English Theater

Only a few weeks have passed since the Battle of Burrova, and Edward and his friends are busier than ever improving the Haunt and protecting the surviving villagers. Sadly, time is a scarce commodity in the world of Ivalis. Soon enough, Ed finds himself thrown in conflict against the man behind the mindbrood’s attack, a man who is seemingly capable of shrugging off mortal wounds and who is willing to unleash a devastating plague of undead against the Haunt and everyone inside.

Hawke's narrator is a young man in torment, disgusted with himself after the collapse of his marriage, still half hoping for a reconciliation that would allow him to forgive himself and move on as he clumsily, and sometimes hilariously, tries to manage the wreckage of his personal life with whiskey and sex. What saves him is theater: in particular, the challenge of performing the role of Hotspur in a production of Henry IV under the leadership of a brilliant director, helmed by one of the most electrifying - and narcissistic - Falstaff's of all time.

Lee is a quiet and unassuming office worker who leads a life of solitude, comfort, and routine. Day in and day out, he shuts off his brain, keeps his head down, and goes about doing his job and minding his own business. That is, he does until a drunken god shows up randomly one day and whisks him off into another world, demanding that Lee serve as his pawn in a game between the gods. Now, trapped in a completely different world full of danger, magic, and creatures, Lee has to figure out how to stay alive long enough to make it back home.

We created this audiobook with the goal of providing a set of very simple and clear instructions on how to write and create standup comedy material, where to seek out performance opportunities, and how to perform your standup comedy material on stage for a live comedy audience.

Growing up on Long Island, lonely and quiet and queer, she was enchanted by Hollywood starlets like Kim Novak. She found her turn in New York’s early Off-Off-Broadway theater scene, in Warhol’s films Flesh and Women in Revolt, and at the famed nightclub Max's Kansas City. She inspired songs by Lou Reed and the Rolling Stones. She became friends with Jane Fonda and Lily Tomlin, borrowed a dress from Lauren Hutton, posed for Richard Avedon, and performed alongside Tennessee Williams in his own play.

On 1 April, 1945, the largest amphibious assault of the Pacific Theater began. The battle for the island of Okinawa would last for the next 82 days. Through the course of this dramatic battle, over 20,000 Americans would lose their lives, and over 75,000 Japanese were killed in one of the bloodiest clashes of World War II. Okinawa: The Last Battle is a remarkably detailed account of this monumental event by four soldiers who witnessed the action first-hand.

Daughter of an ousted king, descendant of ancient druids, Gruoch (GREW-ock), has grown up believing that she will be crowned queen of Alba and reclaim the lands of her Pictish kin, a prophecy seemingly fulfilled by her betrothal to Duncan, the heir-elect.

Since its original publication in 1973, Uta Hagen's Respect for Acting has remained a durable classic for all students of acting. As an acting instructor at the Herbert Berghof Studio, Hagen helped to develop the talents of world-class actors like Robert DeNiro, Matthew Broderick, Gene Wilder, Amanda Peet, Austin Pendleton, Whoopi Goldberg, and more. This updated edition illuminates Hagen's original text with a new foreword written by Katie Finneran, retaining the David Hyde Pierce foreword, along with added background on HB Studio.

Lin-Manuel Miranda's groundbreaking musical Hamilton is as revolutionary as its subject: the poor kid from the Caribbean who fought the British, defended the Constitution, and helped to found the United States. Fusing hip-hop, pop, R&B, and the best traditions of theater, this once-in-a-generation show broadens the sound of Broadway, reveals the storytelling power of rap, and claims our country's origins for a diverse new generation.

Upon arrival in Edmonton, Jessica is quickly outed as mystery writer J. B. Fletcher, and despite numerous protests, a hotel staffer arranges a book signing for her. This and touristy adventures arranged for the group make for a much busier trip than Jessica was expecting. When a hotel bartender, who also happens to be a stagehand for Emma’s play, turns up dead backstage at the theater, Jessica’s fun and relaxing vacation quickly becomes anything but.

