Entertainment History

In The Fatal Alliance the acclaimed film critic David Thomson offers us one of his most provocative books yet—a rich, arresting, and troubling study of that most beloved genre: the war movie. It is not a standard history or survey of war films, although Thomson turns his typically piercing eye to many favorites—from All Quiet on the Western Front to The Bridge on the River Kwai to Saving Private Ryan.

Mix tapes: We all have our favorites. Stick one into a deck, press play, and you’re instantly transported to another time in your life. For Rob Sheffield, that time was one of miraculous love and unbearable grief. A time that spanned seven years, it started when he met the girl of his dreams, and ended when he watched her die in his arms.

In Art as Information Ecology, Jason A. Hoelscher offers not only an information theory of art but an aesthetic theory of information. Applying close readings of the information theories of Claude Shannon and Gilbert Simondon to 1960s American art, Hoelscher proposes that art is information in its aesthetic or indeterminate mode—information oriented less toward answers and resolvability than toward questions, irresolvability, and sustained difference. In this way, art constitutes information that remains in formation---a difference that makes a difference that keeps on differencing.

The author of the critically acclaimed Your Favorite Band Is Killing Me offers an eye-opening and frank assessment of the state of classic rock, assessing its past and future, the impact it has had, and what its loss would mean to an industry, a culture, and a way of life.

Mary Tyler Moore made her name as Dick Van Dyke's wife on the eponymous show; she was a cute, unassuming housewife that audiences loved. But when screenwriters James Brooks and Allan Burnes dreamed up an edgy show about a divorced woman with a career, network executives replied: "Americans won't watch television about New York City, divorcées, men with mustaches, or Jews." But Moore and her team were committed, and when the show finally aired, in spite of tepid reviews, fans loved it.

The history of international cinema is now available in a concise, conveniently sized, and affordable volume. Succinct yet comprehensive, A Short History of Film provides an accessible overview of the major movements, directors, studios, and genres from the 1880s to the present.

Grunge Is Dead weaves together the definitive story of the Seattle music scene through a series of interviews with the people who were there. Taking the form of an “oral” history, this books contains more than 130 interviews, along with essential background information from acclaimed music writer Greg Prato.

Is the top still spinning? Was it all a dream? In the world of Christopher Nolan's four-time Academy Award-winning movie, people can share one another's dreams and alter their beliefs and thoughts. Inception is a metaphysical heist film that raises more questions than it answers: Can we know what is real? Can you be held morally responsible for what you do in dreams? What is the nature of dreams, and what do they tell us about the boundaries of "self" and "other"?

In an extraordinary story unfolding across two hundred years, Kristina Gaddy uncovers the banjo's key role in Black spirituality, ritual, and rebellion. Through meticulous research in diaries, letters, archives, and art, she traces the banjo's beginnings from the seventeenth century, when enslaved people of African descent created it from gourds or calabashes and wood.

In this concise, crisply written guide, Patricia Aufderheide takes listeners along the diverse paths of documentary history and charts the lively, often fierce debates among filmmakers and scholars about the best ways to represent reality and to tell the truths worth telling.

Before becoming the world's most notorious dictator, Kim Jong-Il ran North Korea's Ministry for Propaganda and its film studios. Conceiving every movie made, he acted as producer and screenwriter. Despite this control, he was underwhelmed by the available talent and took drastic steps, ordering the kidnapping of Choi Eun-Hee (Madam Choi) - South Korea's most famous actress - and her ex-husband Shin Sang-Ok, the country's most famous filmmaker.

Caddyshack is one of the most beloved comedies of all time, a classic snobs vs. slobs story of working-class kids and the white-collar buffoons that make them haul their golf bags in the hot summer sun. It has sex, drugs, and one very memorable candy bar, but the movie we all know and love didn't start out that way, and everyone who made it certainly didn't have the word classic in mind as the cameras were rolling.

In Your Favorite Scary Movie, journalist Ashley Cullins examines the history and making of the Scream films with behind-the-scenes insight from the movies' cast, creators, and crew (including gleeful descriptions of the backstage summer camp-like atmosphere, and candid conversations about the more challenging moments) and sharp analysis on how the movies' special blend of gruesome violence and humorous self-awareness completely rewrote the horror playbook.

This book is a one-of-a-kind collection showcasing the wise, witty, and deeply personal speeches Sidney Poitier gave at awards ceremonies, family events, memorials, and more. His salutes to artists such as Dorothy Dandridge, Spencer Tracy, Stanley Kramer, and Denzel Washington offer fresh insight on icons of our time. Poitier's unforgettable cadence and voice are clear as day. Compiled by his wife, Joanna Poitier, this collection captures all that was remarkable about the man through his own words.

Including an insightful foreword by Katie Derham, The Classical Music Book analyses over 90 works by famous composers. From Thomas Tallis in the early period to baroque masters like Bach and Handel, to the classical genius of Beethoven and Wagner and beyond to the modern day, The Classical Music Book explores the key ideas underpinning the world's greatest classical compositions and musical traditions, and defines their importance to the musical canon, placing them into their wider social, cultural, and historical context.

The study of classic and contemporary films can provide a powerful avenue to understand the experience of mental illness. In Madness at the Movies, James Charney, MD, a practicing psychiatrist and long-time cinephile, examines films that delve deeply into characters’ inner worlds, and he analyzes moments that help define their particular mental illness.

In a major work of scholarship both erudite and very funny, Jeremy Dauber traces the origins of Jewish comedy and its development from Biblical times to the age of Twitter. Organizing his book thematically into what he calls the seven strands of Jewish comedy - including the satirical, the witty, and the vulgar - Dauber explores the ways Jewish comedy has dealt with persecution, assimilation, and diaspora through the ages. He explains the rise and fall of popular comic archetypes such as the Jewish mother, the JAP, and the schlemiel and schlimazel.

It was the best of times and the worst of times for Hollywood before the war. The box office was booming, and the studios’ control of talent and distribution was as airtight as could be hoped. But the industry’s relationship with Washington was decidedly uneasy - hearings and investigations into allegations of corruption and racketeering were multiplying, and hanging in the air was the insinuation that the business was too foreign, too Jewish, too "un-American" in its values and causes. Could an industry this powerful in shaping America’s mind-set really be left in the hands of this crew?

Since premiering in 2009, the groundbreaking television sitcom Modern Family has garnered tens of millions of devoted fans, earning 75 Emmy nominations and 22 Emmy Awards, including five in a row for Outstanding Comedy Series (one of only two sitcoms to ever achieve that feat). Professors have written about it. Psychologists have lectured on it. Leading publications, such as The New York Times and Washington Post, have explained their love for it.

In the predawn hours of a gloomy February day in 1994, two thieves entered the National Gallery in Oslo and made off with one of the world's most famous paintings, Edvard Munch's Scream. It was a brazen crime committed while the whole world was watching the opening ceremonies of the Winter Olympics in Lillehammer. Baffled and humiliated, the Norwegian police turned to the one man they believed could help: a half English, half American undercover cop named Charley Hill, the world's greatest art detective.