English Renaissance

“Can you recommend fiction that has main characters who are like us?” This is a question we who are disabled, Deaf, neurodiverse, Spoonie, and/or who manage mental illness ask way too often. Typically, we’re faced with stories about us crafted by people who really don’t get us. We’re turned into pathetic, tragic souls; we merely exist to inspire the abled main characters to thrive; or even worse, we’re to overcome “what’s wrong with us” and be cured.

Hans Holbein the Younger is chiefly celebrated for his beautiful and precisely realized portraiture, which includes representations of Henry VIII, his advisors Thomas More and Thomas Cromwell, his wives Jane Seymour and Anne of Cleves, and an array of the Tudor lords and ladies encountered during the course of two sojourns in England. But beyond these familiar images, which have come to define our perception of the age, Holbein was a multifaceted genius: a humanist, satirist, and political propagandist, and a deft man whose work was rich in layers of symbolism and allusion.

Ramie Targoff's Renaissance Woman tells of the most remarkable woman of the Italian Renaissance: Vittoria Colonna, Marchesa of Pescara. Vittoria has long been celebrated by scholars of Michelangelo as the artist's best friend - the two of them exchanged beautiful letters, poems, and works of art that bear witness to their intimacy - but she also had close ties to Charles V, Pope Clement VII and Pope Paul III, Pietro Bembo, Baldassare Castiglione, Pietro Aretino, Queen Marguerite de Navarre, Reginald Pole, and Isabella d'Este, among others.

Palermo 1632: Giulia is thirteen when she learns her mother's greatest secret: Teofania makes an undetectable, slow-acting, lethal poison—Acqua Tofana—which she uses to free the broken and abused women of Palermo. Now Teofania wants to pass her recipe on to her daughter, and Giulia soon realizes that in a time when women have no voice, justice is sometimes best served in a cup of wine or broth.

This manifesto remains the only attempt to date by GRECE, the primary New Right organization in France, to summarize its principles and key concepts. It was written in 1999 by Alain de Benoist, GRECE's founder, and Charles Champetier on the occasion of GRECE's 30th anniversary. It offers a strong argument in favor of the right to difference among cultures and civilizations, and the right of peoples to defend themselves from cultural homogenization.

Claude McKay’s first novel, Home to Harlem, was published in 1928 during the height of the Harlem Renaissance. McKay portrays Harlem post-WWI through two Black migrants to New York: Jake, a Southern-born African American longshoreman who deserts the U.S. army and returns to his home in Harlem; and Ray, an educated Haitian immigrant. With his innovative use of Black dialects, McKay portrays a complex world of Black people, both native-born and immigrant, who navigate a dynamic society in the midst of radical change.

From the food to the rides to the entertainment, fairs are fun for so many reasons! This series will bring listeners to fairs big and small to learn about their histories and all the neat things they have to offer.

During the sweltering Roman summer of 1492, Rodrigo Borgia has risen to power as pope. Rodrigo’s eldest son Cesare, forced to follow his father into the church and newly made the Archbishop of Valencia, chafes at his ecclesiastical role and fumes with jealousy and resentment at the way that his foolish brother has been chosen for the military greatness he desired. Maddalena Moretti comes from the countryside, where she has seen how the whims of powerful men wreak havoc on the lives of ordinary people. But now, employed as a servant in the Vatican Palace, she cannot help but be entranced by Cesare Borgia.

The Catalogue of Shipwrecked Books tells the story of the first and greatest visionary of the print age, a man who saw how the explosive expansion of knowledge and information generated by the advent of the printing press would entirely change the landscape of thought and society. He also happened to be Christopher Columbus’ illegitimate son.

Age of Discovery explores a world on the brink of a new Renaissance and asks: how do we share more widely the benefits of unprecedented progress? How do we endure the inevitable tumult generated by accelerating change? How do we each thrive through this tangled, uncertain time? From gains in health, education, wealth and technology to crises of conflict, disease and mass migration, the similarities between today's world and that of the 15th century are both striking and prophetic: we have been here before.

In the winelands of 16th-century Germany, Obsopoeus witnessed the birth of a poisonous new culture of bingeing, hazing, peer pressure, and competitive drinking. Alarmed, and inspired by the Roman poet Ovid's Art of Love, he wrote The Art of Drinking (1536), a how-to manual for drinking with pleasure and discrimination. In How to Drink, Michael Fontaine offers the first proper English translation of Obsopoeus' text, rendering his poetry into spirited, contemporary prose and uncorking a forgotten classic that will appeal to drinkers of all kinds and (legal) ages.

In Flamboyants, George M. Johnson celebrates writers, performers, and activists from 1920s Black America whose sexualities have been obscured throughout history. Through 14 essays, Johnson reveals how American culture has been shaped by icons who are both Black and Queer–and whose stories deserve to be celebrated in their entirety.

A passionate story of forbidden love set in Renaissance Florence.

On 9th September 1560 Amy Robsart, the wife of Queen Elizabeth’s favourite courtier, Robert Dudley, was found lying dead at the foot of a staircase. It was a death that scandalised Tudor England. Was it an accident, suicide or murder? Robert Dudley’s open flirtation with the young Queen Elizabeth only fuelled rumours that he had orchestrated his own wife’s death. With Dudley now conveniently widowed, perhaps the queen had found her consort at last.

It’s the fifteenth century and only heretics are curious about the universe. Germany, 1494. Born under a rare alignment of the stars, Johann Georg Gerlach, "the lucky one" to his mother - is fated for greatness. But Johann’s studies and wonder at the sky have made him suspect. Especially in wake of the child disappearances that have left the God-fearing locals trembling and his one true love trapped in terrified catatonia. Her only words: "I have seen the devil..."

Lucy’s Chantress magic will make her the most powerful - and most hunted - girl in England. “Sing, and the darkness will find you.” This warning has haunted fifteen-year-old Lucy ever since she was eight and shipwrecked on a lonely island. Lucy’s guardian, Norrie, has lots of rules, but the most important is that Lucy must never sing. Not ever. Now, it is 1667, Lucy is fifteen, and on All Hallows’ Eve, Lucy hears a tantalizing melody on the wind. She can’t help but sing - and soon she is swept away into the darkness.

Princeton. Good Friday, 1999. On the eve of graduation, two students are a hairsbreadth from solving the mysteries of the Hypnerotomachia Poliphili. Famous for its hypnotic power over those who study it, the 500-year-old Hypnerotomachia may finally reveal its secrets to Tom Sullivan, whose father was obsessed with the book, and Paul Harris, whose future depends on it. As the deadline looms, research has stalled, until an ancient diary surfaces.

A woman wrestles with stifling race and gender expectations in this debut novel by Nella Larsen, one of the most important voices of the Harlem Renaissance.

Florence was a major center of middle ages European trade and banking, and also one of the most affluent cities in the world at the time. A lot of academics believe it was the beginning of the Renaissance, and it has been called "The Athens of the Middle Ages". Periods of supremacy by the strong Medici family, and also several spiritual and republican transformations, have marked the nation's unpredictable political history. The city was the capital of the Kingdom of Italy from 1865 to 1871 (developed in 1861).

Michelangelo Buonarroti (1475-1564) was recognized in his lifetime as the greatest living artist, creator of a succession of masterpieces in sculpture, fresco painting, and architecture. In all his work, Michelangelo impressed his contemporaries as a forceful personality, a divine genius endowed with terribilita, or intense emotional power.