English Theater

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Supporting Staged Intimacy: A Practical Guide for Theatre Creatives, Managers, and Crew examines the relationship between staged intimacy, intimacy direction, and those supporting the process during pre-production, rehearsal, and performance. Supporting Staged Intimacy is written for every pre-professional and professional artist working behind the scenes who wish to better support consensual workplaces, physically intimate stories, and the individuals telling those stories.

The Dickens script did not include the dead body on the stage. When a student at Cold Creek College is arrested for the crime, Professor Sheridan Hendley is cast in the role of amateur sleuth. Only the student is Marty’s nephew and the detective on the case is Brett. Tensions run high, friendships are strained, and the college administration is beginning to panic.

At the peak of the civil rights movement, Lydia Abarca was the first ballerina in a Black ballet company to grace the cover of Dance magazine. Alongside founding members Shelia Rohan and Gayle McKinney-Griffith and first-generation dancers Karlya Shelton and Marcia Sells, Abarca invited a bright light to shine on Black professional classical dancers. Grit, determination, and exquisite artistry propelled these swans of Harlem to dizzying heights as they performed around the world for audiences that included celebrities, dignitaries, and royalty.

The First 60 Years: The History of Afro-American Musical Theater and Entertainment chronicles the contributions made by Black Americans to the entertainment industry in America from 1871 through 1930. This book describes, among other subjects, the types of traveling circuses performers worked on and the types of material performed there. This book also chronicles the history and the beginnings of Black Vaudeville in America, the creation of the blues, and the beginnings of Black theatrical entrepreneurship that took place in America during its most racist times.

The American theater was not ignorant of the developments brought on by World War II, and actively addressed and debated timely, controversial topics for the duration of the war, including neutrality and isolationism, racism and genocide, and heroism and battle fatigue. McLaughlin and Parry's work fills a significant gap in the history of theater and popular culture, showing that American society was more divided and less idealistic than the received histories of the WWII home front and the entertainment industry recognize.

Grace Mitchell's dream of creating music derailed when she saw firsthand how fame could change a person. After choosing a more stable career, she's content to build her future in backwoods Missouri until the reminder of her broken heart walks in the door of her father's bait shop. Tyler Sherwood left it all behind for a chance at the national spotlight, but a backstage revelation changed everything. Embarrassed to face his family after his failure, he retreats to a rustic cabin to regroup...and comes face-to-face with an intriguing young woman and an old guitar.

Freelance photographers Liz Foster and Ryan Callahan are finally making plans for their future. And what better time to get married than during the festive holiday season that brought them together? If only Liz's parents weren't standing in the way of a picture-perfect wedding. Spurred on by the ghosts of Christmases past, Dan Foster has already written Liz out of his will, so even attending the wedding - let alone walking his daughter down the aisle - is out of the question. However, this is the season for miracles, and Ryan will do anything to make his bride smile.

Songbird Gloria Houghton has always needed to be the center of attention, but the spotlight has shifted. Seeking fame and a fresh start, she finds a new stage in Branson, Missouri...only to risk being replaced by a manipulative rival. Jack-of-all-trades Nick Sherwood is just one leaf on a vast family tree that includes a restaurant chef, hotel owners, and even the headline act at a family-owned theater. He's seen how fame can blind a person with jealousy. If only he wasn't so fascinated - and irritated - by the newest addition to the staff.

Danielle Lefontaine, an orphaned actress raised to the lullaby of Broadway, searches for her long-lost brother and her place on the stage. After a successful audition lands her a part in the same city his adoptive family had moved to, Dani believes she's finally close to finding her place to belong. Meanwhile, Alex Sheridan is living his dream playing the trumpet at his family's dinner theater. He's got everything he ever wanted…except someone special to share it with.

Free-spirited Elizabeth Foster turned her back on her father's photography business — and her faith — to pursue musical theater instead. Now, with a one-show contract, Liz is a few weeks away from unemployment forcing her back home when a chance encounter in the theater lobby resurrects her childhood dream of a life behind the camera. Meanwhile, sought-after photographer Ryan Callahan has put his freelance career on hold to help his sister's family while her husband is deployed. After another heart-breaking rejection by her father, Ryan is there to pick up the pieces.

In considerable operational detail, this chronicle captures not only the logistical nightmare of fighting in the CBI theater, but also the impossible dilemma confronted by colonial subjects in Asia during an inescapable global conflict. Should they trade a western colonial power for a Japanese version? Should the Burmese National Army betray Japan and ally with the British and Allied forces? Could Japan be trusted to “Free India” within a “Greater East Asian Co-Prosperity Sphere” as the India National Army hoped?

Just off of Highway 95 in the state of Nevada, there lies the small town of Tonopah. For miles around, it's desolate and in the silence, there lies one lonely motel. Across from the motel is an old cemetery, where miners were buried. It's not the ghosts within the cemetery that will make you run in fear.... For those of you faint of heart and fearful of clowns, this is not a delicate story.

Sie haben vor, ein englischsprachiges Theaterstück zu besuchen oder einfach ein Theater im englischsprachigen Raum zu besuchen? Dann ist dieser Schnellkurs von Spotlight express genau das Richtige für Sie! Denn hier werden Sie in nur 15 Minuten alle wichtigen Vokabeln & Redewendungen, welche Sie im Theater gebrauchen könnten, erlernen.

Father Peyton of the Holy Cross Fathers wanted to inspire his country with a radio program. Footing the expense of the show himself, he arranged for some of the biggest names in radio and film to donate their services, and for a network to provide the broadcast time. The series that resulted featured heartwarming stories for audiences nationwide. The commercial breaks were filled only with an earnest, non-sectarian appeal for family prayer, reminding listeners that "The family that prays together stays together."

You're invited to go along with little Lorrie Lincoln with her family and friends as they travel to James and Pearl's movie theater. To join in on the fun, be sure to bring your crayons, markers, or pencils and paper to draw pictures of the exciting trip to the movie theater as you listen to it.

Among the dramatists who wrote for the professional playhouses of early modern London was a small group of writers who were neither members of the commercial theater industry writing to make a living nor aristocratic amateurs dipping their toes in theatrical waters for social or political prestige. Instead, they were largely working- and middle-class amateurs who had learned most of what they knew about drama from being members of the audience.