English Theater

For more than 150 years I've served the Kingdom of Sena. Through four kings and a queen. Two wars and a rebellion. I've founded and taught at a magic school. I've fought against beast waves and dungeon breaks. But now? Now, the one close friend I had left has passed. So, I'm done with their politics and their economics. The short and busy lives of humans are more burden than benefit on the weary soul of this half-elf.

Meet Alex, a photographer on a holiday with his family in the south of France. Meet Abe, a music producer with a baby on the way. Two men - both fathers, husbands, and sons - take us on a journey you will never forget. The finest actors of their generation, Academy Award® nominee Jake Gyllenhaal (Sunday in the Park with George) and Tony Award nominee Tom Sturridge (1984), had audiences roaring to their feet during the sold-out Broadway engagement. Now Sea Wall / A Life, a dramatic exploration of transformative love and devastating loss, comes to Audible.

Most witches don't work for police departments, but Michelle isn't your average witch. She's clanless, looking for a warlock who isn't offended by her lack of family connections, and in danger of losing her job if she can't find the eight escaped trolls before they start eating the local residents. Trolls, angry police, and misbehaving spells are the least of her problems. Statues attacking homeowners might be problematic for your average witch, but to Michelle it's another day at the office.

Grace is an usher at the stately (and possibly haunted) Royal Ruby Theater. She’s also an aspiring actress ready for her big break. Vanessa is the glamorous yet spiteful star who’s made more enemies than friends on her rise to the top. When Vanessa winds up dead in act one, Grace is determined to find the killer. But is she seeking justice, or something darker?

Ellie is a sweet-natured brunette, generous of heart with a sparkling smile and an accent that reveals her East End background. Bonny is beautiful and spoilt, with cascades of blond hair, the brightest pair of blue eyes and a mouth like Cupid's bow. The two girls meet in London at the end of the war when, seduced and abandoned by two American airmen, they pool their wits and resources and set off to make a living on the stage.

They call the ancient hills of Jerusalem the butcher's theater. Here, upon this bloodstained stage, a faceless killer performs his violent specialty: The first to die brutally is a fifteen-year-old girl. She is drained of blood, then carefully bathed and shrouded in white. Precisely one week later, a second victim is found.

With less than six months on the clock until the planet's destruction, Nate and his friends scramble to find a way to get everyone to move on to the second planet in the System of Twelve. Laybor is a dangerous world, one that cannot be safely traversed by anyone below the 30th rank, and things only get worse from there.

Born in 1962, Alexandra Billings grew up in a decade in which being herself was illegal. When she started transitioning in 1980, the word “Transgender” didn’t exist. With no Trans role models and no path to follow, Alexandra did what her family, teachers, and even friends said was impossible: Alexandra forged ahead. Spanning five decades, from profound lows to exhilarating highs, This Time for Me captures the events of a pioneering life.

Stephen Sondheim died on November 26, 2021, but for countless fans around the world, he is “still here,” to quote one of his lyrics. With acclaimed revivals of his landmark shows occurring around the world and introducing new generations to the man who transformed American musical theater, Sondheim’s legacy has only grown. What is it about such classic songs as “Rose’s Turn” from Gypsy, “Send in the Clowns” from A Little Night Music, and “Children Will Listen” from Into the Woods that speaks to us so intimately and profoundly?

August Wilson wrote a series of ten plays celebrating African American life in the 20th century, one play for each decade. No other American playwright has completed such an ambitious oeuvre. Two of the plays became successful films, Fences, starring Denzel Washington and Viola Davis; and Ma Rainey’s Black Bottom, starring Viola Davis and Chadwick Boseman. Fences and The Piano Lesson won the Pulitzer Prize for Drama; Fences won the Tony Award for Best Play, and years after Wilson’s death in 2005, Jitney earned a Tony Award for Best Revival of a Play.

In the world of Fringe (or off-off-Broadway) theatre, a strong debate has been raging for years - when you're producing a low/no-budget production, how on earth can you make it happen and still treat everyone involved in an open, honest, and ethical manner? Open Book Theatre Management is the first audiobook ever to show you exactly how to mount a theatre production without losing either your integrity or your shirt.

This Is Not My Memoir tells the life story of André Gregory, iconic theatre director, writer, and actor. For the first time, Gregory shares memories from a life lived for art, including stories from the making of My Dinner with André. Taking on the dizzying, wondrous nature of a fever dream, This Is Not My Memoir includes fantastic and fantastical stories that take the listener from wartime Paris to golden-age Hollywood, from avant-garde theaters to monasteries in India.

Go to the big city. Hang out with the bigwigs. Have fun. That was the plan, right? Right! Except, our hero was supposed to be the guest of honor and the mob was not supposed to be invited. Daniel was running out of places to lay low, however. Something needed to be done, or he’d be caught in the ever-tightening net of his pursuers.

Jack is back! He is once again joined by his loyal friend Gooch and his loveable familiar Rat Damon as they attempt to save Earth from the might of the Ravanan Empire. With the addition of two newcomers from earth, the party continues their quest to shut down power sources, make friendly with the natives, and be excellent to each other.

Book 3 left us on a cliffhanger, when in the middle of a superpower-infused battle with the CBGs, Mother took control of Dorian Gray’s mind and had her teleport Gideon and an unconscious Stella to the middle of nowhere in an empty Nevada desert. Well, nearly empty. It turns out that "the middle of nowhere" happens to be the home of a man Gideon has never met, but who is inextricably tied to his fate.

This spring, Mia's determined to have a good time, despite the fact that the student government over which she presides is suddenly broke. Fortunately (or unfortunately, depending on how you look at it) Grandmere has an elaborate scheme to simultaneously raise money, catapult Mia to theatrical fame, and link her romantically with an eligible teen bachelor, not her boyfriend. It's no wonder that Michael, the love of her life, seems to think she's a psycho, or worse: not much fun.

For those who reside in the outer regions of Aleria, the day of bestowal is what determines their destiny. It is the holy day of the Goddess. The day that allows those of age to step forward and receive their blessing, to embark on the path that she has chosen for them. To receive their Classification, which dictates their strength and ability. For those people, the holy day of bestowal represents fate itself. For Dante, it represents salvation.

Portals appeared on Earth, forcing everyone to make a choice: Enter or die. However, if they managed to survive through all twelve planets in the system, they would be allowed to return home. Humanity fought bitterly and, in the end, succeeded, but the cost was high.

It’s just another Thanksgiving for the Sullivans - until the walls disappear and they discover they are being transported to Arenia, a place where game rules are real and their Earthen ability to reincarnate grants them unlimited potential. Or it would, if the celestial administrator in charge of their case hadn’t mixed up longitude and latitude and sent the wrong family. Now scattered throughout the Arenian wilderness and armed only with their Tomes, the family members must discover a strength they didn’t know they had if they are going to survive.

When Margaret Thursday lands a role as a child actress at a well-known London theatre, becoming famous almost overnight, news of her success reaches her bitter enemy, the matron of her old orphanage. Margaret knows that Matron is set on revenge, but she keeps her head held high, focusing on the play. But Matron’s evil plans are well prepared and Margaret is going to need her wits about her – and the help of her friends – if she is to escape unharmed.