English Women

Texas, 1921. A time of abundance. The Great War is over, the bounty of the land is plentiful, and America is on the brink of a new and optimistic era. But for Elsa Wolcott, deemed too old to marry in a time when marriage is a woman’s only option, the future seems bleak. Until the night she meets Rafe Martinelli. By 1934, the world has changed; millions are out of work and drought has devastated the Great Plains. Elsa must make an agonizing choice: fight for the land she loves or leave it behind and go west, to California, in search of a better life for her family.

As a motorcycle club member and firefighter, Ian Walsh is used to riding the line between the good guys and the bad. He may owe the club his life, but his heart rests with his fire station brothers - and with the girl he's loved since they were kids, Rory Sorenson. Ian would do anything for Rory. He'd die for her. Kill for her. Defend her to his last breath - and he may just have to.

They meet in a clash of swords, drenched in the moonlight of Britain's rugged eastern coast: Captain Jack, his handsome features etched in silver and shadow, his powerful physique compelling "Kit" Cranmer to surrender. He is her dream lover come vividly alive, and his command of the smuggling gang is absolute. His all-knowing gaze penetrates her disguise as the male leader of a rival gang with frightening ease, and his "punishment" with kisses leaves her maidenly modesty in tatters.

Lawrence explores love, sex, passion, and marriage through the eyes of two sisters, Gudrun and Ursula Brangwen. Intelligent, incisive, and observant, the two very different sisters pursue thrilling, torrid affairs with their lovers, Rupert and Gerald, while searching for more mature emotional relationships. Against a haunting World War I backdrop of coal mines, factories, and a beleaguered working class, Gudrun and Ursula's temperamental differences spark an ongoing debate regarding their society and their inner lives.

Rosa Larkin is down on her luck in London, so when she inherits a near-derelict corner shop in a quaint Devon village, her first thought is to sell it for cash and sort out her life. But nothing is straightforward about this legacy. While the identity of her benefactor remains a mystery, he - or she - has left one important legal proviso: that the shop cannot be sold, only passed on to somebody who really deserves it. Rosa makes up her mind to give it a go: to put everything she has into getting the shop up and running again in the small seaside community of Cockleberry Bay. But can she do it all on her own?

Timid Renata Molloy is in mortal peril after overhearing details of a breathtaking conspiracy. But her courageous and near-identical cousin Jane Smith—homeless and just two-and-elevenpence away from the workhouse—is willing to take her place if it means a roof over her head and plenty to eat. So Jane, with the help of Captain Henry March of Scotland Yard, whose hand in marriage she once refused, finds herself incognito at stately Luttrell Marches, enmeshed in a mystery of secret formulae, political plots, and a maze of secret doors and secret passages …

New York Times best-selling author Alexander McCall Smith, winner of the first-ever Saga Award for Wit, has entertained millions with his beloved No. 1 Ladies' Detective Agency mysteries. Now this phenomenally popular author introduces a fresh series, brimming with the charm and humor his stable of dedicated fans can't get enough of.

In the winter of 1924, Daisy Dalrymple Fletcher travels to a school friend's house to witness the estate's famous Guy Fawkes celebration. But she gets more than the quiet weekend at the quaint family manse that she was originally hoping for. The home is the site of some severe family tension. The Viscount and head of the family is a strict and unyielding sort, insisting that everyone - especially his children - meet his own unreasonable expectations. On the evening of the Guy Fawkes celebration, the Viscount is found dead on the floor of his study, killed by his own hand.

Emma London never thought she had anything in common with her grandmother Genevieve London. The regal old woman came from wealthy and bluest-blood New England stock, but that didn't protect her from life's cruelest blows. Genevieve rose from the ashes of grief and built a fashion empire that was respected the world over, even when it meant neglecting her other son. When Emma's own mother died, her father abandoned her on his mother's doorstep. Genevieve took Emma in and reluctantly raised her - until Emma got pregnant her senior year of high school.

When a local man, a veteran of the war in Afghanistan, goes missing, his parents have good reason to be concerned. Emily Willows is a friend of the family and says that she knows just the person to find him - and, as Summer Lane soon points out, the fact that this also fits in with Emily's plan to set up her very own detective agency is surely just a fortuitous coincidence.

