Entertainment History

Authors Dustin McNeill and Travis Mullins are back to bring you an inside look at 24 lost Halloween sequels you never saw on the big screen! Learn about these fascinating unmade visions direct from their creators, many of whom have never spoken publicly on the subject before. With a running time of over 24 hours, Taking Shape II is brimming with untold franchise history. The journey begins with an insightful foreword by Halloween: 25 Years of Terror producer Anthony Masi.

In Elvis Presley: A Southern Life, one of the most admired Southern historians of our time takes on one of the greatest cultural icons of all time. The result is a masterpiece: a vivid, gripping biography, set against the rich backdrop of Southern society - indeed, American society - in the second half of the 20th century.

Nearly 20 years in the making, Can't Buy Me Love is a masterful work of group biography, cultural history, and musical criticism. That the Beatles were an unprecedented phenomenon is a given. Here Jonathan Gould seeks to explain why, placing the Fab Four in the broad and tumultuous panorama of their time and place, rooting their story in the social context that girded both their rise and their demise.

Cinema is full of neurotic personalities, but few things are more transfixing than a woman losing her mind onscreen. Horror as a genre provides the most welcoming platform for these histrionics: crippling paranoia, desperate loneliness, masochistic death-wishes, dangerous obsessiveness, apocalyptic hysteria. Unlike her male counterpart—the eccentric'—the female neurotic lives a shamed existence, making these films those rare places where her destructive emotions get to play.

On a cold Saturday afternoon in 1975, two men (who had known each other for eight years before they’d ever exchanged a word) met for lunch in a Chicago pub. Gene Siskel was the film critic for the Chicago Tribune. Roger Ebert had recently won the Pulitzer Prize—the first ever awarded to a film critic—for his work at the Chicago Sun-Times. To say they despised each other was an understatement.

Russell Martin, author of Beethoven's Hair, and his wife, Lydia Nibley, tell the story of how a lock of Ludwig von Beethoven's hair, clipped from the composer's head on his deathbed in Germany in 1827, ended up in Nazi-occupied Denmark in 1943 and was later sold at auction in London in 1994. Learn about this incredible journey through history and the mysteries revealed about Beethoven's deafness and death. Correspondence, research, and forensics further inform this fascinating story.

Mel Brooks' own words telling all about the players, the filming, and studio antics during the production of this great comedy classic. The audiobook is alive and teeming with hundreds of photos, original interviews, and hilarious commentary. Young Frankenstein was made with deep respect for the craft and history of cinema-and for the power of a good schwanzstucker joke. This audiobook will also rely on interviews with gifted director of photography Gerald Hirschfeld, Academy Award-winning actress Cloris Leachman, and veteran producer Michael Gruskoff.

Michael Peppiatt met Francis Bacon in June 1963 in Soho's French House to request an interview for a student magazine he was editing. Bacon invited him to lunch, and over oysters and Chablis they began a friendship and a no-holds-barred conversation that would continue until Bacon's death 30 years later. Fascinated by the artist's brilliance and charisma, Peppiatt accompanied him on his nightly round of prodigious drinking from grand hotel to louche club and casino, seeing all aspects of Bacon's 'gilded gutter life' and meeting everybody around him.

In the follow-up to Anthem: Rush in the '70s, Martin Popoff brings together canon analysis, cultural context, and extensive firsthand interviews to celebrate Geddy Lee, Alex Lifeson, and Neil Peart at the peak of their persuasive power. Rush was one of the most celebrated hard rock acts of the '80s, and the second book of Popoff's staggeringly comprehensive three-part series takes listeners from Permanent Waves to Presto, while bringing new insight to Moving Pictures, their crowning glory.

From the authors who brought you TAKING SHAPE comes REIGN OF CHUCKY, an exhaustive new look at the cinematic history of everyone’s favorite Good Guy. Covering all seven films in the franchise, this is the book that Chucky fans have been waiting for. Go behind the scenes of the first film to learn how Don Mancini’s original Blood Buddy script evolved into Child’s Play as we know it, then listen about how the franchise was continually reinvented across a slew of clever sequels

From a veteran culture writer and modern movie expert, a celebration and analysis of the movies of 1999 - arguably the most groundbreaking year in American cinematic history.

The Swedish painter Hilma af Klint (1862-1944) was forty-four years old when she broke with the academic tradition in which she had been trained to produce a body of radical, abstract works the likes of which had never been seen before. Today, it is widely accepted that af Klint was one of the earliest abstract academic painters in Europe. But this is only part of her story. Not only was she a working female artist, she was also an avowed clairvoyant and mystic.

Based on 10 years of research and a vast cache of primary sources located in archives in Warsaw, Paris, London, New York, and Washington, D.C., Alan Walker's monumental Fryderyk Chopin: A Life and Times is the most comprehensive biography of the great Polish composer to appear in English in more than a century. Walker's work is a corrective biography, intended to dispel the many myths and legends that continue to surround Chopin.

In 1940, America’s favorite illustrator Norman Rockwell, his wife Mary, and their three sons moved to the picturesque rural village of West Arlington, Vermont. The artist discovered a treasure trove of models. Norman Rockwell’s Models: In and out of the Studio is the first to detail these models’ lives, friendships with the artist, and experiences in his studio.

Respected broadcaster Alan Cross narrates the definitive history of alternative rock over the last 30 years. He recounts the stories of David Bowie, The Velvet Underground, The Clash, The Ramones, The Sex Pistols, and Iggy Pop.

Based on years of astonishing research, Natalie Wood (previously published as Natasha) raises the curtain on Wood’s turbulent life. Award-winning author Suzanne Finstad conducted nearly 400 interviews with Natalie Wood’s family, close friends, legendary costars, lovers, film crews, and virtually everyone connected to her death. Through these firsthand accounts, Finstad reconstructs a life of emotional abuse and exploitation, of unimaginable fame, great loneliness, and loss.

Christina Crawford's book was an immediate bestseller, addressing the infrequently discussed topic of child abuse. When Paramount Pictures released the film, starring Faye Dunaway as Crawford, it was critically panned, and remains one of the most legendary critical bombs in film history. The lavish, big-screen adaptation drew unexpected laughter in the scenes depicting life in the Crawford household. Rarely have such good intentions been met with such ridicule.

The tragic and inspiring story of the leaders of Outlaw country and their influence on today’s Alt-Country and Americana superstars, tracing a path from Waylon Jennings’ survival on the Day the Music Died through to the Highwaymen and on to the current creative and commercial explosion of Chris Stapleton, Brandi Carlile, Zach Bryan, Jason Isbell, and the Highwomen.

Here for the first time is the history of art dealers, those extraordinary men and women who, over centuries (and almost entirely out of the public eye), built their profession on a singular skill: identifying the intangible but infinitely desirable qualities that characterize the greatest works of art - and finding clients for whom those qualities are irresistible.

The Grateful Dead rose to greatness under the inspired leadership of guitarist Jerry Garcia, but the band very nearly died along with him. When Garcia passed away suddenly in 1995, the remaining band members experienced full crises of confidence and identity. So long defined by Garcia's vision for the group, the surviving "Core Four", as they came to be called, were reduced to strained relationships, and catastrophic business decisions. It would take 20 years before relationships were mended enough for the Grateful Dead as fans remembered them to once again take the stage.