English Renaissance

How to Be Both is a novel all about art's versatility. Borrowing from painting's fresco technique to make an original literary double-take, it's a fast-moving, genre-bending conversation between forms, times, truths and fictions. There's a renaissance artist of the 1460s. There's the child of a child of the 1960s. Two tales of love and injustice twist into a singular yarn where time gets timeless, structural gets playful, knowing gets mysterious, fictional gets real - and all life's givens get given a second chance.

The Art and Practice of Geomancy teaches readers how to divine the answers to life's everyday questions about health, luck, new jobs, and love, as well as finding buried treasure, predicting the weather, and identifying secret enemies. Greer delivers to readers an ancient system of divination in an easy-to-use form requiring little more than a pen and a piece of paper.

After centuries locked in an endless cycle of poverty, persecution, and barbarity, Europe has finally emerged into the Age of Enlightenment. Scientists, philosophers, scholars, and poets alike believe this to be a new era of reason and hope for all. But the forces of darkness haven’t completely dissipated, as Spain hunts and butchers any who dare to defy its ironclad Catholic orthodoxy. Only one nation can fight the black shadow that threatens this new age, and that is Britain, now ruled by a brilliant young Queen Elizabeth I.

THE ENGLISH RENAISSANCE OF ART: 'The English Renaissance of Art' was delivered as a lecture for the first time in the Chickering Hall, New York, on January 9, 1882. A portion of it was reported in the New York Tribune on the following day and in other American papers subsequently. Since then this portion has been reprinted, more or less accurately, from time to time, in unauthorised editions.

1589. Scottish housemaid Geillis and Danish courtier Margareta lead opposite lives, but they both know one thing: when a man cries “witch”, no woman is safe. Yet when the marriage of King James VI and Princess Anna of Denmark brings Geillis and Margareta together, everything they supposed about good, evil, men, and women, is cast in a strange and brilliant new light. For the first time in history, could black magic – or rumours of it – be a very real tool for women’s political gain?

When Queen Elizabeth was excommunicated by the Pope in 1570, she found herself in an awkward predicament. Now England's key markets would be closed to her Protestant merchants. To complicate matters, the staunchly Catholic king of Spain was determined to destroy her, bolstered by the gold pouring in from the New World. In a bold decision with far-reaching consequences, Elizabeth set her sights on the East.

This audiobook is for highly sensitive people who have felt out of place in the modern world. It provides a narrative that describes how they fit into a lineage of creatives throughout history. Jacob Nordby offers a bold new definition of success in the modern era. "The only success now is living and creating a work-of-art life: unique, rich with meaning, naked of anything we don't care about, and ruthless about carving out something absolutely real from a world that has gorged itself on fakeness and become critically ill from it."

In an innovative and engaging narrative of everyday life in Shakespeare’s England, Ramie Targoff carries us from the sumptuous coronation of Queen Elizabeth in the mid-sixteenth century into the private lives of four women writers working at a time when women were legally the property of men.

A girl as beautiful as Simonetta Cattaneo never wants for marriage proposals in 15th-century Italy, but she jumps at the chance to marry Marco Vespucci. Marco is young, handsome, and well-educated. Not to mention he is one of the powerful Medici family's favored circle. Even before her marriage with Marco is set, Simonetta is swept up into Lorenzo and Giuliano de' Medici's glittering circle of politicians, poets, artists, and philosophers. The men of Florence - most notably the rakish Giuliano de' Medici - become enthralled with her beauty.

Florence. Autumn, 1539. Cesare Aldo was once an officer for the city’s most feared criminal court. Following a period of exile, he is back but demoted to night patrol when only the drunk and the dangerous roam the streets. Chasing a suspect in the rain, Aldo discovers a horrifying scene beneath Michelangelo’s statue of David. Lifeless eyes gaze from the face of a man whose body has been posed as if crucified. It’s clear the killer had religious motives. When more bodies appear, Aldo believes an unholy murderer is stalking the citizens of Florence.

A riveting love story with a captivating mystery at its heart, Mistress of the Sun resurrects a fascinating female figure from the shadows of history, and illuminates both the power of true and perfect love and the rash actions we take to capture and tame it.

Montpellier in 1566 - only fools walk the streets at night unarmed while a profession of faith in the wrong company can lead to a knife in the back. Not even this proud city of philosophers is safe from the menaces that endanger the peace of France. The city militia are struggling to contend with the lawlessness and religious hatred that threaten to tear the whole country in two.

A lively and engaging guide to vital habits of mind that can help you think more deeply, write more effectively, and learn more joyfully.

From the fall of Constantinople in 1453 until the 18th century, many Western European writers viewed the Ottoman Empire with almost obsessive interest. In this path-breaking audiobook, Noel Malcolm ranges through these vital centuries of East-West interaction, studying all the ways in which thinkers in the West interpreted the Ottoman Empire as a political phenomenon - and Islam as a political religion.

The aspects of Anne Boleyn's life and death are fiercely debated by historians, yet her ladies-in-waiting remain an understudied topic. Much emphasis is usually put on Anne's relationships with the men in her life: her suitors, her royal husband, her father and brother, and her putative lovers who were executed on May 17, 1536. By concentrating on a previously neglected area of Anne Boleyn's female household, this book seeks to identify the women who served Anne and investigate what roles ladies-in-waiting played in this Queen's household.

Beatrice is the convent's librarian. For years, she has shunned the company of her sisters, finding solace only with her manuscripts. Then, one carnival night, two women, bleeding and stricken, are abandoned outside the convent's walls. Moments from death, one of them presses something into Beatrice's hands: a bewitching book whose pages have a dangerous life of their own.

It was the splendor and the scandal of the age. In 1506, the ferociously ambitious Renaissance Pope Julius II tore down the most sacred shrine in Europe, the millennium-old St. Peter's Basilica built by the Emperor Constantine over the apostle's grave, to build a better basilica.

Giorgio Vasari (1511-1574) was a man of many talents - a sculptor, painter, architect, writer, and scholar - but he is best known for Lives of the Artists, which singlehandedly established the canon of Italian Renaissance art. Before Vasari's extraordinary book, art was considered a technical skill, and artists were mere decorators and craftsmen. It was through Vasari's visionary writings that Raphael, Leonardo, and Michelangelo came to be regarded as great masters of life as well as art, their creative genius celebrated as a divine gift.

In literary legend, Faustus is the quintessential occult personality of early modern Europe. The historical Faustus, however, was something quite different: a magus—a learned magician fully embedded in the scholarly currents and public life of the Renaissance. And he was hardly the only one. Anthony Grafton argues that the magus in sixteenth-century Europe was a distinctive intellectual type, both different from and indebted to medieval counterparts as well as contemporaries like the engineer, the artist, the Christian humanist, and the religious reformer.

There is no dowry left for Elisabeth Knolly. She is destined for a nunnery, for eternal chastity – which is a good thing – because she doesn’t want to do that with anyone. But the devil is at her back, tempting her with impure thoughts about her tutor, Samuel. Her parents, deeply ashamed of their libidinous daughter, do everything they can to keep Elisa’s thoughts from bodily pleasures. When she finally finds refuge in the nunnery, Elisa breathes a sigh of relief. But shame and guilt about her true nature follow her everywhere...