English Theater

With the Summoning Gate under threadbare control and the Stranger defeated, Tira’s sights turn now to the war with Amedia. Their raiding party is en route with the sole intention of crushing what they think is the last surviving Kholvenic Dungeon—her.

Few actors have had a career as dynamic as that Kathleen Turner's; success has followed her from the television screen to major blockbusters, from indie films to the theater stage. Over her 40-year career, Turner has developed an instinctual knowledge of what it takes to be a successful actor, and, in her conversations with esteemed film professor Dustin Morrow, she shares these lessons with the world.

In the late Fifties and Sixties, iconoclastic young rebels in Chicago opened two tiny theaters—The Compass and The Second City—where they satirized politics, religion, and sex. Developing scenes by improvising based on audience suggestions turned out to be a fine way to develop great actors, directors, and writers. Alumni went on to create such groundbreaking works as The Graduate, Groundhog Day, and Don't Look Up. Many of them also became stars on Saturday Night Live. Something Wonderful Right Away features the pioneers who founded the empire that transformed American comedy.

Grace is an usher at the stately (and possibly haunted) Royal Ruby Theater. She’s also an aspiring actress ready for her big break. Vanessa is the glamorous yet spiteful star who’s made more enemies than friends on her rise to the top. When Vanessa winds up dead in act one, Grace is determined to find the killer. But is she seeking justice, or something darker?

Ellie is a sweet-natured brunette, generous of heart with a sparkling smile and an accent that reveals her East End background. Bonny is beautiful and spoilt, with cascades of blond hair, the brightest pair of blue eyes and a mouth like Cupid's bow. The two girls meet in London at the end of the war when, seduced and abandoned by two American airmen, they pool their wits and resources and set off to make a living on the stage.

They call the ancient hills of Jerusalem the butcher's theater. Here, upon this bloodstained stage, a faceless killer performs his violent specialty: The first to die brutally is a fifteen-year-old girl. She is drained of blood, then carefully bathed and shrouded in white. Precisely one week later, a second victim is found.

With less than six months on the clock until the planet's destruction, Nate and his friends scramble to find a way to get everyone to move on to the second planet in the System of Twelve. Laybor is a dangerous world, one that cannot be safely traversed by anyone below the 30th rank, and things only get worse from there.

Born in 1962, Alexandra Billings grew up in a decade in which being herself was illegal. When she started transitioning in 1980, the word “Transgender” didn’t exist. With no Trans role models and no path to follow, Alexandra did what her family, teachers, and even friends said was impossible: Alexandra forged ahead. Spanning five decades, from profound lows to exhilarating highs, This Time for Me captures the events of a pioneering life.

In the1930s and '40s, Black Mask was the single most important magazine for the modern mystery field. Here writers such as Dashiell Hammett, Raymond Chandler, and Earl Stanley Gardner reshaped the established view of mystery fiction, creating the "hard-boiled" private eye. Now this series resurrects from those pages the toughest of tough detectives in sonic dramatizations from the award-winning Hollywood Theater of the Ear.

Stephen Sondheim died on November 26, 2021, but for countless fans around the world, he is “still here,” to quote one of his lyrics. With acclaimed revivals of his landmark shows occurring around the world and introducing new generations to the man who transformed American musical theater, Sondheim’s legacy has only grown. What is it about such classic songs as “Rose’s Turn” from Gypsy, “Send in the Clowns” from A Little Night Music, and “Children Will Listen” from Into the Woods that speaks to us so intimately and profoundly?

August Wilson wrote a series of ten plays celebrating African American life in the 20th century, one play for each decade. No other American playwright has completed such an ambitious oeuvre. Two of the plays became successful films, Fences, starring Denzel Washington and Viola Davis; and Ma Rainey’s Black Bottom, starring Viola Davis and Chadwick Boseman. Fences and The Piano Lesson won the Pulitzer Prize for Drama; Fences won the Tony Award for Best Play, and years after Wilson’s death in 2005, Jitney earned a Tony Award for Best Revival of a Play.

For those who reside in the outer regions of Aleria, the day of bestowal is what determines their destiny. It is the holy day of the Goddess. The day that allows those of age to step forward and receive their blessing, to embark on the path that she has chosen for them. To receive their Classification, which dictates their strength and ability. For those people, the holy day of bestowal represents fate itself. For Dante, it represents salvation.

In the world of Fringe (or off-off-Broadway) theatre, a strong debate has been raging for years - when you're producing a low/no-budget production, how on earth can you make it happen and still treat everyone involved in an open, honest, and ethical manner? Open Book Theatre Management is the first audiobook ever to show you exactly how to mount a theatre production without losing either your integrity or your shirt.

This Is Not My Memoir tells the life story of André Gregory, iconic theatre director, writer, and actor. For the first time, Gregory shares memories from a life lived for art, including stories from the making of My Dinner with André. Taking on the dizzying, wondrous nature of a fever dream, This Is Not My Memoir includes fantastic and fantastical stories that take the listener from wartime Paris to golden-age Hollywood, from avant-garde theaters to monasteries in India.

Jack is back! He is once again joined by his loyal friend Gooch and his loveable familiar Rat Damon as they attempt to save Earth from the might of the Ravanan Empire. With the addition of two newcomers from earth, the party continues their quest to shut down power sources, make friendly with the natives, and be excellent to each other.

Book 3 left us on a cliffhanger, when in the middle of a superpower-infused battle with the CBGs, Mother took control of Dorian Gray’s mind and had her teleport Gideon and an unconscious Stella to the middle of nowhere in an empty Nevada desert. Well, nearly empty. It turns out that "the middle of nowhere" happens to be the home of a man Gideon has never met, but who is inextricably tied to his fate.

This spring, Mia's determined to have a good time, despite the fact that the student government over which she presides is suddenly broke. Fortunately (or unfortunately, depending on how you look at it) Grandmere has an elaborate scheme to simultaneously raise money, catapult Mia to theatrical fame, and link her romantically with an eligible teen bachelor, not her boyfriend. It's no wonder that Michael, the love of her life, seems to think she's a psycho, or worse: not much fun.

Portals appeared on Earth, forcing everyone to make a choice: Enter or die. However, if they managed to survive through all twelve planets in the system, they would be allowed to return home. Humanity fought bitterly and, in the end, succeeded, but the cost was high.

It’s just another Thanksgiving for the Sullivans - until the walls disappear and they discover they are being transported to Arenia, a place where game rules are real and their Earthen ability to reincarnate grants them unlimited potential. Or it would, if the celestial administrator in charge of their case hadn’t mixed up longitude and latitude and sent the wrong family. Now scattered throughout the Arenian wilderness and armed only with their Tomes, the family members must discover a strength they didn’t know they had if they are going to survive.

Although he was once the promising young CEO of a successful corporation, Lucas abandoned everything he knew and retreated from both the real world and his demanding life following a horrific accident. In order to cope with tragic loss, he began spending his time in virtual reality, lazing about in the sun, and living a carefree life. When he learns that his escapist paradise is being threatened and is about to disappear, however, Lucas is once again forced to take action and do what he does best: take charge.