny and his little one.

Born out of the political turmoil of the English Civil War, Leviathan stands out as one of the most in influential political and philosophical texts of the 17th century. It argues for the restoration of the monarchy in light of the republic and calls for a commonwealth ruled by an authoritative, autocratic figure with absolute sovereignty. This would put an end to all controversy, war, and fear and establish peace via social contract.

The prolific writings of Kahlil Gibran, author of The Prophet, continue to inspire a devoted international following and have transformed modern Arabic literature. In this volume of early writings, Gibran’s simple yet lyrical style crosses from prose to poetry and yields insight into his dedication and inner vision of beauty, including the tale of a strange hermit in “The Tempest”, the discovery of love lost to war in “The Mermaids”, and the long voyage of sea and soul in the prose poem “Between Night and Morn”.

What feminine part of yourself did you have to destroy in order to survive in this world? At what point does femininity become synonymous with apology? Who hurt the people who hurt you? Let's figure it out. Femme in Public (2017) is the debut poetry collection by transfeminine writer Alok Vaid-Menon including work from 2014-2017. It is a meditation on anti-trans harassment, a ceremony for loss and grief, and an imagining of what could be if we weren’t taught to fear the very things that have the potential to set us free.

Pulitzer Prize-winning poet Mary Oliver presents a personal selection of her best work in this definitive collection spanning more than five decades of her esteemed literary career.

Motherhood is messy and beautiful, and hard and humbling. We adore our children, and sometimes we miss ourselves. Beautiful Chaos is a collection of raw, honest poems about motherhood—capturing everything from pregnancy to school age. Upon becoming a mother, poet Jessica Urlichs was reminded that the everyday ordinary is extraordinary. Beautiful Chaos is a collection that chronicles it all—the highs, the lows, the confusion, the loss of identity, the becoming, and the brutal but beautiful ways our children hold up a mirrors to ourselves.

Juanita di Perli was a young woman when she decided to live the rest of her life on a table-top. She called it God's will, but for the order of nuns that sprang up around her, Juanita's devotion was a curse. For decades they did the bidding of the holy grouch, and the entire island of San Juan el Pirata sighed with relief when she died. Twenty years later, the islanders fight for Juanita's canonization - not because they liked her, but because a local saint would be a tourist boon. The only thing keeping the island poor is the Archduke, who refuses to ask Rome to consider Juanita for sainthood.

The Iliad is one of the most enduring creations of Western Civilization and was originally written to be recited or chanted to the accompaniment of various instruments. Properly performed, this work today is just as meaningful, just as powerful, and just as entertaining as it was in the ninth century BC, and it casts its spell upon modern listeners with the same raw intensity as it did upon the people of ancient times.

Samuel Taylor Coleridge, in collaboration with his friend, William Wordsworth, revolutionized English poetry. In 1798 they produced their Lyrical Ballads, poems of imagination and reflection using "the language of men" - pointing the way forward for a generation of Romantic poets.

You’re Not a Girl in a Movie is a new collection of powerful poems by Hala Alyan, winner of the Arab American Book Award in Poetry and the Dayton Literary Peace Prize. In these nine extraordinary poems, Alyan wrestles with the intimate themes that have driven her acclaimed body of work to date: the aching loss of homeland, the image and worth of women, and the violence of love. In Beirut, Brooklyn, and roads in the American West, she unravels the effects of decades of war and displacement on love and human worth and identity.

Paradise Lost, along with its companion piece, Paradise Regained, remain the most successful attempts at Greco-Roman style epic poetry in the English language. Remarkably enough, they were written near the end of John Milton's amazing life, a bold testimonial to his mental powers in old age. And, since he had gone completely blind in 1652, 15 years prior to Paradise Lost, he dictated it and all his other works to his daughter.

The Complete Brontë Sisters and Jane Austen Collection brings together four of the most influential female authors of the 19th century. The collection includes Austen's 7 novels, selected short fiction, and a selection of her letters; alongside all 7 of the Brontë sisters' completed novels, as-well as a selection of the poetry which all three sisters published.

Inspired largely by the poet's experiences as a young man working in the Saskatchewan oilfields, Mathew Henderson's The Lease explores masculinity and the roles morality, violence, and hard labor play in it. Equal parts character study, cultural documentary, and coming-of-age narrative, Henderson's poems make it clear that however we may try to stay apart from them, the stubborn and often unflattering realities of masculine culture persist, not just in isolated, dangerous environments like this, but in our very idea of what work is.

The publication of a new translation by Fagles is a literary event. His translations of both the Iliad and Odyssey have sold hundreds of thousands of copies and have become the standard translations of our era. Now, with this stunning modern verse translation, Fagles has reintroduced Virgil's Aeneid to a whole new generation, and completed the classical triptych at the heart of Western civilization.

This varied, well-chosen selection brings onto one audiobook the best of Dylan Thomas. Here is the legendary recording of "Under Milk Wood", with Richard Burton and Richard Bebb as narrators; but here also are two radio productions he wrote before that great classic, and though interesting in their own right, they show how "Under Milk Wood" grew gradually in his imagination.

A collection of the greatest poetry from the Romantic period, the battlefield and the Victorian era, read by some of the 20th century’s most renowned actors. Themes of war, love, nature, sexuality and much more are played out in these timeless readings of poetry from the 19th and 20th century.

The Canterbury Tales, written near the end of Chaucer's life and hence towards the close of the 14th century, is perhaps the greatest English literary work of the Middle Ages: yet it speaks to us today with almost undimmed clarity and relevance.

Poetry. Even all by themselves, the titles of Patricia Lockwood's poems reveal the sort of surreal, enigmatic, rhetorically- longated world her sensibility inhabits effortlessly.

In Wade in the Water, Tracy K. Smith boldly ties America's contemporary moment both to our nation's fraught founding history and to a sense of the spirit, the everlasting. These are poems of sliding scale: some capture a flicker of song or memory; some collage an array of documents and voices; and some push past the known world into the haunted, the holy. Smith's signature voice - inquisitive, lyrical, and wry - turns over what it means to be a citizen, a mother, and an artist in a culture arbitrated by wealth, men, and violence.