Entertainment Radio

"The Falcon" radio series premiered in 1943, and continued until 1954. The Falcon was an alternate identity for detective Michael Waring. Like the Falcon movies, the radio plots mixed danger, romance and comedy in equal parts. Each show began with a telephone ringing and Michael Waring, The Falcon, answering the phone. Speaking with a woman whose voice was never heard, Waring would explain that he had an urgent situation in which he had to deal with. This led into the standard opening, followed by the week's tale of adventure.

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready….

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true-life crime is retold. Mr Welles, we’re ready.

Frank Sinatra plays private eye Rocky Fortune, a 'footloose and fancy-free young man', frequently unemployed, who would then take on a range of odd-jobs that would lead into adventurous escapades. Rocky, always ready with a wise remark and a tongue-in-cheek approach, is a magnet for trouble. There is usually a beautiful woman involved; some good, some bad. His tough guy stays just inside the law, though we often get a glimpse of a soft heart beneath the hard-boiled exterior.

Frank Sinatra plays private eye Rocky Fortune, a 'footloose and fancy-free young man', frequently unemployed, who would then take on a range of odd jobs that would lead into adventurous escapades. Rocky, always ready with a wise remark and a tongue-in-cheek approach, is a magnet for trouble. There is usually a beautiful woman involved; some good, some bad. His tough guy stays just inside the law, though we often get a glimpse of a soft heart beneath the hard-boiled exterior.

When the Cowley sisters employ a carer to look after the ailing Carmela, Morag appears to suit their needs perfectly. But after a spectacular jewel theft on the night of the Hunt Ball, it appears that the perfect carer might be implicated.

Fifty years ago a dashing, ultra-talented motorbike racer planned to escape from Communist East Germany at the height of the Cold War. Award-winning presenter Stephen Evans tells how Degner, a hero in his homeland, risked everything, including the life of his young family, to flee to the west, taking with him groundbreaking technology developed deep behind the Iron Curtain. All that stood in his way was an increasingly repressive regime, the notorious Stasi, and the building of a certain wall that changed the course of European history.

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready.

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid, and Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true-life crime is retold. Mr Welles, we’re ready....

"Hörzeit - Radio wie früher" ist ein Audiomagazin für Menschen mit Demenz im Radiostil der 1950er Jahre. Jedes Magazin ist etwa 45 Minuten lang. Ihm schließt sich ein ca. 10-15 Minuten langer Teil für Angehörige an: Dort werden Bücher und Spiele, Hilfsangebote, Institutionen und Menschen vorgestellt.

「舞台はとある学園、怪奇倶楽部。 数学教師・怪奇クラブ顧問(進藤秋人)と、古文教師(六郷綾香)。その他、個性豊かな学生のメンバーが、地元の怪談を取材し、「怪奇新聞」なるものを発行している。 第六夜「祈り」 かつて、富士ケ丘高校に存在していたという“六夜怪談”を掘り起こし 怪奇倶楽部のメンバーが幽霊の真相を検証。学校内での心霊スポットめぐりを記事にする。人の心を読み、かき乱す饒舌な幽霊、テツローから 六つの霊魂を富士ケ丘高校に集めた張本人の名前が進藤だと告げられた怪奇倶楽部一行は、その現実にすっかり混乱していた。 あるはずのない、4階の廊下に立ちつくす怪奇倶楽部メンバー4人。闇の向こうには、謎の部屋へとつながる扉が待ち受けている。 ドアの隙間から漏れる光の中に、いま進藤と六郷がいるはずであった」 国内で最大級の所属タレント数を誇る「俳協」が、所属声優の出演するラジオドラマ「六夜怪談」を制作。メインキャスト「進藤秋人」には、あのガンダムのシャー「池田秀一」、そして「六郷綾香」には、メーテルで有名な「池田昌子」など、声優業界を代表する所属タレントを起用。また各話ごと、所属タレントの中からユニークなゲストも登場。声優の歴史の原点とも言えるラジオドラマを通して、国内で最も長い歴史と実績を持つ俳協の魅力を、発信する。(C)2010俳協

Excerpts from the classic medieval poem, performed in the original language with English translation, original music, and commentary.

Excerpts from the classic medieval poem, performed in the original language with English translation, original music, and commentary.

Excerpts from the classic medieval poem, performed in the original language with English translation, original music, and commentary.

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....