English Theater

'Sense of Humor' and 'Dream Street Rose' from The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of 20th-century America. Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe.

'What No Butler' and 'Neat Strip' from The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of 20th-century America. Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Oric Rune, A Player Killer with nothing left to lose, wants nothing more than to avenge the villagers of Ducat, who were butchered before his very eyes by the Drachma Killers. But with the people of the Rune Lands encroaching on the southern cities of Unigaea, and something brewing in the sky that could prove fatal to the entire online world, Oric must make the choice between personal vengeance, and becoming the hero he is destined to be. Joining him on his epic journey are a giant Tagvornin wolf, a mute Solar Mage, and a cunning illusionist named Sam Raid.

Jace's old life is gone. Earth is a memory, replaced by a game world where survival itself is a challenge. But even if given a choice, Jace would never go back. He is a Northblood now, descendant of a proud barbarian lineage that once reigned over the chill realm he now calls home.

Mommie dearest...or is it daughter dearest? A recognizable teen star without a job, Olivia gets proactive. Dons a disguise and heads to a Hollywood benefit in Las Vegas in hopes of networking. She meets a producer who was tracked down by the father of a famous abducted girl. He wanted to share the young girl’s twisted secret diary. The producer insisted Olivia read it. "Spectacular stuff. Nothing like it." Not all mother-daughter relationships are loving. Abuse comes in all forms. And goes both ways. So does revenge, and jealousy. The aftermath is a wasteland.

More over-the-top violence, harem fun, and awesomeness as one man fights against a deathly conspiracy and one woman seeks justice. Letha plans to ascend to Planet Paradise Fourteen, where she will finally have her revenge. If only this planet were everything it appeared to be on the surface, instead of the golden-framed and crystal-distorted mirror image of Planet Kill. They still have their sex parties, their fighting competitions, and even a sport that is in a way a shrine to everything she tried to leave behind.

The year is 1970. Eighteen-year old Abby Douglas and her best friend, Linda, are enrolled in a theater class and become entangled in misfortune at the Rockford University Campus. Weeks before her first class, Abby begins having reoccurring dreams. Reluctantly she gets entangled in another mystery. Danger is lurking, and the theater professor may have to cancel the play. If the mystery isn't solved soon, the university officials will consider terminating the entire theater program.

Based on her widely praised performance piece Unicorn Gratitude Mystery ("Wickedly funny", as described by The New York Times), Karen Finley’s Grabbing Pussy explores the Shakespearean dynamics that surface when libidos and loyalties clash in the public and private personas of Donald Trump, Hillary and Bill Clinton, Huma Abedin and Anthony Weiner, and now Harvey Weinstein.

A collection of audiobooks 23 and 24 in the Katie Kazoo, Switcheroo series! Open Wide is a funny adventure that kids can really sink their teeth into! When Emma W.’s little brother Matthew overhears Katie talking about how awful going to the dentist is, he’s terrified! So Katie accompanies him to Dr. Sang’s in the hopes of calming Matthew down. ut then she herself turns into the dentist! In No Biz Like Show Biz, Miriam gets Suzanne’s role in the school play (that is, the role Suzanne thinks belongs to her), and Katie knows there will be trouble.

Before Tim Federle became a best-selling author and a Broadway playwright, he worked as a back-up dancer at the Super Bowl, a polar bear at Radio City, and a card-carrying chorus boy on Broadway. Life Is Like a Musical features 50 tips learned backstage, onstage, and in between gigs, with chapters such as "Dance Like Everyone's Watching" and "Save the Drama for the Stage". This charming and clever guide will appeal to all ages and inspire listeners to step into the lead roles of their own lives, even if they're not recovering theater majors.

An award winning Drama from SmartPass. Unabridged with guided description to set the scene and fill in visual moments.

An award winning Drama from SmartPass. Unabridged with guided description to set the scene and fill in visual moments.

The St. Charles Players present multi-cast dramatizations of some of Edgar Allan Poe's greatest works, including The Black Cat, The System of Dr. Tarr and Prof. Fether, The Purloined Letter, and The Murders in the Rue Morgue.

You're invited to go along with little Lorrie Lincoln with her family and friends as they travel to James and Pearl's movie theater. To join in on the fun, be sure to bring your crayons, markers, or pencils and paper to draw pictures of the exciting trip to the movie theater as you listen to it.

All Americans are familiar with the "day that will live in infamy." At 9:30 a.m. on Sunday, December 7, 1941, Pearl Harbor, the advanced base of the United States Navy's Pacific Fleet, was ablaze. It had been smashed by aircraft launched by the carriers of the Imperial Japanese Navy. All eight battleships had been sunk or badly damaged, 350 aircraft had been knocked out, and over 2,000 Americans lay dead. In less than an hour and a half the Japanese had almost wiped out America's entire naval presence in the Pacific.

After a year locked down and socially distanced, there’s nothing Rachel’s looking forward more than the day her favorite local movie theaters can safely reopen. When that day finally arrives, however, she finds herself struggling to make a very important decision: which movie will she see first?

The adventures of a talking wooden puppet who yearns to become a real boy.

China-Burma-India is one of the most forgotten theaters of World War 2. As the United States entered the war after Pearl Harbor, it looked to China as a source of manpower as well as a base for bombers and a way to eventually invade Japan. The Japanese, British, Americans, and Chinese each had their own motivations and policies in the Pacific that would ultimately lead to the involvement of Burma in the Pacific War. The conflict in Burma was an intricate affair that may be best understood through the story of the first Yunnan Expedition into Burma.

In early 2019, when playwright Kirk Wood Bromley was diagnosed with cancer, his fans and collaborators came together to fund and record three of his plays, one of which was Icarus and Aria, an "upgraded Romeo and Juliet" that was originally performed under the dramatory of Aaron Beall at the first New York International Fringe Festival in 1997.