Stephen Sondheim died on November 26, 2021, but for countless fans around the world, he is “still here,” to quote one of his lyrics. With acclaimed revivals of his landmark shows occurring around the world and introducing new generations to the man who transformed American musical theater, Sondheim’s legacy has only grown. What is it about such classic songs as “Rose’s Turn” from Gypsy, “Send in the Clowns” from A Little Night Music, and “Children Will Listen” from Into the Woods that speaks to us so intimately and profoundly?

In a world just parallel to ours exists a mystical realm known only as the Gardens. It’s a place where feasts never end, games of croquet have devastating consequences, and teenagers are punished for growing up. For a select group of masters, it’s a decadent paradise where time stands still. But for those who serve them, it’s a slow torture where their lives can be ended in a blink. In a bid to escape before their youth betrays them, Dora and Thistle - best friends and confidants - set out on a remarkable journey through time and space.

Everyone wants to be the chosen one. The job's perks often involve overpowered abilities, world-breaking equipment, and an eager line of bodacious partners. But due to a goddess' clumsy meddling, a struggling musician named Perry ends up accidentally transmigrated alongside her true chosen one with none of the above. Demanding a portal home or reparations for his bereaved family doesn't win him respect either. Instead, he finds himself thrust into a world of magic, monsters, and a wisecracking System.

Ignas Corvinus, ruler of Vlachia, has been captured by his worst enemies. A puppet ruler has been installed to lead the most powerful nation in Archemi, and he's doing his best to blame Hector Park, his dragon Karalti, and their allies for the world's problems.

Besieged by an army of bloodthirsty orcs and goblins, unlikely heroes Jack, Gooch, Topher, Geoe, and Dobby must find a way to save the city of Edinburgh and its inhabitants. Riding high on the success of wresting a power source away from Ravanan control, the team finally arrives in Edinburgh. Instead of the expected heroes’ welcome, they are captured and thrown in prison. To save the city, they must first win over its rulers and inhabitants, remove a decade long curse, and find a traitor.

Quantum Hughes doesn't know how long he's been trapped in a cyber noir world known as The Loop. For each day that passes, Quantum adds an item to his inventory list, hoping that he'll one day be free. Has it really been nearly 550 days? Has he gone mad? Will Quantum ever be free?

Although he was once the promising young CEO of a successful corporation, Lucas abandoned everything he knew and retreated from both the real world and his demanding life following a horrific accident. In order to cope with tragic loss, he began spending his time in virtual reality, lazing about in the sun, and living a carefree life. When he learns that his escapist paradise is being threatened and is about to disappear, however, Lucas is once again forced to take action and do what he does best: take charge.

At the height of the McCarthy era, an experimental theater troupe set up shop in a bar near the University of Chicago. Via word-of-mouth, astonished crowds packed the ad-hoc venue to see its unscripted, interactive, consciousness-raising style. From this unlikely seed grew the Second City, the massively influential comedy theater troupe, and its offshoots - the Groundlings, Upright Citizens Brigade, SNL, and a slew of others. Sam Wasson charts the meteoric rise of improv in this richly reported, scene-driven narrative.

Most witches don't work for police departments, but Michelle isn't your average witch. She's clanless, looking for a warlock who isn't offended by her lack of family connections, and in danger of losing her job if she can't find the eight escaped trolls before they start eating the local residents. Trolls, angry police, and misbehaving spells are the least of her problems. Statues attacking homeowners might be problematic for your average witch, but to Michelle it's another day at the office.

Escaping to NYU for college didn’t turn out the way Cameron planned—he’s flunking his theater classes, about to lose his scholarship, and he still hasn’t found anyone he can call his “people.” When he gets home for winter break, he’s so desperate to avoid a Conversation with his dad that he takes the first acting job he can get—as a mall elf. Despite how Scroogey he feels, the plus side is that there’s a cash prize for the most festive of Santa’s helpers. But the competition is fierce—especially from fellow elf Marco.