English Renaissance

Jacob Fugger lived in Germany at the turn of the 16th century, the grandson of a peasant. By the time he died, his fortune amounted to nearly 2 percent of European GDP. Not even John D. Rockefeller had that kind of wealth. Most people become rich by spotting opportunities, pioneering new technologies, or besting opponents in negotiations. Fugger did all that, but he had an extra quality that allowed him to rise even higher: nerve.

Scotland, 1468: a nation at the edge of Europe, a civilization on the threshold of the Modern Age. Merchants, musicians, politicians, and pageantry fill the court of King James III. In its midst, Nicholas seeks to avenge his bride's claim that she carries the bastard of his archenemy, Simon St. Pol. When she flees before Nicholas can determine whether or not the rumored child is his own-or exists at all-Nicholas gives chase. So begins the deadly game of cat and mouse that will lead him from the infested cisterns of Cairo to the misted canals of Venice at carnival.

In 1461, Nicholas is in Florence. Backed by none other than Cosimo de' Medici, he will sail the Black Sea to Trebizond, last outpost of Byzantium, and the last jewel missing from the crown of the Ottoman Empire. But trouble lies ahead. Nicholas's stepdaughter—at the tender age of thirteen—has eloped with his rival in trade: a Machiavellian Genoese who races ahead of Nicholas, sowing disaster at every port. And time is of the essence: Trebizond may fall to the Turks at any moment.

Dr. Whitfield is looking forward to a sabbatical year of peace and quiet, gardening in his backyard, and tinkering with what he calls his latest "unpublishable book". As the year begins, he is drawn by a series of seeming coincidences into involvement with a group of characters from across Europe, including a family that has been the target of assassination attempts by unknown powers. During his journey to Romania, the situation in which he finds himself becomes more sinister than it first seemed.

Mary Boleyn was the mistress of two kings, Francois I of France and Henry VIII of England, and sister to Anne Boleyn, Henry VIII’s second wife. In this astonishing and riveting biography, Alison Weir’s extensive research gives a new and detailed portrayal, in which she recounts that, contrary to popular belief, Mary was entirely undeserving of her posthumous notoriety as a great whore.

Volume Three of 2,000 Years of Christ's Power, in showing the progression of the Reformation era and the daring bravery of its figures, presents a period of history from which there are many lessons to be learnt—not least of all, the vibrancy of people's lives and the courage with which they faced death.

The history books have cast Katherine of Aragon, the first queen of King Henry VIII of England, as the ultimate symbol of the Betrayed Woman, cruelly tossed aside in favor of her husband’s seductive mistress, Anne Boleyn. Katherine’s sister, Juana of Castile, wife of Philip of Burgundy and mother of the Holy Roman Emperor Charles V, is portrayed as “Juana the Mad,” whose erratic behavior included keeping her beloved late husband’s coffin beside her for years.

Venice in 1509 is on the brink of war. The displeasure of Pope Julius II is a continuing threat to the republic, as is the barely contained fighting in the countryside. Amid this turmoil, noblewoman Justina Soranzo, just sixteen, hopes to make a rare love marriage with her sweetheart, Luca Cicogna. Her hopes are dashed when her father decides her younger sister, Rosa, will marry in a strategic alliance and Justina will be sent to the San Zaccaria convent, in the tradition of aristocratic daughters.

Watch the drama unfold with this trio as more secrets are revealed and lives are torn apart, all in the name of love. How will it end? Will Destiny finally get her man, or will her husband's mistress end up on top?

These biographies of the great quattrocento artists have long been considered among the most important of contemporary sources on Italian Renaissance art. Vasari, who invented the term "Renaissance", was the first to outline the influential theory of Renaissance art that traces a progression through Giotto, Brunelleschi, and finally the titanic figures of Michaelangelo, Da Vinci, and Raphael.

In The Geography of Genius, acclaimed travel writer Weiner sets out to examine the connection between our surroundings and our most innovative ideas. He explores the history of places, like Vienna of 1900, Renaissance Florence, ancient Athens, Song Dynasty Hangzhou, and Silicon Valley, to show how certain urban settings are conducive to ingenuity.

Elizabeth Fane is on the cusp of 50, but instead of celebrating with her family, she is on a plane to Italy alone, leaving behind her husband, three adult sons, and the profound rift between them.

The Scarlet Letter is one of the great classics of American literature. Set in the harsh Puritan environment of 17th-century Boston, it describes the plight of Hester Prynne, an independent-minded woman who stands alone against society. Having given birth to a child after an illicit affair, she refuses to name the father and is forced to wear the letter "A", for Adulteress, embroidered on her dress.

Michelangelo's Sistine Chapel ceiling is one of the most iconic masterpieces of the Renaissance. Here, in Raphael, Painter in Rome, Storey tells of its creation as never before: through the eyes of Michelangelo's fiercest rival - the young, beautiful, brilliant painter of perfection, Raphael. Orphaned at age 11, Raphael is determined to keep the deathbed promise he made to his father: become the greatest artist in history. But to be the best, he must beat the best, the legendary sculptor of the David, Michelangelo Buonarroti.

If so, you are already somewhat familiar with the Renaissance, which saw a rebirth in the arts and science. Great strides were made in several fields, and many men made a name for themselves by creating masterpieces or developing new theories, even if some people found them controversial. This comprehensive guide digs into some of the most famous figures of the period and includes some who might not be as well known.

How to Be Both is a novel all about art's versatility. Borrowing from painting's fresco technique to make an original literary double-take, it's a fast-moving, genre-bending conversation between forms, times, truths and fictions. There's a renaissance artist of the 1460s. There's the child of a child of the 1960s. Two tales of love and injustice twist into a singular yarn where time gets timeless, structural gets playful, knowing gets mysterious, fictional gets real - and all life's givens get given a second chance.

Some 500 years ago, Sandro Botticelli, a painter of humble origin, created work of unearthly beauty. An intimate associate of Florence’s unofficial rulers, the Medici, he was commissioned by a member of their family to execute a near-impossible project: to illustrate all 100 cantos of The Divine Comedy by the city’s greatest poet, Dante Alighieri. A powerful encounter between poet and artist, sacred and secular, earthly and evanescent, these drawings produced a wealth of stunning images but were never finished.

In this book, you will learn all about the exciting period of European history known as the Renaissance. This period of history was marked by a tremendous surge in creativity and innovation, resulting in the birth of some of the world’s most iconic art, literature, and architecture.

Brunelleschi's Dome is the story of how a Renaissance genius bent men, materials, and the very forces of nature to build an architectural wonder we continue to marvel at today. Denounced at first as a madman, Brunelleschi was celebrated at the end as a genius. He engineered the perfect placement of brick and stone, built ingenious hoists and cranes to carry an estimated 70 million pounds hundreds of feet into the air, and designed the workers' platforms and routines so carefully that only one man died during the decades of construction.

Set in the court of Urbino in 1507, Castiglione’s The Book of the Courtier presents an invaluable look at court life and culture during the Renaissance. Over four nights of dialogue, the book explores the key question, ‘What should a courtier be like?’ and presents a deep and timeless discussion that is reminiscent of Plato’s Symposium and Aristotle’s Nicomachean Ethics and invites comparisons with Machiavelli’s The Prince.