English Theater

On 1 April, 1945, the largest amphibious assault of the Pacific Theater began. The battle for the island of Okinawa would last for the next 82 days. Through the course of this dramatic battle, over 20,000 Americans would lose their lives, and over 75,000 Japanese were killed in one of the bloodiest clashes of World War II. Okinawa: The Last Battle is a remarkably detailed account of this monumental event by four soldiers who witnessed the action first-hand.

A gunslinger with four affinities is a myth. It's the kind of story whispered in frontier saloons one drink before closing and around campfires in the dead of night. For the heroes and villains in those tales, that impossible power is a boon, a gift. For Mr. Jones, it's a curse. Of course, that's not his real name. He's had many. Changing names is necessary when you possess a power that every lawman and outlaw would kill to obtain. To survive, you keep your head down, kill when you must, and never stay in one place too long.

Jackson Ghasnavi is a lot of things—a techie, a smoothie afficionado, a totally not obsessive list-maker—but one thing he’s not is a romantic. And why would he be? He’s already had a front row seat to his parents’ divorce and picked up the pieces of his sister Jasmine’s broken heart one too many times.

After a night of drunken debauchery following the defeat of the academy's headmistress, Lucas awakens to trouble on all fronts. The steady balance of power within the Imperium has been shaken by his presence, and the resulting aftermath is a town full of heavily armed and well-staffed enemies that seek Lucas' death. Lucas must not only survive their assault but also manage his own slowly crumbling internal affairs when his party begins to fracture. Angered by Lucas' increasingly selfish actions, some of his closest allies are tempted to turn against him.

At the height of the McCarthy era, an experimental theater troupe set up shop in a bar near the University of Chicago. Via word-of-mouth, astonished crowds packed the ad-hoc venue to see its unscripted, interactive, consciousness-raising style. From this unlikely seed grew the Second City, the massively influential comedy theater troupe, and its offshoots - the Groundlings, Upright Citizens Brigade, SNL, and a slew of others. Sam Wasson charts the meteoric rise of improv in this richly reported, scene-driven narrative.

This spring, Mia's determined to have a good time, despite the fact that the student government over which she presides is suddenly broke. Fortunately (or unfortunately, depending on how you look at it) Grandmere has an elaborate scheme to simultaneously raise money, catapult Mia to theatrical fame, and link her romantically with an eligible teen bachelor, not her boyfriend. It's no wonder that Michael, the love of her life, seems to think she's a psycho, or worse: not much fun.

Mace and Shari continue their search for survivors among the undead even as they struggle to stay alive themselves. While working to raise their sync levels with the game, the new couple pursue the quests they’ve picked up, explore a dungeon or two, and work to stabilize the game world they hope to live in. With the undead world above closing in, will they have the time to figure out how to save themselves and other survivors?

If you read a standard history of magic, you learn that it begins in ancient Egypt with the resurrection of a goose in front of the Pharaoh. You discover how magicians were tortured and killed during the age of witchcraft. You are told how conjuring tricks were used to quell rebellious colonial natives. The history of magic is full of such stories, which turn out not to be true. Behind the smoke and mirrors, however, lies the real story of magic.

Tilda Quickthatch gave up adventuring years ago and retired to small-town Briarhaven as the local tavern wench. But now the past she's worked so hard to keep hidden has come calling for her. Its messengers? A group of misfit teens who insist she train them to pick up her mantle... or else. But what starts as simple "roll" play soon turns deadly when their antics attract the attention of a fearsome necromancer who never gave up searching for Tilda. He swoops in with a sinister offer: exchange the powerful artifact she stole nearly a decade ago for her former partner's life.

I never believed in superheroes. I certainly didn't believe I'd become one, or that strategically forming a harem of hot chicas and getting down with them to unlock my superpowers would be the key to my survival. Did I say my survival? I meant the universe's. No, really.... That's exactly what happened when I was taken to a galaxy of supers, thrown into a prison ship full of villains, and told it was up to me to stop them all.

