English Renaissance

1812. Arriving back in England after his successes in the Adriatic, Captain Sir Thomas Kydd is bestowed with honours. In London, he's greeted by the Prince Regent, who, despite Kydd's protestations that he's happy with his present command, insists he be given a bigger ship - HMS Thunderer, a 74-gun ship of the line. But she's old, and being part of a standing fleet, Kydd's chances of further fame and distinction are slim indeed.

In the gripping conclusion to Tracy Borman’s Stuart-era trilogy, Frances Gorges must face a dangerous new enemy deep within the court of James I.

Since the publication of The Prince five centuries ago, Machiavelli has been associated with political amorality. But that characterization is unfair. In Be Like the Fox, Erica Benner sets the record straight: far from the ruthless "Machiavellian" henchman that people think he was, Machiavelli emerges here as a profound ethical thinker who fought to uphold high moral standards and restore the democratic freedoms of his beloved Florence.

Benvenuto Cellini, master artisan of Renaissance Italy, once crafted a beautiful amulet prized for its unimaginable power - and untold menace. Now the quest to recover this legendary artifact depends upon one man: David Franco, a brilliant but skeptical young scholar at Chicago's world-renowned Newberry Library.

Widge is an orphan with a rare talent for shorthand. His fearsome master has just one demand: steal Shakespeare's play "Hamlet" - or else. Widge has no choice but to follow orders, so he works his way into the heart of the Globe Theatre, where Shakespeare's players perform. As full of twists and turns as a London alleyway, this entertaining novel is rich in period details, colorful characters, villainy, and drama.

This is a fantastic first novel in a trilogy. Set in a parallel world, in an Italy that in this world is called Talia and in a Venice that in this world is called Bellezza, the narrative follows Lucien, who in this world is ill with cancer. Given a marbled notebook to help him communicate when his throat hurts too much to speak, this notebook is the means that transports Lucien to this magical, dangerous new world. This is a world which is set in the C16, and thrills to the delight of political intrigue, including assassination attempts both foiled and successful.

Artists flock here, not just for wealth and fame, but for revolutionary color. Yet artist Giorgione “Zorzo” Barbarelli’s career hangs in the balance. Competition is fierce, and his debts are piling up. When Zorzo hears a rumor of a mysterious new pigment, brought to Venice by the richest man in Europe, he sets out to acquire the color and secure his name in history.

A shocking ancient secret. The origins of western civilization discovered. The Renaissance - our most fundamental age of technological and artistic advance, was built upon a secret passed down to a banking family in Florence - the Medici. 500 years ago that secret was buried. Florence, Italy, present day. A trove of letters belonging to the Medici family is discovered underground. Archaeologist Kat Cullen comes across a map that leads her to the Swiss Alps where her partner is murdered and she is left for dead.

Beatrice is the convent's librarian. For years, she has shunned the company of her sisters, finding solace only with her manuscripts. Then, one carnival night, two women, bleeding and stricken, are abandoned outside the convent's walls. Moments from death, one of them presses something into Beatrice's hands: a bewitching book whose pages have a dangerous life of their own.

In true stories as vivid as the colors in which they painted, Jim Weiss brings to life the astounding Leonardo da Vinci; the volcanic genius Michelangelo; Brunelleschi, who changed the way we see the world; the lighthearted sculptor, Donatello; and other captivating characters. You will watch fierce Pope Julius II drive out invaders while supervising the painting of the Sistine Chapel, and dine in the palace of Lorenzo de Medici, swordsman, statesman and patron of the arts, as he faces treachery and turns war to peace.

This book compiles both the first (1855) and final (1892) versions of Walt Whitman's masterpiece Song of Myself in one volume, making it unique and valuable for students of American literature.

From the fall of Constantinople in 1453 until the 18th century, many Western European writers viewed the Ottoman Empire with almost obsessive interest. In this path-breaking audiobook, Noel Malcolm ranges through these vital centuries of East-West interaction, studying all the ways in which thinkers in the West interpreted the Ottoman Empire as a political phenomenon - and Islam as a political religion.

The following Tales are meant to be submitted to the young learner as an introduction to the study of Shakespeare, for which purpose his words are used whenever it seemed possible to bring them in; and in whatever has been added to give them the regular form of a connected story, diligent care has been taken to select such words as might least interrupt the effect of the beautiful English tongue in which he wrote: therefore, words introduced into our language since his time have been as far as possible avoided.

Age of Discovery explores a world on the brink of a new Renaissance and asks: how do we share more widely the benefits of unprecedented progress? How do we endure the inevitable tumult generated by accelerating change? How do we each thrive through this tangled, uncertain time? From gains in health, education, wealth and technology to crises of conflict, disease and mass migration, the similarities between today's world and that of the 15th century are both striking and prophetic: we have been here before.

This audiobook compiles Ralph Waldo Emerson's most important works: "The American Scholar", "The Divinity School Address", "Self-Reliance", "The Over-Soul", "The Poet", and "Thoreau". The audiobook is expertly read by Daniel Adam Day. Published by American Renaissance Books.

How to Be Both is a novel all about art's versatility. Borrowing from painting's fresco technique to make an original literary double-take, it's a fast-moving, genre-bending conversation between forms, times, truths and fictions. There's a renaissance artist of the 1460s. There's the child of a child of the 1960s. Two tales of love and injustice twist into a singular yarn where time gets timeless, structural gets playful, knowing gets mysterious, fictional gets real - and all life's givens get given a second chance.

A History of the Middle Ages is the amazing story of European man in transition. It is a dramatic chronicle of 1,000 years of political, social, and economic transformation beginning with the dissolution of the classical Mediterranean civilization and ending with the first flowering of the Renaissance. It is also the story of two new religions, Christianity and Islam, both of which were destined to dominate the mind of every person in those new civilizations arising in their wake.

Anne, Duchess of Brittany, is the love of King Louis XII of France's life. Too bad he's already married. While his annulment proceedings create Europe's most sensational scandal of 1498, Anne returns to Brittany to take back control of her duchy that her late husband, Charles VIII, King of France, had wrested from her. At age 21, Anne is sovereign ruler of Brittany as well as Europe's most wealthy widow. But can she maintain Brittany's independence from France if she accepts Louis's offer to make her Queen of France once more?

A history of the Renaissance told through the lives of its most influential patrons. From the late Middle Ages, the independent Italian city states were taken over by powerful families who installed themselves as dynastic rulers. Inspired by the humanists, the princes of 15th- and 16th-century Italy immersed themselves in the culture of antiquity, commissioning palaces, villas and churches inspired by the architecture of ancient Rome, and offering patronage to artists and writers.

New York City, uptown, Harlem. In the 1920s it was the most exciting place in the world. Poets, writers, dancers, and musicians all came together and invented a new American culture - a dazzling and revolutionary African American culture of music and poetry and art. Everyone who was anyone wanted to come to Harlem and hear the music of jazz genius Duke Ellington, the rap-like stylings of Langston Hughes, and the classical lyricism of Countee Cullen.