English Theater

Among the dramatists who wrote for the professional playhouses of early modern London was a small group of writers who were neither members of the commercial theater industry writing to make a living nor aristocratic amateurs dipping their toes in theatrical waters for social or political prestige. Instead, they were largely working- and middle-class amateurs who had learned most of what they knew about drama from being members of the audience.

At the peak of the civil rights movement, Lydia Abarca was the first ballerina in a Black ballet company to grace the cover of Dance magazine. Alongside founding members Shelia Rohan and Gayle McKinney-Griffith and first-generation dancers Karlya Shelton and Marcia Sells, Abarca invited a bright light to shine on Black professional classical dancers. Grit, determination, and exquisite artistry propelled these swans of Harlem to dizzying heights as they performed around the world for audiences that included celebrities, dignitaries, and royalty.

Edward Zanni has been kicked out of drama school because he's just too "jazz hands" for Juilliard. He moves to New York City and lands a job working as a stealth guest at corporate parties. When he gets caught up in an insider trading scandal, his crew of theater friends comes to his rescue.

The new actress in her first Broadway production, Jenn is not surprised when the rest of the crew start teasing her with legends of the monstrous hunchbacks who live up in the theater rafters. But it's not until she sees the beasts for herself that Jenn starts to take the stories seriously. Soon, Jenn finds herself coming to the aid of these legendary creatures during an after-hours visit to the theater. But when the hunchback's lustful desires become fully apparent, Jenn finds herself at the center of a ruthless hunchback gangbang!

A surgeon flees a scandal in the city and accepts a job at a village clinic. He buys antibiotics out of pocket, squashes roaches, and chafes at the interventions of the corrupt officer who oversees his work. But his outlook on life changes one night when a teacher, his pregnant wife, and their young son appear. Killed in a violent robbery, they tell the surgeon that they have been offered a second chance at living if the surgeon can mend their wounds before sunrise.

In the fall of 1943, armed with only his notebooks and pencils, Time and Life correspondent Robert L. Sherrod leapt from the safety of a landing craft and waded through neck-deep water and a hail of bullets to reach the shores of the Tarawa atoll with the US Marine Corps. Living shoulder to shoulder with the marines, Sherrod chronicled combat and the marines' day-to-day struggles as they leapfrogged across the Central Pacific, battling the Japanese on Tarawa, Saipan, Iwo Jima, and Okinawa.

The Battle of Iwo Jima, a major event in the Pacific Theater of World War II - and one of the bloodiest in United States history - began on February 19, 1945. But what happened two days earlier has largely been a footnote - until now.... On February 17, Landing Craft Infantry 449 was among a dozen gunboats helping to prepare the area for their invasion two days later. US military leaders thought that they had weakened Japanese forces in the area.

In Niger, a coup that is staged and funded by ISIL puts a vicious leader in command. People are summarily slaughtered, the government is in shambles, and a terrorist regime rules with impunity. But deep inside the sublevel of a defunct hospital is the key to annihilation. It is a secret known only to the members of the ISIL regime and the Iran Ministry of Intelligence. The world is impotent to respond, and there seems to be no counteroffensive to stop the rogue efforts that could bring the world to its knees.

Chad, the man with the most convenient super power ever devised by an author of fiction, and his posse of, "lovely ladies", have returned! On their quest to save the universe, Chad expands his super harem even further, and gains more powers with which to combat the forces of evil...

REBEL IN VENUS takes place over one 'girl's night in' spent between best friends, Maria and Layla. Over the course of the witty and unexpected evening, Layla's memory is jolted, and her once carefully repressed past begins to return to her, triggering a sequence of events that ultimately jeopardizes Layla's unconventional life. In REBEL IN VENUS, the bold, and sometimes brutally honest stories that unfold, are filled with sexual revelations, high-school humiliations, unwanted pregnancies, unwavering friendships, sex work, divorce, and loss.

After Olive Preiss freezes during a theater camp audition, she flees in despair. She finds herself at Maudeville, a beautiful old theater that she's never noticed before. She enters, goes onstage, and sings her song. "Thank you for that lovely audition, darling," comes a voice from the shadows. "I believe I have just the part for you."

All seems well in the city on Pinchester, but trouble is brewing at the Varmint Theater. Before he knows it, Hermux is hired not only to investigate a mysterious blackmailer, but to design the set for an upcoming show. As Hermux enters the dizzying world of the theater he finds himself in a whirlwind of distractions, among them an accidental foray into reality theater and trying to fight off sexy film director Brinx Lotelle's shameless interest in Hermux's girlfriend Linka.

Following his massive personal loss in the second book, Oric Rune reaches the city of Tael to join Lothar and Sam Raid. Battered and bruised but not yet ready to give up on his quest to save Unigaea, Oric and company set off for Tagvornin to address the Red Plague. With a newfound mission and time running out as the Red Plague continues to spread, the moment for Oric to make his mark on Unigaea is now. But will he be able to? And is it even possible?

Conor Night, the world's only necromancer, has finally learned what it means to be the world's only necromancer. It’s a lesson he wishes he had never received, because thanks to him an ancient wizard with an apocalyptic agenda is back in business, ready to finish cleaning house. Even worse? He’s the only one who can stop it. He’s been living on a roll of the dice for years, but the stakes have never been higher, and the outcome never so clear: To save the world, he has to die.

Just off of Highway 95 in the state of Nevada, there lies the small town of Tonopah. For miles around, it's desolate and in the silence, there lies one lonely motel. Across from the motel is an old cemetery, where miners were buried. It's not the ghosts within the cemetery that will make you run in fear.... For those of you faint of heart and fearful of clowns, this is not a delicate story.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.