English Renaissance

The Prince is a 16th-century political treatise by the Italian diplomat and political theorist Niccolò Machiavelli. Machiavelli wrote The Prince in 1513, after he was forced to leave Florence as a political exile. Dedicated to Lorenzo de’ Medici, the work is Machiavelli’s advice to the ruler of Florence on how to stay in power.

New York City in the Jazz Age was host to a pulsating artistic and social revolution. Uptown, an unprecedented explosion in Black music, literature, dance, and art sparked the Harlem Renaissance. While the history of this African-American awakening has been widely explored, one chapter remains untold: The story of a group of women collectively dubbed “Miss Anne.” Kaplan’s formidable work remaps the landscape of the 1920s, and alters our perception of this historical moment.

Most historians credit the city-state of Florence as the starting place of the Italian Renaissance, a process carried out through the patronage and commission of artists during the late 12th century. If Florence is receiving its due credit, much of it belongs to the Medici family, a Florentine dynasty that ruled at the height of the Renaissance. Both Leonardo and Michelangelo were members of Lorenzo de Medici's court. The famous leader, who also considered himself an artist and poet, became known for securing commissions for the most famous artists of the age.

Scholars suggest the Renaissance started with the first scientific study of perspective. It was introduced in a treatise named De pictura, published in 1435. The author was Leon Battista Alberti (1404-1472). He was an Italian polymath.

Princess Marissa Langurt wants nothing more than to live a carefree life free from memories of her dark past. But when the princess receives an urgent message to return one last time to see her ailing father, she is once again forced to confront her ugly past in the form of the King of Wisterdam Julian and their son whom she had abandoned ten years ago.

This is Wellington’s official dispatch to Earl Bathurst, Principal Secretary of State for the War Department in London. He describes the skirmish at Quatre Bras on June 16, followed by the main engagement at Waterloo two days later, where the French Army was defeated.

"I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived." -Henry David Thoreau, Walden. This is a new audiobook of Thoreau's masterpiece, expertly read by Daniel Adam Day.

Dubbed the “joy goddess of Harlem’s 1920s” by poet Langston Hughes, A’Lelia Walker, daughter of millionaire entrepreneur Madam C.J. Walker and the author’s great-grandmother and namesake, is a fascinating figure whose legendary parties and Dark Tower salon helped define the Harlem Renaissance. After inheriting her mother’s hair care enterprise, A’Lelia would become America’s first high profile black heiress and a prominent patron of the arts.

Rome, 1520. The Eternal City is in mourning. Raphael Sanzio, beloved painter and national hero, has died suddenly at the height of his fame. His body lies in state at the Pantheon. At the nearby convent of Sant'Apollonia, a young woman comes to the Mother Superior, seeking refuge. She is Margherita Luti, a baker's daughter from a humble neighborhood on the Tiber, now an outcast from Roman society, persecuted by enemies within the Vatican. Margherita was Raphael's beloved and appeared as the Madonna in many of his paintings. But now that Raphael is gone, the convent is her only hope.

Henry IV is not famous except for the plays that bear his name: He is not even a "much-maligned" king. He is normally overshadowed by his far more famous son, Henry V, despite his many achievements. Shakespeare is partly to blame for Henry's diminution and his son's exaggerated stature but not completely; we just don't know what to make of a man who took the throne from the rightful king.

Truth spoken plainly and powerfully is difficult to dismiss and impossible to ignore. Edited with purpose by A. Gregory Frankson, AfriCANthology: Perspectives of Black Canadian Poets brings together some of Canada's most influential dub, page, and spoken word poetic voices and gives them space to speak freely about their personal journeys in piercing verse and unapologetic prose. Just as individual experiences of Blackness are diverse across Canada, each contributor recounts aspects of navigating their unique personal, professional, and artistic paths in Black skin.

It's been two months since the Kaplan family hunted down the Serpens relic. But when the evil Galina Krause suddenly and violently reappears, Wade, Darrell, Lily, and Becca have no choice but to face her again.

The hunt for the first relic in Copernicus' legacy has sent Wade, Darrell, Lily, and Becca to the far reaches of the world and put them in serious danger. But they never imagined joining this quest would come at such a high cost. Sara Kaplan - Darrell and Wade's mother - has been kidnapped by the conniving Galina Krause. Which means the stakes couldn't be higher for the Kaplan family as they race across cold, desolate landscapes, speedboat through narrow canals, and sprint through busy city streets in search of the sought-after relic called the Serpens.

Elle Newmark's richly seductive prose brings to life the color and scandal of 15th-century Venice. Through Luciano, a street urchin apprenticed to a great chef in the palace of the doge, Newmark tells a wicked tale of political and papal intrigue. In Venice where every whisper is a secret or a lie, Luciano's initiation into the chef's spicy world makes for deliciously suspenseful listening.

In 16th-century Europe, as countries extend their global reach, an Anglo-Dutch allegiance sets out to undermine and bring down the Spanish Empire.

Rival. Sister. Barmaid. Whore. Meg Henshawe has been a lot of things in her life, and few of them good. As proprietress of The Rose and Crown in Restoration Southwark, she has squandered her life catering to the comfort of workmen and thieves. Famous for her beauty as much as her reputation for rage, Meg has been coveted, abused, and discarded more than once. She is resigned to fighting alone until a passing boxer offers a helping hand.

Sally Green is about to die. She sees Death in the streets. She can taste it in her gin. She can feel it in the very walls of the ramshackle brothel where she is kept to satisfy the perversions of the wealthy. She had come to London as a runaway in search of her Cavalier father. Instead, she found Wrath, a sadistic nobleman determined to use her to fulfill a sinister ambition. As the last of her friends are murdered one by one, survival hinges on escape.

After saving the life of the glamorous Marquise de Harfleur, painfully shy barmaid Alice Henshawe is employed as the lady’s companion and whisked away to Versailles. There, she catches King Louis’ eye and quickly becomes a court favorite as the muse for Charles Perrault’s Cinderella. The palace appears to be heaven itself, but there is danger hidden beneath the façade and Alice soon finds herself thrust into a world of intrigue, murder, and Satanism at the heart of the French court.

After being rescued from her kidnapping by a handsome highwayman, she returns home only to find her marriage prospects drastically reduced. Her father expects her to marry the repulsive Lord Lewes, but Jane has other plans. All she can think about is her highwayman, and she is determined to find him again.

August 1556. Jack Blackjack is on a simple mission: make it back home to his beloved London. It should be simple, right? Wrong. He's made it as far as Exeter, but before he can secure a fresh steed in that hellish city, he's faced with a dead priest, ruthless thieves, and a devious Dean who's determined to see the back of Jack. That suits Jack just fine - he wants to leave! So when wealthy merchant Wolfe, offers passage to London via sea, Jack jumps at the chance...and unwittingly into further danger!