English Renaissance

Milan, 1492: When a 16-year-old beauty becomes the mistress of the Duke of Milan, she must fight for her place in the palace—and against those who want her out. Soon, she finds herself sitting before Leonardo da Vinci, who wants to ensure his own place in the palace by painting his most ambitious portrait to date. Munich, World War II: After a modest conservator unwittingly places a priceless Italian Renaissance portrait into the hands of a high-ranking Nazi, she risks her life to recover it, working with an American soldier, part of the famed Monuments Men team, to get it back.

A History of the Middle Ages is the amazing story of European man in transition. It is a dramatic chronicle of 1,000 years of political, social, and economic transformation beginning with the dissolution of the classical Mediterranean civilization and ending with the first flowering of the Renaissance. It is also the story of two new religions, Christianity and Islam, both of which were destined to dominate the mind of every person in those new civilizations arising in their wake.

England. 1535. Jane Seymour is 27 years old and increasingly desperate to marry and secure her place in the world. When the court visits Wolf Hall, the Seymour ancestral manor, Jane has the perfect opportunity to shine: her diligence, efficiency, and newfound poise are sure to finally attract a suitor. Meanwhile, King Henry VIII is 45 and increasingly desperate for an heir. He changed his country's religion to leave his first wife, a princess of Spain, for Anne Boleyn—but she, too, has failed to provide a son.

More than ever before, the Renaissance stands out as one of the defining moments in world history. Between 1400 and 1600, European perceptions of society, culture, politics, and even humanity itself emerged in ways that continue to affect not only Europe but the entire world. In this wide-ranging exploration of the Renaissance, Jerry Brotton shows the period as a time of unprecedented intellectual excitement, cultural experimentation, and interaction on a global scale, alongside a darker side of religion, intolerance, slavery, and massive inequality of wealth and status.

When Theodora Tenpenny spills a bottle of rubbing alcohol on her late grandfather's painting, she discovers what seems to be an old Renaissance masterpiece underneath. That's great news for Theo, who's struggling to hang on to her family's 200-year-old townhouse and support her unstable mother on her grandfather's legacy of $463. There's just one problem: Theo's grandfather was a security guard at the Metropolitan Museum of Art, and she worries the painting may be stolen.

Only in the world of the theater can Nat Field find an escape from the tragedies that have shadowed his young life. So he is thrilled when he is chosen to join an American drama troupe traveling to London to perform A Midsummer Night's Dream in a new replica of the famous Globe theater. Shortly after arriving in England, Nat goes to bed ill and awakens transported back in time 400 years - to another London, and another production of A Midsummer Night's Dream. Amid the bustle and excitement of an Elizabethan theatrical production, Nat finds the warm, nurturing father figure missing from his life - in none other than William Shakespeare.

Jane Popyncourt was brought to the court as a child to be ward of the king and a companion to his daughters - the princesses Margaret and Mary. With no money of her own, Jane could not hope for a powerful marriage, or perhaps even marriage at all. But as she grows into a lovely young woman, she still receives flattering attention from the young men flocking to serve the handsome new king, Henry VIII, who has recently married Catherine of Aragon. Then a dashing French prisoner of war, cousin to the king of France, is brought to London, and Jane finds she can't help giving her heart to a man she can never marry.

It was the splendor and the scandal of the age. In 1506, the ferociously ambitious Renaissance Pope Julius II tore down the most sacred shrine in Europe, the millennium-old St. Peter's Basilica built by the Emperor Constantine over the apostle's grave, to build a better basilica.

The history books have cast Katherine of Aragon, the first queen of King Henry VIII of England, as the ultimate symbol of the Betrayed Woman, cruelly tossed aside in favor of her husband’s seductive mistress, Anne Boleyn. Katherine’s sister, Juana of Castile, wife of Philip of Burgundy and mother of the Holy Roman Emperor Charles V, is portrayed as “Juana the Mad,” whose erratic behavior included keeping her beloved late husband’s coffin beside her for years.