Mass violence committed by young people is now an epidemic. The reasons behind this escalating violence and the cultural forces that have impugned a generation is the subject of this important new book. The Spiral Notebook is full of interviews with Generation Z, a group dogged by big pharma and antidepressants and ADHD drugs, by a doomsday/apocalyptic mentality present since birth, and by an entertainment industry that has turned violence into parlor games.

Growing up on a farm in Ohio, George always preferred being outdoors and exploring. This made school a challenge, but his hunting, fishing, and trapping skills helped put food on his family's table. As a poor teenager living in a rough area, he got into regular brawls, and he found holding down a job hard because of his wanderlust. After working out West with the CCC, he decided that joining the Marines offered him the opportunity for adventure plus three square meals a day; so he and his brother joined the Corps in 1941.

Before he was producing the musical hits of our generation, Jeffrey was just a kid coming to terms with his adoption, trying to understand his sexuality, and determined to escape his dysfunctional household in a poor neighborhood just outside Detroit. We see him find his voice through musical theater and move to New York, where he is determined to shed his past and make a name for himself on Broadway. But moving to the big city is never easy—especially not at the height of the HIV/AIDS crisis—and Jeffrey learns to survive and thrive in the colorful and cutthroat world of commercial theatre.

August Wilson wrote a series of ten plays celebrating African American life in the 20th century, one play for each decade. No other American playwright has completed such an ambitious oeuvre. Two of the plays became successful films, Fences, starring Denzel Washington and Viola Davis; and Ma Rainey’s Black Bottom, starring Viola Davis and Chadwick Boseman. Fences and The Piano Lesson won the Pulitzer Prize for Drama; Fences won the Tony Award for Best Play, and years after Wilson’s death in 2005, Jitney earned a Tony Award for Best Revival of a Play.

London, 1815. Amateur sleuth Atlas Catesby is about to discover the dark side of the bright lights. His long-awaited night at the opera with Lady Lilliana ends abruptly when a notorious courtesan is shot to death in Covent Garden. The infamous victim was the mistress of the powerful Marquess of Vessey. Atlas believes that the marquess - his former brother in law - is responsible for the long-ago death of Atlas' sister, Phoebe. Atlas seizes the opportunity to potentially avenge his sister's death.

When Cassidy begins painting her visions, she has no idea that she actually opens a door to the past. And behind that door are ghosts, ghosts that want to be seen and remembered. As the rookie member of the Gulf Coast Paranormal investigation team, Cassidy is eager to prove she has the skills required to make the cut, but will her eagerness to fit in place the team in supernatural danger? When a new client hires GCP to settle the spirits in the Crescent Theater, Midas, Sierra, Joshua, and Cassidy are put to the test. Will a century-old tragedy force the new owner to shutter the doors?

Desperate to save as many people as he can from a horrible fate in the cruel game of the gods, Lee and his small group of friends abandon the relative safety of Satterfield for the great city of Kirshtein. Tensions within the city have reached a breaking point after the arrival of an enemy Herald, and Lee is soon caught up in the struggle for power.

Oric Rune is on the hunt for retribution. As the sky shifts crimson, a plague engulfs the continent. Oric must act. Revenge can come later; destiny awaits. Joined by a wolf, a mage, a giant, and a cunning illusionist, Oric's unlikely team is his best chance for survival in this fantasy LitRPG adventure. As the enemies close in from all sides, Oric must make the difficult choice between personal vengeance and becoming the hero he is destined to be. Or die. Because a player can actually die in the online fantasy world known as Unigaea.

Struggling to recover from his losses in Kirshtein, Lee is swept back into the fray when a dangerous new Herald sets her sights on him. Hell-bent on reshaping the world in her own image and with her own ideals, she is willing to commit even the most immoral acts in her pursuit of righteousness. At risk of losing everything he has worked so hard to create, Lee has to find a way to defend the weak against a madwoman whose deranged sense of justice has twisted the limits of the game.

With less than six months on the clock until the planet's destruction, Nate and his friends scramble to find a way to get everyone to move on to the second planet in the System of Twelve. Laybor is a dangerous world, one that cannot be safely traversed by anyone below the 30th rank, and things only get worse from there.