English Theater

In the room beneath a stage's trapdoor, Shakespeare’s dead teenage girls compare their experiences and retell the stories of their lives, their loves, and their fates in their own words. Bestselling author Joy McCullough offers a brilliant testament to how young women can support each other and reclaim their stories in the aftermath of trauma.

After a year locked down and socially distanced, there’s nothing Rachel’s looking forward more than the day her favorite local movie theaters can safely reopen. When that day finally arrives, however, she finds herself struggling to make a very important decision: which movie will she see first?

Michelle has been figuring out what her life is like now that the demon has been killed, and Sylvia and Varro are dead. Even the clans of witches trying to attract her to their way of life have backed off and given her a chance to grieve. Her relationship with Elron is stronger than ever, but there are things left unsaid. On the way to her parents' wedding, the delicate calm she’d been living in is broken. Witches are out for her blood, her family is caught in the crossfire, and friendships are threatened.

In the late Fifties and Sixties, iconoclastic young rebels in Chicago opened two tiny theaters—The Compass and The Second City—where they satirized politics, religion, and sex. Developing scenes by improvising based on audience suggestions turned out to be a fine way to develop great actors, directors, and writers. Alumni went on to create such groundbreaking works as The Graduate, Groundhog Day, and Don't Look Up. Many of them also became stars on Saturday Night Live. Something Wonderful Right Away features the pioneers who founded the empire that transformed American comedy.

As an expert and speaker on mass shootings and gun violence, Dr. Lynn Fenton knew it was impossible to “spot a killer”. But when she met her new patient, troubled grad student James Holmes, the hair on her arms stood up. She feared he was going to kill. Yet she could find no way to thwart him. A few months later, Holmes struck: He entered a packed movie theater and opened fire, killing 12 people and wounding 70; some were left brain damaged, several were paralyzed for life. Immediately the familiar debates reignited: the crisis of mental health access.

After overcoming the assault in Eternal Dominion by Abysses End's members, Alex/Xeal and his friend have shown that they can stand firm. Now they must navigate Abysses End's advances in reality without isolating themselves from the entirety of the VR gamming workshop community. While the nobles of Nium have begun to take a vested interest in Alex's/Xeal's progress. Will Alex/Xeal and his friends be able to navigate these diplomatic situations or will they find themselves dancing to the tune of others.

Alex/Xeal tried to let things come to him and in doing so things escalated quickly almost ending in disaster for him. Now it’s time for him to make his will known and assert himself on those who wish to assert themselves on him. As forces from both reality and Eternal Dominion try to manipulate Alex/Xeal for their own designs, will he succeed, or will he find himself overwhelmed and bogged down by the plans of others?

When Ian Buruma arrived in Tokyo in 1975, Japan was little more than an idea in his mind, a fantasy of a distant land. A sensitive misfit in the world of his upper middle class youth, what he longed for wasn't so much the exotic as the raw, unfiltered humanity he had experienced in Japanese theater performances and films, witnessed in Amsterdam and Paris.

You know his work—Show Boat, Oklahoma!, Carousel, The King and I. But you don't really know Oscar Hammerstein II, the man who, more than anyone else, invented the American musical. Among the most commercially successful artists of his time, he was a fighter for social justice who constantly prodded his audiences to be better than they were.

The work of Mike Nichols pervades American cultural consciousness - from The Graduate and Who's Afraid of Virginia Woolf? to Angels in America, The Birdcage, Working Girl, and Primary Colors, not to mention his string of hit plays, including Barefoot in the Park and The Odd Couple. Over a career that spanned half a century, Mike Nichols changed Hollywood, Broadway, and comedy forever. Here, for the first time, Ash Carter and Sam Kashner offer an intimate look behind the scenes of Nichols' life.

The St. Charles Players present multi-cast dramatizations of some of Edgar Allan Poe's greatest works, including The Black Cat, The System of Dr. Tarr and Prof. Fether, The Purloined Letter, and The Murders in the Rue Morgue.

From 1935 to 1939, the Federal Theatre Project staged over a thousand productions in 29 states that were seen by thirty million (or nearly one in four) Americans, two thirds of whom had never seen a play before. At its helm was an unassuming theater professor, Hallie Flanagan. It employed, at its peak, over twelve thousand struggling artists, some of whom, like Orson Welles and Arthur Miller, would soon be famous, but most of whom were just ordinary people eager to work again at their craft. The Playbook takes us through some of its most remarkable productions.

In this third book in a four-book series, Lindell A. Warden, a former student of Neville Goddard, will be sharing with you some powerful principles around Neville's teachings. You will learn about spirituality, not religions. You'll also discover that everything begins in the theater of your mind and that you are always creating in your imagination.

Gain insights into how to mentally live from the end of your intentions by living in the power of your imagination.

Jack is back! He is once again joined by his loyal friend Gooch and his loveable familiar Rat Damon as they attempt to save Earth from the might of the Ravanan Empire. With the addition of two newcomers from earth, the party continues their quest to shut down power sources, make friendly with the natives, and be excellent to each other.

Tom Stoppard is a towering and beloved literary figure. Known for his dizzying narrative inventiveness and intense attention to language, he deftly deploys art, science, history, politics, and philosophy in works that span a remarkable spectrum of literary genres: theater, radio, film, TV, journalism, and fiction. His most acclaimed creations - Rosencrantz and Guildenstern Are Dead, The Real Thing, Arcadia, The Coast of Utopia, Shakespeare in Love - remain as fresh and moving as when they entranced their first audiences.

The Pestilence has come, and kingdoms fall. Nemon Fargus has done what he could to prepare for this, but the End of an Age is not something that can be fought—only endured. The wizard can only hope that what he's done will be enough.

I never believed in superheroes. I certainly didn't believe I'd become one, or that strategically forming a harem of hot chicas and getting down with them to unlock my superpowers would be the key to my survival. Did I say my survival? I meant the universe's. No, really.... That's exactly what happened when I was taken to a galaxy of supers, thrown into a prison ship full of villains, and told it was up to me to stop them all.

Edward Zanni has been kicked out of drama school because he's just too "jazz hands" for Juilliard. He moves to New York City and lands a job working as a stealth guest at corporate parties. When he gets caught up in an insider trading scandal, his crew of theater friends comes to his rescue.

With less than six months on the clock until the planet's destruction, Nate and his friends scramble to find a way to get everyone to move on to the second planet in the System of Twelve. Laybor is a dangerous world, one that cannot be safely traversed by anyone below the 30th rank, and things only get worse from there.