In the autumn of 1558, church bells across England ring out the joyous news that Elizabeth I is the new queen. But one woman hears the tidings with utter dread. Amy Dudley, wife of Sir Robert, knows that the peal of bells she hears will summon her husband once more to power, intrigue, and a passionate love affair with the young queen.

A night patrol finds a wealthy merchant hanged and set ablaze in the city’s main square. More than mere murder, this killing is intended to put the fear of God into Florence. Forty years earlier, puritanical monk Girolamo Savonarola was executed the same way. Does this new killing mean his fanatical disciples are reviving the monk’s regime of holy terror? Cesare Aldo is busy hunting thieves in the Tuscan countryside, leaving Constable Carlo Strocchi to investigate the ritual killing.

So the vampire Queen was behind all the disappearances after all. Will swears to me he had no idea what his mother was doing? But how can I trust him? How am I to believe anything he says after being confronted by...his fiancé? Apparently, just because he loves me doesn’t mean he feels the need to tell me the truth. His endless secrets have my head spinning.The only question is: when I kill the Queen with my newfound powers, will he be my side? ...Or hers?

Today, we take for granted that a telescope allows us to see galaxies millions of light years away. But before its invention, people used nothing more than their naked eye to fathom what took place in the visible sky. So how did four men in the 1500s - of different nationality, age, religion, and class - collaborate to discover that the Earth revolved around the Sun? With this radical discovery that went against the Church, they created our contemporary world. Heaven on Earth is an intimate examination of this scientific family.

In a series of poignant vignettes, a preeminent historian makes a compelling case for Machiavelli as an unjustly maligned figure with valuable political insights that resonate as strongly today as they did in his time.

Hans Holbein the Younger is chiefly celebrated for his beautiful and precisely realized portraiture, which includes representations of Henry VIII, his advisors Thomas More and Thomas Cromwell, his wives Jane Seymour and Anne of Cleves, and an array of the Tudor lords and ladies encountered during the course of two sojourns in England. But beyond these familiar images, which have come to define our perception of the age, Holbein was a multifaceted genius: a humanist, satirist, and political propagandist, and a deft man whose work was rich in layers of symbolism and allusion.

At the age of sixty-one, Judith Shakespeare, a midwife-apothecary and twin of the long-dead Hamnet, must flee provincial Stratford on horseback to avoid arrest for witchcraft. Her traveling companions are a zealous Puritan woman and child who have been displaced by civil war—the bloody seventeenth-century strife between Royalists and Roundheads. Judith is also leaving her marriage, which has foundered since the wrenching loss of two adult sons to the plague.

In Van Gogh Has a Broken Heart, Russ Ramsey digs into these artists' stories for readers who may be new to art, as well as for lifelong students of art history, to mine the transcendent beauty and hard lessons we can take from their masterpieces and their lives. Each story from some of the history's most celebrated artists applies the beauty of the gospel in a way that speaks to the suffering and hope we all face.

Though Eleanor is not wealthy, the saffron spice she grows for her new husband is more valuable than gold. But as his reputation in Henry’s court soars, Eleanor soon understands that she has entered into a dangerous game. The king’s affections do not last forever, and she must do anything to protect her family.

The Alice Dunbar-Nelson Collection showcases the multifaceted talent of Alice Dunbar-Nelson, a prominent voice of the Harlem Renaissance. This compilation features standout works like Violets, Ten Minutes' Musing, A Carnival Jangle, The Woman, and Titee, each reflecting her keen insight into themes of identity, gender, race, and social justice. With lyrical elegance and emotional depth, Dunbar-Nelson captures the intricacies of human experience while addressing the cultural and societal dynamics of her time.

Palermo 1632: Giulia is thirteen when she learns her mother's greatest secret: Teofania makes an undetectable, slow-acting, lethal poison—Acqua Tofana—which she uses to free the broken and abused women of Palermo. Now Teofania wants to pass her recipe on to her daughter, and Giulia soon realizes that in a time when women have no voice, justice is sometimes best served in a cup of wine or broth.