Forty-something Maggie Sharpe is returning to her quaint childhood town of Dogwood Mountain, Missouri, nestled in the beautiful Ozark Mountains, Maggie recently inherited Dogwood Bakery, along with a cute little cottage, from her aunt Marjorie. With a son in the Navy, deployed six months at a time, and an ex in Kansas, Maggie decided that it was time for a change, but she soon learns that life back home is not all sprinkles and jelly-filled donuts.

Burnt-out social worker Amalie Holmes thinks she's finally caught a lucky break in the form of a free cottage from her mystery great aunt. With nothing to lose, Amalie heads for the hills, or, in this case, the mountains. Turns out the cottage comes with a big family secret: Amalie is from a long line of witches. She quickly discovers that living in a new town isn't easy, especially when lightning strikes whenever she loses her temper! When an orphaned 11-year-old stands accused of murder, Amalie's social worker instincts compel her to solve the case and clear the child.

Olive and Jasper have never been closer—except for one thing. Jasper is still reticent about his frequent disappearances from polite society. With the holidays approaching and no paying client on the books, Olive decides to shadow Jasper when he’s unexpectedly called away. Her search brings her to Holly Hill Lodge where an eclectic group has gathered to celebrate an old-fashioned English Christmas. When the butler goes missing, Olive and Jasper must work together to solve the Christmas crime—as well as the secret Jasper hides.

There comes a point in your life where you have to say enough is enough. I wasted my college years on a guy who played with my head, played with my heart. I was blinded by the fairy tale, the one that didn't exist. The day I gave up on the idea of happily ever after, my focus became me. Moving forward and establishing my career. Until one day.... I didn't expect him. My new boss, a six foot two, inked rock god. I believed I was working for the record label - I was wrong.

When Lauren returns home to her flat in London late one night, she is greeted at the door by her husband, Michael. There’s only one problem—she’s not married. She’s never seen this man before in her life. But according to her friends, her much-improved decor, and the photos on her phone, they’ve been together for years.

Hollywood has come to Lake Eden and The Cookie Jar is snack central for the movie crew. And when the demanding director turns up dead after someone switches the movie's prop gun with a real gun, there's a baker's dozen worth of suspects.

As the enforcer of the Torpedo Ink motorcycle club, Reaper lives for riding and fighting. He's a stone-cold killer who turns his wrath on those who deserve it. Feelings are a weakness he can't afford - until a gorgeous bartender gets under his skin. Near Sea Haven, the small town of Caspar has given Anya Rafferty a new lease on life. And she's desperate to hold on to her job at the biker bar, even if the scariest member of the club seems to have it out for her. But Reaper's imposing presence and smoldering looks just ratchet up the heat.

Tara never imagined her introduction to Ireland like this - carrying her mam's ashes to honor her final request: "Tell Johnny I'm sorry.... Take me home." She's never met her mam's estranged brother, Johnny Meehan, who owns an architectural salvage business in Galway. Although Tara is immediately charmed by the medieval city, the locals seem wary of strangers, and a gypsy warns her that death is all around. When Tara arrives at her uncle's stone cottage, the prophesy seems true. A dead man lies sprawled over the threshold in a pool of blood.

Blossom Valley, West Virginia, is home to Smythe Orchards, Winnie and her Granny's beloved 25-acre farm and family business. But any way you slice it, it's struggling. That's why they're trying to drum up business with the "First Annual Christmas at the Orchard", a good old-fashioned holiday festival with enough delicious draw to satisfy apple-picking locals and cider-loving tourists alike - until the whole endeavor takes a sour turn when the body of Nadine Cooper, Granny's long-time, grudge-holding nemesis, is found lodged in the apple press.

The Frosts are a typical American family. Barb and John, married almost 50 years, are testy and bored with each other...who could blame them after all this time? At least they have their daughters - Barb's favorite, the perfect, brilliant Juliet; and John's darling, the free-spirited Sadie. The girls themselves couldn't be more different, but at least they got along, more or less. It was fine. It was enough. Until the day John had a stroke, and their house of cards came tumbling down. Now Sadie has to put her career as a teacher and struggling artist in New York on hold....