English Theater

Lee is a quiet and unassuming office worker who leads a life of solitude, comfort, and routine. Day in and day out, he shuts off his brain, keeps his head down, and goes about doing his job and minding his own business. That is, he does until a drunken god shows up randomly one day and whisks him off into another world, demanding that Lee serve as his pawn in a game between the gods. Now, trapped in a completely different world full of danger, magic, and creatures, Lee has to figure out how to stay alive long enough to make it back home.

With The Last Stand of the Tin Can Sailors and Ship of Ghosts, James D. Hornfischer created essential and enduring narratives about America’s World War II Navy, works of unique immediacy distinguished by rich portraits of ordinary men in extremis and exclusive new information. Now he does the same for the deadliest, most pivotal naval campaign of the Pacific war: Guadalcanal. Neptune’s Inferno is at once the most epic and the most intimate account ever written of the contest for control of the seaways of the Solomon Islands.

From syndicated humor columnist Marc Acito comes a wildly inventive and hysterically funny novel that is equal parts Ferris Bueller's Day Off, Fame, Risky Business, Dead Poets Society, and The Catcher in the Rye.

From the archives of the American Film Institute comes a unique picture of what it was like to work in Hollywood from its beginnings to its present day. Gleaned from nearly three thousand interviews, involving four hundred voices from the industry, Hollywood: The Oral History, lets a listener “listen in” on candid remarks from the biggest names in front of the camera—Bette Davis, Meryl Streep, Tom Hanks, Harold Lloyd—to the biggest behind it—Frank Capra, Steven Spielberg, Alfred Hitchcock, Jordan Peele, as well as the lesser known individuals that shaped what was heard and seen on screen.

Lewis Hallam Jr. was a theater manager and one of the stars of the early American stage. But it wasn't always easy for theater troupes during this time.

In February 1944, in one of the most astonishing battles of World War II, a ragtag collection of British clerks, drivers, doctors, muleteers, and other base troops, stiffened by a few dogged Yorkshiremen and a handful of tank crews, managed to defeat a much larger and sophisticated contingent of some of the finest infantry in the Japanese army on their march toward India.

Once an inventive puppeteer, Sabbath at sixty-four is still defiantly antagonistic and exceedingly libidinous. But after the death of his longtime mistress—an erotic free spirit whose adulterous daring surpassed even his own—Sabbath, bereft and grieving and besieged by the ghosts of those who loved and hated him most, contrives a succession of farcical disasters that take him to the brink of madness and extinction.

The second edition of Building the Successful Theater Company takes listeners even deeper into the world of theatrical production, examining in great depth the financial realities of establishing - and maintaining - a successful organization. This indispensable reference is updated to include more theater company profiles with expert advice to better reveal the pitfalls, passions, and practicalities of the theater industry.

Despite his victory against the Guild, Kers soon learns that there is now an even greater target upon his cloudy back. Typical. Then there’s the small matter of Marwan, the Dark Lord who wants to take over the world, and the Jade Citadel sortie that is on the verge of collapsing. Not to mention the fact that he now has to ‘get along’ with his neighboring core and deal with a mysterious orca-like monster that has started flying nearby…

For generations, the LeChats had kept the mouse problem in the Old Lighthouse Theater under control. But Purrcey LeChat doesn't want to hunt mice—he wants to see his name up in lights!

Who works in a theater? What is the green room? How do actors know where to stand on stage? Who controls the lights? Go on a guided tour of a theater to find out! Meet an actor and a director, see how the lighting works, hear the orchestra tune up, and watch as cast and crew get ready to perform.

Lin-Manuel Miranda's groundbreaking musical Hamilton is as revolutionary as its subject: the poor kid from the Caribbean who fought the British, defended the Constitution, and helped to found the United States. Fusing hip-hop, pop, R&B, and the best traditions of theater, this once-in-a-generation show broadens the sound of Broadway, reveals the storytelling power of rap, and claims our country's origins for a diverse new generation.

Hawke's narrator is a young man in torment, disgusted with himself after the collapse of his marriage, still half hoping for a reconciliation that would allow him to forgive himself and move on as he clumsily, and sometimes hilariously, tries to manage the wreckage of his personal life with whiskey and sex. What saves him is theater: in particular, the challenge of performing the role of Hotspur in a production of Henry IV under the leadership of a brilliant director, helmed by one of the most electrifying - and narcissistic - Falstaff's of all time.

Upon arrival in Edmonton, Jessica is quickly outed as mystery writer J. B. Fletcher, and despite numerous protests, a hotel staffer arranges a book signing for her. This and touristy adventures arranged for the group make for a much busier trip than Jessica was expecting. When a hotel bartender, who also happens to be a stagehand for Emma’s play, turns up dead backstage at the theater, Jessica’s fun and relaxing vacation quickly becomes anything but.

The game has changed. After receiving a mysterious message from a famous Proxima developer, Chase Knowles takes a step toward an incredible future. With an important tournament coming up, everything seems to be working in his favor. But there are other forces at play, even if some of those forces are internal. Wanting more from his relationship with Lady C., Chase goes to extreme lengths to bring her digital form to New York City through an android shell.

Since its original publication in 1973, Uta Hagen's Respect for Acting has remained a durable classic for all students of acting. As an acting instructor at the Herbert Berghof Studio, Hagen helped to develop the talents of world-class actors like Robert DeNiro, Matthew Broderick, Gene Wilder, Amanda Peet, Austin Pendleton, Whoopi Goldberg, and more. This updated edition illuminates Hagen's original text with a new foreword written by Katie Finneran, retaining the David Hyde Pierce foreword, along with added background on HB Studio.

Daughter of an ousted king, descendant of ancient druids, Gruoch (GREW-ock), has grown up believing that she will be crowned queen of Alba and reclaim the lands of her Pictish kin, a prophecy seemingly fulfilled by her betrothal to Duncan, the heir-elect.

Meg Langslow’s in for a busy summer. Her husband is directing a production of Macbeth, and most of the cast and crew are occupying spare bedrooms in their house. She also has to keep an eye on Camp Birnam, where a group of medieval reenactors are commemorating the real-life Macbeth by setting up what they fondly believe is an authentic medieval Scottish military camp. And then there’s Damien Goodwin, a filmmaker who has been hanging around, trying to document the production.

Ali Stroker won the Tony Award for Best Featured Actress in a Musical for her role as Ado Annie in a revival of Oklahoma! and before that made history as the first actor in a wheelchair to appear on Broadway. Listeners can now experience her incredible one-woman show as she performs crowd favorites as well as some unexpected songs while telling stories from her life and talking about her personal motto: “Turn your limitations into opportunities.”

Growing up on a farm in Ohio, George always preferred being outdoors and exploring. This made school a challenge, but his hunting, fishing, and trapping skills helped put food on his family's table. As a poor teenager living in a rough area, he got into regular brawls, and he found holding down a job hard because of his wanderlust. After working out West with the CCC, he decided that joining the Marines offered him the opportunity for adventure plus three square meals a day; so he and his brother joined the Corps in 1941.