English Poetry

With her first full-length poetry collection, Warsan Shire introduces us to a young girl, who, in the absence of a nurturing guide, makes her own way toward womanhood. Drawing from her own life, as well as pop culture and news headlines, Shire finds vivid, unique details in the experiences of refugees and immigrants, mothers and daughters, Black women and teenage girls.

Published to immediate acclaim in 1956 when he was 22 years old, Let Us Compare Mythologies is Leonard Cohen's first book and contains poems written between the ages of 15 and 20.

In Wade in the Water, Tracy K. Smith boldly ties America's contemporary moment both to our nation's fraught founding history and to a sense of the spirit, the everlasting. These are poems of sliding scale: some capture a flicker of song or memory; some collage an array of documents and voices; and some push past the known world into the haunted, the holy. Smith's signature voice - inquisitive, lyrical, and wry - turns over what it means to be a citizen, a mother, and an artist in a culture arbitrated by wealth, men, and violence.

Poet, writer, and Instagram sensation Nikita Gill returns with a collection of fairytales poetically retold for a new generation of women. Traditional fairytales are rife with cliches and gender stereotypes: Beautiful, silent princesses; ugly, jealous, and bitter villainesses; girls who need rescuing; and men who take all the glory. But in this rousing new prose and poetry collection, Nikita Gill gives Once Upon a Time a much-needed modern makeover.

Wordsworth's The Prelude is the consummation of his achievement as the great founder of English romanticism. An autobiography in verse, it tells of his childhood in the Lake District, his student days in Cambridge, his passion for the French Revolution and his later disenchantment with it. It also tells of his personal journey to a belief in Nature as the great moral and spiritual force which shapes human life, but on which human society all too often turns its back.

George wished he wasn't the scruffiest giant in town. So when he sees a new shop selling giant-size clothes, he decides it's time for a new look: smart trousers, smart shirt, stripy tie, shiny shoes. Now he's the smartest giant in town...until he bumps into some animals who desperately need his help - and his clothes! Perfect for listening to at home, in the car, at bedtime - or any time at all!

Confronting loss, historical intersections with race and family, and the threshold between childhood and adulthood, Smith gathers courage and direction from the many disparate selves encountered in these poems, until, as she writes, "I was anyone I wanted to be."

The 12 Lays of Marie de France offer one of the most striking collections of short narrative poems of the 12th century - two centuries before Chaucer. Written in Anglo-French, they contain beguiling and entertaining stories of love and romance, of chivalry and adventure with sometimes even a magical twist. They are especially unique in early literature by being ascribed to a female poet, Marie de France: in the very first Lay - 'Guigemar' - is the introductory line: ‘Hear my Lords, what Marie says, who does not wish to be forgotten in her time.’

Poetry collection by Diane B. Copeland.

Ranier Maria Rilke challenges you, "...to live everything. Live the questions now. Perhaps then, someday far in the future, you will gradually, without even noticing it, live your way into the answers." Rilke's ability to combine the sensual and the spiritual into an inspired vision of the art of living is brought to vivid life in his letters. Through his eyes, the everyday difficulties of love, sex, solitude, sadness, and doubt are seen as the archetypal elements of the drama called life.

Matthew Turner doesn't have faith in anything. Not in family - his is a shambles after his younger brother was bullied into suicide. Not in so-called friends who turn their backs when things get tough. Not in some all-powerful creator who lets too much bad stuff happen. And certainly not in some "It Gets Better" psychobabble. No matter what his girlfriend Hayden says about faith and forgiveness, there's no way Matt's letting go of blame.

Everyone has something, someone, somewhere else that they’d rather be. For four high-school seniors, their goals of perfection are just as different as the paths they take to get there. Cara’s parents’ unrealistic expectations have already sent her twin brother spiraling toward suicide. For her, “perfect” means rejecting their ideals to take a chance on a new kind of love. Kendra covets the perfect face and body - no matter what surgeries and drugs she needs to get there. Sean will sacrifice more than he can ever win back....

This poetry companion puts favorite poetry and poets from around the world at your fingertips, enabling you to revisit the classics, encounter unfamiliar masterworks and rediscover old favorites.

As people, we are capable of both love and hate; amazement and disgust; fun and misery. So why do we live in a world that is constantly telling us to hate, both ourselves and others? We are told constantly to be repulsed by our own bodies, bodies that let us laugh and sweat and eat toast, amongst other activities; to be ashamed of pleasure; to be embarrassed by fun. In this collection, Hollie McNish brings her inimitable style to the question of what have been taught to hate, and if we might learn to love again.

The iconic love story of the Middle East, by a 12th-century Persian poet who has been compared to Shakespeare for his subtlety, inventiveness, and dramatic force, Layli and Majnun tells of star-crossed lovers whose union is tragically thwarted by their families and whose passion continues to ripple out across the centuries. Theirs is a love that lasts a lifetime, and in Nezami's immortal telling, erotic longing blends with spiritual self-denial in an allegory of Sufi aspiration, as the amenities of civilization give way to the elemental wilderness.

After living in the city of Orphalese for 12 years, a prophet is about to board a ship which will carry him home. He is stopped by a seeress and the people of the city, who ask him for his insights into life. The book is divided into chapters dealing with love, marriage, children, giving, eating and drinking, work, joy and sorrow, houses, clothes, buying and selling, crime and punishment, laws, freedom, reason and passion, pain, self-knowledge, teaching, friendship, talking, time, good and evil, prayer, pleasure, beauty, religion, and death.

In poyums, Len Pennie has created a collection that is as approachable as it is affecting; whether she's writing letters to her younger self, advocating for women's rights or adapting fairy tales to process an abusive relationship, Len's voice is bold, unashamedly frank and unmistakeably hers. She consciously fuses Scots into her poetry, cleverly ensuring that it is accessible to speakers of both languages.

Gleaned from Rainer Maria Rilke's voluminous, never-before-translated letters to bereaved friends and acquaintances, The Dark Interval is a profound vision of the mourning process and a meditation on death's place in our lives. Following the format of Letters to a Young Poet, this book arranges Rilke's letters into an uninterrupted sequence, showcasing the full range of the great author's thoughts on death and dying as well as his sensitive and moving expressions of consolation and condolence.

For the first time ever, 75 beloved songs from Mister Rogers’ Neighborhood and The Children's Corner are collected in this charming treasury, sure to be cherished by generations of children as well as the millions of adults who grew up with Mister Rogers. The audiobook includes the iconic song "Won't You Be My Neighbor", music and lyrics by Fred Rogers.

The Castle of Indolence was published early in the summer of 1748, four months after the poet’s death. The work was a slow and leisurely composition, which took nearly fifteen years to complete. The poem consists of 158 stanzas, divided into two cantos. It is presented as an allegory and was professedly written in imitation of The Faerie Queene. The origin of the poem appears to be the frequent remonstrances of Thomson’s friends about the poet’s well-known indolence, regarding both life and composition.