English Theater

In Lethal Tides, Catherine Musemeche weaves together science, biography, and military history in the compelling story of an unsung woman who had a dramatic effect on the U.S. Navy’s success against Japan in WWII, creating an intelligence-gathering juggernaut based on the new science of oceanography. When World War II began, the U.S. Navy was unprepared to enact its island-hopping strategy to reach Japan. Anticipating tides, planning for coral reefs, and preparing for enemy fire was new ground for them, and with lives at stake it was ground that had to be covered quickly.

Pierce has his mission: survive by killing and getting nasty, doing whatever it takes to find his lost wife and others who were abducted and forced to participate in the barbarity that is Planet Kill. In a galaxy where the only way to rise up in society and make it to the paradise planets is through this insanity, he will be up against the most desperate, the most ruthless, and the sexiest fighters alive. Because it's not just a planet - it's the highest rated show around.

Jace, a backcountry ranger assigned to patrol the wilderness of North America, was hiking when abruptly he was somewhere…else. Wind battered his thinly clothed body, and the salt air from crashing waves immediately soaked him to the bone. Nothing looked familiar. And then the strange game messages started appearing in his vision.

In 1926, the American version of the film classic Metropolis was cut in half, now for the first time in seventy years you can experience the whole story. A very important book in the development of the audiobook industry. The music and sound effects are piped through differant speakers so the listener gets the surround sound or 3-D effect. The futuristic music alone (and the listener's imagination) tells part of the story without any words describing the action.

More over-the-top violence, harem fun, and awesomeness as one man fights against a deathly conspiracy and one woman seeks justice. Letha plans to ascend to Planet Paradise Fourteen, where she will finally have her revenge. If only this planet were everything it appeared to be on the surface, instead of the golden-framed and crystal-distorted mirror image of Planet Kill. They still have their sex parties, their fighting competitions, and even a sport that is in a way a shrine to everything she tried to leave behind.

After receiving a request for aid from a beautiful and mysterious messenger, Lee and his inner circle travel to nearby Birnefeld, a large and prosperous city ruled by the dragon king. Before he ever arrives, however, Lee encounters a group of marauders ransacking the countryside, meets a strange new herald who has set up camp in the region, and receives the dire news that the hero Brigid of Kildare has gone missing. To make things worse, a powerful new enemy is stalking him from the shadows, toying with his dreams, and striking at his closest relationships.

After the death of his best friend, Ryuk logs into the online fantasy world of Tritania in hopes of seeing her again. Joined by a cantankerous goblin, a famous Swedish gamer, and a dragon, his guild sets out on an epic quest to find Tamana. Despite pressures from the real world and a mysterious faction known as the Shinigami, Ryuk uncovers a mind-blowing secret....

Back in his old life, Jace was a loner. He didn't need friends or community, and judging by his romantic failures, he didn't need a girlfriend either. Or more accurately, any girlfriends he managed to attract quickly found they didn't need him. But now, everything has changed. Yanked from that old life and shoved into a harsh world governed by game rules, Jace has built the first true home he's ever known.

Before he was producing the musical hits of our generation, Jeffrey was just a kid coming to terms with his adoption, trying to understand his sexuality, and determined to escape his dysfunctional household in a poor neighborhood just outside Detroit. We see him find his voice through musical theater and move to New York, where he is determined to shed his past and make a name for himself on Broadway. But moving to the big city is never easy—especially not at the height of the HIV/AIDS crisis—and Jeffrey learns to survive and thrive in the colorful and cutthroat world of commercial theatre.

He was known as the Wildman more than 100 years ago, terrorizing lumberjacks and farmers who complained that their lives were at stake. The American Indians, depending on their tribe, had many names for the Creature: Sasahevas, Sasquatch, Bukwas (wild man of the woods), See'atco (one who runs and hides). What would Native American Indians have to gain from falsifying the existence of a Beast?

Quarantine is an adaptation for the theater by E. Thomalen of Albert Camus' The Plague translated by Stuart Gilbert. It is a play in four acts and begins with the observation of rats dying, ending with "freedom" because of the lifting of the quarantine. Not everyone finds freedom to his liking. The characters capture the angst, boredom, grief, heroism, spiritual questioning, villainy, courage and longing brought on by the quarantine and the plague.