English Theater

You're invited to go along with little Lorrie Lincoln with her family and friends as they travel to James and Pearl's movie theater. To join in on the fun, be sure to bring your crayons, markers, or pencils and paper to draw pictures of the exciting trip to the movie theater as you listen to it.

Step into the future...into a dark, strange world where the genetically created "Encapsulated Ones" have decided to alter the course of mankind forever! This audio movie is the sequel to Star Crusaders of the Earthian Foundation.

Experience sci-fi as never before! Hear all new science fiction stories with original music, sound effects, and Sonic Soundscapes! Volume 2 includes Taurus Horn by Ken Nolan and Venus Cursed by Cindy Reed.

Experience sci-fi as never before! Hear all new science fiction stories with original music, sound effects, and Sonic Soundscapes! Volume 1 includes A World for the Taking and Pills for Peace by Sherman Hirsh and Frozen in Time by Gary Gillett with Perry Jacob.

Americans have long been fascinated by the Civil War, marveling at the size of the battles, the leadership of the generals, and the courage of the soldiers. Since the war's start over 150 years ago, the battles have been subjected to endless debate among historians and the generals themselves. The Civil War was the deadliest conflict in American history, and had the two sides realized it would take four years and inflict over a million casualties, it might not have been fought.

Family Theater is a dramatic anthology radio series that aired from 1947 to 1957. In this episode, a poor juggler of old France gives the mother of the Christ child the only present he can.

Sie haben vor, ein englischsprachiges Theaterstück zu besuchen oder einfach ein Theater im englischsprachigen Raum zu besuchen? Dann ist dieser Schnellkurs von Spotlight express genau das Richtige für Sie! Denn hier werden Sie in nur 15 Minuten alle wichtigen Vokabeln & Redewendungen, welche Sie im Theater gebrauchen könnten, erlernen.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Just off of Highway 95 in the state of Nevada, there lies the small town of Tonopah. For miles around, it's desolate and in the silence, there lies one lonely motel. Across from the motel is an old cemetery, where miners were buried. It's not the ghosts within the cemetery that will make you run in fear.... For those of you faint of heart and fearful of clowns, this is not a delicate story.

When Daisy McDare attends a murder-mystery dinner theater performance, she worries that a real-life death will occur during the show. Is she just being paranoid, or does she have every reason to be concerned?

'A Story Goes with It' and 'Dark Dolores' from The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of 20th-century America. Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

'Sense of Humor' and 'Dream Street Rose' from The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of 20th-century America. Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe.

'What No Butler' and 'Neat Strip' from The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of 20th-century America. Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.