English Renaissance

When Queen Elizabeth was excommunicated by the Pope in 1570, she found herself in an awkward predicament. Now England's key markets would be closed to her Protestant merchants. To complicate matters, the staunchly Catholic king of Spain was determined to destroy her, bolstered by the gold pouring in from the New World. In a bold decision with far-reaching consequences, Elizabeth set her sights on the East.

In Mystics of the Renaissance, Rudolf Steiner examines the thought of 11 European mystics (Eckhart, Tauler, Suso, Ruysbroek, Nicholas of Cusa, Agrippa von Nettesheim, Paracelsus, Weigel, Boehme, Giordano Bruno, and Angelus Silesius) through a collection of essays and explains their ideas and how they relate to modern Concepts.

THE ENGLISH RENAISSANCE OF ART: 'The English Renaissance of Art' was delivered as a lecture for the first time in the Chickering Hall, New York, on January 9, 1882. A portion of it was reported in the New York Tribune on the following day and in other American papers subsequently. Since then this portion has been reprinted, more or less accurately, from time to time, in unauthorised editions.

Illegitimate children, adulterous queens, impotent kings, and a whole dynasty resting on their shoulders. Sex and childbirth were quite literally a matter of life or death for the Tudors.

The Art and Practice of Geomancy teaches readers how to divine the answers to life's everyday questions about health, luck, new jobs, and love, as well as finding buried treasure, predicting the weather, and identifying secret enemies. Greer delivers to readers an ancient system of divination in an easy-to-use form requiring little more than a pen and a piece of paper.

Giulia Tofana longs for more responsibility in her mother’s apothecary business, but Mamma has always been secretive and refuses to tell her the hidden keys to her success. But the day Mamma is arrested for the poisoning of the powerful Duke de Verdi, Giulia is shocked to uncover the darker side of her trade. Giulia must run for her life and escapes to Naples, under the shadow of Mount Vesuvius, to the home of her aunt Isabetta, a famous courtesan.

Beatrice is the convent's librarian. For years, she has shunned the company of her sisters, finding solace only with her manuscripts. Then, one carnival night, two women, bleeding and stricken, are abandoned outside the convent's walls. Moments from death, one of them presses something into Beatrice's hands: a bewitching book whose pages have a dangerous life of their own.

Montpellier in 1566 - only fools walk the streets at night unarmed while a profession of faith in the wrong company can lead to a knife in the back. Not even this proud city of philosophers is safe from the menaces that endanger the peace of France. The city militia are struggling to contend with the lawlessness and religious hatred that threaten to tear the whole country in two.

Florence. Autumn, 1539. Cesare Aldo was once an officer for the city’s most feared criminal court. Following a period of exile, he is back but demoted to night patrol when only the drunk and the dangerous roam the streets. Chasing a suspect in the rain, Aldo discovers a horrifying scene beneath Michelangelo’s statue of David. Lifeless eyes gaze from the face of a man whose body has been posed as if crucified. It’s clear the killer had religious motives. When more bodies appear, Aldo believes an unholy murderer is stalking the citizens of Florence.

Cesare Aldo, a former soldier and now an officer of the Renaissance city's most feared criminal court, is given four days to solve the murder: catch the killer before the feast of Epiphany—or suffer the consequences. During his investigations Aldo uncovers a plot to overthrow the volatile ruler of Florence, Alessandro de' Medici. If the duke falls, it will endanger the whole city. But a rival officer of the court is determined to expose details about Aldo’s private life that could lead to his ruin.

From the acclaimed author of The Night Portrait comes a stunning historical novel about two women, separated by 500 years, who each hide Leonardo da Vinci’s Mona Lisa - with unintended consequences.

1547: Pedro Gonsalvus, a young boy living on the island of Tenerife, understands that he is different from the other children in his village. He is mercilessly ridiculed for the shiny layer of hair covering his body from head to toe. When he is kidnapped off the beach near his home, he finds himself delivered by a slave broker into the dangerous and glamorous world of France’s royal court. There “Monsieur Sauvage,” as he is known, learns French, literature, and sword fighting, becoming an attendant to the French King Henri II and a particular favorite of his queen.

A night patrol finds a wealthy merchant hanged and set ablaze in the city’s main square. More than mere murder, this killing is intended to put the fear of God into Florence. Forty years earlier, puritanical monk Girolamo Savonarola was executed the same way. Does this new killing mean his fanatical disciples are reviving the monk’s regime of holy terror? Cesare Aldo is busy hunting thieves in the Tuscan countryside, leaving Constable Carlo Strocchi to investigate the ritual killing.

In the early morning of 6 May, 1527, the 20,000 starving, unpaid troops of Emperor Charles V began their assault on the great walls of Rome. After only a few hours they had overcome the barricades; the city into which they streamed was now in their grip. This uncontrollable force of German landsknechts, Spanish soldiers, and Italian mercenaries showed no mercy as they plundered, raped, and slayed their way through the holy city.

A History of the Middle Ages is the amazing story of European man in transition. It is a dramatic chronicle of 1,000 years of political, social, and economic transformation beginning with the dissolution of the classical Mediterranean civilization and ending with the first flowering of the Renaissance. It is also the story of two new religions, Christianity and Islam, both of which were destined to dominate the mind of every person in those new civilizations arising in their wake.

Heiress to the red rose of Lancaster, Margaret Beaufort never surrenders her belief that her house is the true ruler of England and that she has a great destiny before her. Her ambitions are disappointed when her sainted cousin Henry VI fails to recognize her as a kindred spirit, and she is even more dismayed when he sinks into madness.

In the autumn of 1558, church bells across England ring out the joyous news that Elizabeth I is the new queen. But one woman hears the tidings with utter dread. Amy Dudley, wife of Sir Robert, knows that the peal of bells she hears will summon her husband once more to power, intrigue, and a passionate love affair with the young queen.

The very name Lucrezia Borgia conjures up everything that was sinister and corrupt about the Renaissance: incest, political assassination, papal sexual abuse, poisonous intrigue, unscrupulous power grabs. Yet, as best-selling biographer Sarah Bradford reveals in this breathtaking new portrait, the truth is far more fascinating than the myth.

In an innovative and engaging narrative of everyday life in Shakespeare’s England, Ramie Targoff carries us from the sumptuous coronation of Queen Elizabeth in the mid-sixteenth century into the private lives of four women writers working at a time when women were legally the property of men.

Born in the midst of the Wars of the Roses, Margaret Beaufort became the greatest heiress of her time. She survived a turbulent life, marrying four times and enduring imprisonment before passing her claim to the crown of England to her son, Henry VII, the first of the Tudor monarchs.