Entertainment Culture

Jon Fine spent nearly 30 years performing and recording with bands that played various forms of aggressive and challenging underground rock music. And, as he writes in this memoir, at no point were any of those bands "ever threatened, even distantly, by actual fame". Yet when members of his first band, Bitch Magnet, reunited after 21 years to tour Europe, Asia, and America, diehard longtime fans traveled from far and wide to attend those shows.

For an actor who’s been in so many mega-hits and equally mega misses, it can be tough to track Keanu Reeves's accomplishments. But true fans know that Keanu is so much more than his Bill and Ted persona, both onscreen and off. During his long career - over 30 years, although you wouldn’t know it from his immortal looks - he has constantly subverted Hollywood stereotypes and expectations. He's the type to start his own publishing company, reread Hamlet, eat lunch alone in the park while looking very sad, and give away his salary to the film crew.

Oswalt combines memoir with uproarious humor, from snow forts to Dungeons & Dragons to gifts from Grandma that had to be explained. He remem­bers his teen summers spent working in a movie Cineplex and his early years doing stand-up. Readers are also treated to several graphic elements, includ­ing a vampire tale for the rest of us and some greeting cards with a special touch.

In this new audiobook, broadcaster and music writer Alan Cross narrates the definitive history of Green Day. Cross succeeds once again in revealing the fascinating history behind the music in the same compelling way we've come to expect from his long broadcasting career.

In Planet Funny, Ken Jennings explores this brave new comedic world and what it means - or doesn’t - to be funny in it now. Tracing the evolution of humor from the caveman days to the bawdy middle-class antics of Chaucer to Monty Python’s game-changing silliness to the fast-paced meta-humor of The Simpsons, Jennings explains how we built our humor-saturated modern age, where lots of us get our news from comedy shows and a comic figure can even be elected president of the United States purely on showmanship.

Arianna Warsaw-Fan Rauch’s life-long fascination with classical music has taken her through Juilliard and into the shiny world of symphony halls and international concert tours. She’s loved classical music her whole life. But she’s also hated classical music her whole life. After all, if you can like Beyoncé without liking Bieber, you can certainly like Brahms without liking Bach—especially since they were born 148 years apart and the thing we call “classical music” is really just centuries of compositions shoved into one hodge-podge of a genre.

Music opinions bring out passionate debate in people, and Steven Hyden knows that firsthand. Each chapter in Your Favorite Band Is Killing Me focuses on a pop music rivalry, from the classic to the very recent, and draws connections to the larger forces surrounding the pairing.

When Neil Armstrong and Buzz Aldrin stepped onto the lunar surface in July of 1969, they wore spacesuits made by Playtex: 21 layers of fabric, each with a distinct yet interrelated function, custom-sewn for them by seamstresses whose usual work was fashioning bras and girdles. This book is the story of that spacesuit. It is a story of the triumph over the military-industrial complex by the International Latex Corporation, best known by its consumer brand of "Playtex" - a victory of elegant softness over engineered hardness, of adaptation over cybernetics.

In this new audiobook, radio broadcaster and music writer Alan Cross narrates the definitive history of David Bowie. Cross succeeds once again in revealing the fascinating history behind the music in the same compelling way we've come to expect from his long broadcasting career.

The explosive, definitive account of Michael Jackson’s fall from grace has now been updated with four new fascinating chapters. Award-winning journalist Diane Dimond, who first broke the story of the King of Pop’s battles against child molestation charges from 1993 to 2005, takes you behind the scenes and into the courtroom of one of the most controversial cases of the decade. This audio version gives listeners a dramatic glimpse of one reporter’s vigilance and unending quest to uncover the truth.

Today’s gay youth have dozens of queer peer heroes, both fictional and real, but former gay teenager Grace Perry did not have that luxury. Instead, she had to search for queerness in the (largely straight) teen cultural phenomena the aughts had to offer: in Lindsay Lohan’s fall from grace, Gossip Girl, Katy Perry’s “I Kissed A Girl”, country-era Taylor Swift, and Seth Cohen jumping on a coffee cart. And, for better or worse, these touch points shaped her adult identity. She came out on the other side like many millennials did: in her words, gay as hell.

On February 11, 2012, Whitney Houston was found submerged in the bathtub of her suite at the Beverly Hilton Hotel. In the decade since, the world has mourned her death amid new revelations about her relationship to her Blackness, her sexuality, and her addictions. Didn’t We Almost Have It All is author Gerrick Kennedy’s exploration of the duality of Whitney’s life as both a woman in the spotlight and someone who often had to hide who she was. This is the story of Whitney’s life, her whole life, told with both grace and honesty.

William Deresiewicz, a leading critic of the arts and of contemporary culture, set out to answer those questions. Based on interviews with artists of all kinds, The Death of the Artist argues that we are in the midst of an epochal transformation. If artists were artisans in the Renaissance, bohemians in the 19th century, and professionals in the 20th, a new paradigm is emerging in the digital age, one that is changing our fundamental ideas about the nature of art and the role of the artist in society.

Stitched Up delves into the alluring world of fashion to reveal what is behind the clothes we wear. Moving between Karl Lagerfeld and Karl Marx, the book explores consumerism, class, and advertising to reveal the interests which benefit from exploitation. Tansy E. Hoskins dissects fashion’s vampiric relationship with the planet and with our bodies to uncover what makes it so damaging.

Cuando El chavo del ocho se estrenó en los años 70, el programa ofrecía un retrato poco común de la vida de la clase trabajadora que resonó en la gente de toda América Latina. En el pico de su popularidad, 350 millones de personas lo sintonizaban cada semana. Y durante casi 50 años, el legado de “el chavo” se mantuvo vivo a través de una creciente base de fans multigeneracional y sus retransmisiones diarias. Hasta 2020, cuando El Chavo dejó de emitirse repentinamente.

In this new audiobook, broadcaster and music writer Alan Cross narrates the definitive history of Nirvana. Cross succeeds once again in revealing the fascinating history behind the music in the same compelling way we've come to expect from his long broadcasting career.

Mani Ratnam’s Nayakan is among Time’s "100 Best Movies Ever", and his Roja launched A.R. Rahman. For the first time ever, Mani Ratnam opens up here, to Baradwaj Rangan, in a series of freewheeling conversations - candid, witty, pensive, and sometimes combative - and looks back at these and 19 other masterly films. With Rangan’s personal and impassioned introduction setting the Tamil and national context of the films, Conversations is a treat for serious lovers of cinema as well as the casual moviegoer looking for a peek behind the process.

The Horror of It All is a memoir from the front lines of the industry that dissects (and occasionally defends) the hugely popular phenomenon of scary movies. Author Adam Rockoff traces the highs and lows of the horror genre through the lens of his own obsessive fandom, born in the aisles of his local video store and nurtured with a steady diet of cable trash.

New York City, uptown, Harlem. In the 1920s it was the most exciting place in the world. Poets, writers, dancers, and musicians all came together and invented a new American culture - a dazzling and revolutionary African American culture of music and poetry and art. Everyone who was anyone wanted to come to Harlem and hear the music of jazz genius Duke Ellington, the rap-like stylings of Langston Hughes, and the classical lyricism of Countee Cullen.

MercyMe’s crossover hit, “I Can Only Imagine,” has touched millions of people around the world. But few know about the pain, redemption, and healing that inspired it. Now Bart Millard, award-winning recording artist and lead singer of MercyMe, shares how his dad’s transformation from abusive father to man of God sparked a divine moment in music history.