English Poetry

Ted Hughes married Sylvia Plath in 1956, at the outset of their brilliant careers. Plath's suicide six-and-a-half years later, for which many held Hughes accountable, changed his life, his closest relationships, his standing in the literary world, and brought new significance to his poetry.

“With a bolt of lightning on my kicks . . . The court is SIZZLING. My sweat is DRIZZLING. Stop all that quivering. ’Cuz tonight I’m delivering,” raps twelve-year-old Josh Bell. Thanks to their dad, he and his twin brother, Jordan, are kings on the court. But Josh has more than basketball in his blood—he’s got mad beats, too, which help him find his rhythm when it’s all on the line.

Much-Afraid begins her journey, crippled and disfigured, with the cry, "Oh, if only I could escape from this Valley of Humiliation altogether and go to the High Places." She leaves her Fearing relatives behind, and presses on to the Realm of Love. As the Chief Shepard explains, no Fears can live in this realm, because "perfect love casts out fears and everything that torments".

A man seeks to prove himself as a hero. A monster seeks silence in his territory. A warrior seeks to avenge her murdered son. A dragon ends it all. The familiar elements of the epic poem are seen with a novelist’s eye toward gender, genre, and history - Beowulf has always been a tale of entitlement and encroachment, powerful men seeking to become more powerful, and one woman seeking justice for her child, but this version brings new context to an old story.

The Kalevala provides a compelling insight into the myths and folklore of Finland. Compiled by Elias Lönnrot in the 19th century, this impressive volume follows a tradition of oral storytelling that goes back some 2000 years, and it is often compared to such epic poems as Homer's Odyssey. However, The Kalevala has little in common with the culture of its Nordic neighbors: It is primarily poetic, it is mythical rather than historic, and its heroes solve their problems with magic more often than violence.

Paradise Lost is considered to be the best epic poem in the English language, as John Milton seeks to "justify the ways of God to men" through relating the story of Satan's rebellion in Heaven, the deception and fall of Man, and the presaged event of Redemption through Jesus, the Son of God...the "Second Adam."

Each pair of poems inspires a shift from the old way of thinking to the new: from guilt to gratitude, resistance to surrender, and fear to love. The first poem in each pair is dedicated to the old way. The second poem offers a shift in perspective that lovingly illuminates the new. Each seemingly simple poem instantly elicits a profound reset, and is coupled with beautiful line drawings that awaken not just the mind, but also the heart. The Shift’s unique poem pairings uplift the soul by offering a hopeful salve for our collective burnout.

Maya Angelou’s unforgettable collection of poetry lends its name to the documentary film about her life, And Still I Rise, as seen on PBS’s American Masters. “It is true poetry she is writing,” M. F.K . Fisher has observed, “not just rhythm, the beat, rhymes. I find it very moving and at times beautiful. It has an innate purity about it, unquenchable dignity.... It is astounding, flabbergasting, to recognize it, in all the words I read every day and night...it gives me heart, to hear so clearly the caged bird singing and to understand her notes.”

"When I was 16, Helen Fleischman assigned me to memorize Shakespeare's Sonnet No. 29, 'When in disgrace with fortune and men's eyes, I all alone beweep my outcast state', for English class. And 50 years later, that poem is still in my head. Algebra got washed away, and geometry and most of biology, but those lines about the redemptive power of love in the face of shame are still here behind my eyeballs, more permanent than my own teeth." --Garrison Keillor

Jericho Brown's daring book The Tradition details the normalization of evil and its history at the intersection of the past and the personal. Brown's poetic concerns are both broad and intimate, and at their very core a distillation of the incredibly human: What is safety? Who is this nation? Where does freedom truly lie? Brown makes mythical pastorals to question the terrors to which we've become accustomed, and to celebrate how we survive.

Following the success of At Blackwater Pond, this second CD from best-selling poet Mary Oliver contains a selection of 37 previously published poems and four as yet uncollected, read by the poet in her steady, magnetic voice. Oliver recites from the full range of her poetry - from her classic nature writing, to her verses for her mischievous bichon Percy, to her ever-deepening spiritual poems. Many Miles will be a most welcome addition to the collections of her fans.

In God Speaks Through Wombs, Drew Jackson explores the first eight chapters of Luke's Gospel in a new poetic register. These are declarative poems, faithfully proclaiming the gospel story in all its liberative power.

Sometimes only a poem will do. These poetic prescriptions and wise words of advice are tailored to those moments in life when we need them most, from general glumness to news overload, and from infatuation to losing the spark. Whatever you’re facing, there is a poem here that will do the trick. This pocket-size companion presents the most essential fixes in William Sieghart’s poetic dispensary - those that, again and again, have shown themselves to hit the spot.

This collection of Japanese poetry was compiled and translated into English from an anthology known as The Collection of Myriad Leaves, and from a number of other anthologies made by imperial decree between the tenth and fifteenth centuries. This period has come to be considered the golden age of Japanese literature. These examples of Japanese poetry exhibit the most exquisite polish, allied with an avoidance of every shocking or perturbing theme; they combine the enduring luster of a precious metal with the tenuity of gold-leaf.

When Linda Ellis wrote her poem, "The Dash", in one afternoon twelve years ago, it would change her life forever. In 239 words, she captured the "Simple Truths" of why we were put on this earth. Since then, The Dash has been published hundreds of times in books, newspapers, magazines and company newsletters. It has also been read countless times at company meetings, graduations and funerals.

In poyums, Len Pennie has created a collection that is as approachable as it is affecting; whether she's writing letters to her younger self, advocating for women's rights or adapting fairy tales to process an abusive relationship, Len's voice is bold, unashamedly frank and unmistakeably hers. She consciously fuses Scots into her poetry, cleverly ensuring that it is accessible to speakers of both languages.

The Rose That Blooms in the Night is a collection of poems from spoken word poet, yoga instructor, podcaster, and Instagram influencer Allie Michelle. The collection is meant to be a mirror reflecting the love inside of those who explore it. It tells the tale of transformational cycles we experience throughout our lives. Falling in and out of love. Feeling lost and rediscovering our purpose. Learning to create a home within our own skin instead of seeking it in other people and places.

Nature Poem follows Teebs - a young, queer, American Indian (or NDN) poet - who can't bring himself to write a nature poem. For the reservation-born, urban-dwelling hipster, the exercise feels stereotypical, reductive, and boring. He hates nature. He prefers city lights to the night sky. He'd slap a tree across the face. He'd rather write a mountain of hashtag punchlines about death and give head in a pizza-parlor bathroom; he'd rather write odes to Aretha Franklin and Hole.

In his much-anticipated follow-up to The Crown Ain't Worth Much, poet, essayist, biographer, and music critic Hanif Abdurraqib has written a book of poems about how one rebuilds oneself after a heartbreak, the kind that renders them a different version of themselves than the one they knew. It's a book about a mother's death, and admitting that Michael Jordan pushed off, about forgiveness, and how none of the author's black friends wanted to listen to "Don't Stop Believin'". It's about wrestling with histories, personal and shared.

Part manifesto, part memoir, This Wound Is a World is an invitation to “cut a hole in the sky / to world inside”. Belcourt issues a call to turn to love and sex to understand how Indigenous peoples shoulder their sadness and pain without giving up on the future. His poems upset genre and play with form, scavenging for a decolonial kind of heaven where “everyone is at least a little gay”.