English Theater

The theater is in the midst of a digital revolution! This audiobook provides listeners with an easy-to-understand overview of the digital technology currently available for the stage. In clear language, Digital Technical Theater Simplified explains digital technology in the fields of lighting, audio, video, and show control. All chapters contain do-it-yourself examples of how anyone can use these advanced technologies, as well as case studies of "how the pros do it".

The year is 1970. Eighteen-year old Abby Douglas and her best friend, Linda, are enrolled in a theater class and become entangled in misfortune at the Rockford University Campus. Weeks before her first class, Abby begins having reoccurring dreams. Reluctantly she gets entangled in another mystery. Danger is lurking, and the theater professor may have to cancel the play. If the mystery isn't solved soon, the university officials will consider terminating the entire theater program.

Double, double, bard in trouble. Mob will catch him in a couple... Okay, the mobsters looking for Daniel still hadn't found him. That was the good news. Bad news? The net was tightening - and Daniel was running out of places to hide inside the Dawnlight Forest in the World of Chains. His skills and achievements as a bard did not help avoid attention - quite the opposite, in fact.

Ghost Light: An Introductory Handbook for Dramaturgy offers useful and entertaining answers to the confounding question: "What, exactly, is dramaturgy, and what does a dramaturg do?" According to Michael Mark Chemers, dramaturgs are the scientists of the theater world - their primary responsibility is to query the creative possibilities in every step of the production process, from play selection to costume design, and then research the various options and find ways to transform that knowledge into useful ideas.

Looking to dive into the heart of London's most cherished performing art scene, the dazzling West End? If yes, you've come to the right place. Uncover the fascinating story of its evolution! Did you know that the first theatre in the West End was established in the 16th century and was simply dubbed "The Theatre"? This doesn't even scratch the surface regarding the captivating history that shaped this iconic theater district.

Oric Rune, A Player Killer with nothing left to lose, wants nothing more than to avenge the villagers of Ducat, who were butchered before his very eyes by the Drachma Killers. But with the people of the Rune Lands encroaching on the southern cities of Unigaea, and something brewing in the sky that could prove fatal to the entire online world, Oric must make the choice between personal vengeance, and becoming the hero he is destined to be. Joining him on his epic journey are a giant Tagvornin wolf, a mute Solar Mage, and a cunning illusionist named Sam Raid.

Conor Night, the world's only necromancer, has finally learned what it means to be the world's only necromancer. It’s a lesson he wishes he had never received, because thanks to him an ancient wizard with an apocalyptic agenda is back in business, ready to finish cleaning house. Even worse? He’s the only one who can stop it. He’s been living on a roll of the dice for years, but the stakes have never been higher, and the outcome never so clear: To save the world, he has to die.

The reason that Oric Rune became a Player Killer continues to loom at the back of his mind as he makes his way north with Sam Raid and Wolf. All is well until an ambush throws a wrench in their plans, forcing Oric to come to grips with his digital existence, and the fragile lives of those closest to him. With the Red Plague spreading, and the denizens of Unigaea becoming increasingly hostile, Oric must decide if he should go after those who have ambushed and betrayed him, or ride north to the Rune Lands and address the Red Plague head on.

Following his massive personal loss in the second book, Oric Rune reaches the city of Tael to join Lothar and Sam Raid. Battered and bruised but not yet ready to give up on his quest to save Unigaea, Oric and company set off for Tagvornin to address the Red Plague. With a newfound mission and time running out as the Red Plague continues to spread, the moment for Oric to make his mark on Unigaea is now. But will he be able to? And is it even possible?

Mommie dearest...or is it daughter dearest? A recognizable teen star without a job, Olivia gets proactive. Dons a disguise and heads to a Hollywood benefit in Las Vegas in hopes of networking. She meets a producer who was tracked down by the father of a famous abducted girl. He wanted to share the young girl’s twisted secret diary. The producer insisted Olivia read it. "Spectacular stuff. Nothing like it." Not all mother-daughter relationships are loving. Abuse comes in all forms. And goes both ways. So does revenge, and jealousy. The aftermath is a wasteland.

In considerable operational detail, this chronicle captures not only the logistical nightmare of fighting in the CBI theater, but also the impossible dilemma confronted by colonial subjects in Asia during an inescapable global conflict. Should they trade a western colonial power for a Japanese version? Should the Burmese National Army betray Japan and ally with the British and Allied forces? Could Japan be trusted to “Free India” within a “Greater East Asian Co-Prosperity Sphere” as the India National Army hoped?

Gideon and the ladies continue their uphill battle against Mercsecure, and along the way, bust even more super ladies out of The New Mexico Facility high-security research lab to join the fight, including the speedy, motor-mouthed Michelle.

Based on her widely praised performance piece Unicorn Gratitude Mystery ("Wickedly funny", as described by The New York Times), Karen Finley’s Grabbing Pussy explores the Shakespearean dynamics that surface when libidos and loyalties clash in the public and private personas of Donald Trump, Hillary and Bill Clinton, Huma Abedin and Anthony Weiner, and now Harvey Weinstein.

A collection of audiobooks 23 and 24 in the Katie Kazoo, Switcheroo series! Open Wide is a funny adventure that kids can really sink their teeth into! When Emma W.’s little brother Matthew overhears Katie talking about how awful going to the dentist is, he’s terrified! So Katie accompanies him to Dr. Sang’s in the hopes of calming Matthew down. ut then she herself turns into the dentist! In No Biz Like Show Biz, Miriam gets Suzanne’s role in the school play (that is, the role Suzanne thinks belongs to her), and Katie knows there will be trouble.

An award winning Drama from SmartPass. Unabridged with guided description to set the scene and fill in visual moments.

Europe’s attempts to appease Hitler failed, as Nazi Germany swallowed up Austria and Czechoslovakia by 1939. The straw that broke the camel's back, however, was Germany's invasion of Poland on September 1 of that year. Two days later, France and Great Britain declared war on Germany, and World War II had begun in earnest. Of course, as most people now know, the invasion of Poland was merely the preface to the Nazi blitzkrieg of most of Western Europe.The narrative is that the British stood alone in 1940 against the Nazi onslaught....

After all the backstage ghost drama during Phantasm, things are quiet for the Backstagers of the St. Genesius School Drama Club - too quiet. But when that quiet is filled by a mysterious voice that haunts the Backstagers day and night, they set off on a globetrotting adventure to discover the ancient secrets of the legendary artifacts of the theater.

Angelica loves books. One of her favorite pastimes is searching for the perfect story. When she finds a mysterious book, The Theater of Dreams, its magical properties transport her to the amazing world of Dreamville. In this first book in the Dreamville series, Angelica visits the Theater of Dreams and attends the oddest most amazing show ever!

This is a full recording of Daniel Martin Berkey performing the play Remission, which Backstage magazine called "mind-blowing" and NYTheater called "90 intense and harrowing minutes of spectacular wordplay".

The First 60 Years: The History of Afro-American Musical Theater and Entertainment chronicles the contributions made by Black Americans to the entertainment industry in America from 1871 through 1930. This book describes, among other subjects, the types of traveling circuses performers worked on and the types of material performed there. This book also chronicles the history and the beginnings of Black Vaudeville in America, the creation of the blues, and the beginnings of Black theatrical entrepreneurship that took place in America during its most racist times.