Entertainment Radio

Excerpts from the classic medieval poem, performed in the original language with English translation, original music, and commentary.

Excerpts from the classic medieval poem, performed in the original language with English translation, original music, and commentary.

In dem Ebook Ratgeber „Der Kleine Webradio-Helfer“ gibt der Autor interessante Tipps und Hinweise für angehende Webradio Moderatorinnen und Moderatoren. Er richtet sich dabei, bewusst an Neueinsteiger und Beginner der Internetradio Szene und beschreibt, wie man eine Sendung planen kann, wie man eine Musikrotation erstellt und mit einfachen Mitteln, das Sendesignal akustisch nachbearbeiten kann.

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready….

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true-life crime is retold. Mr Welles, we’re ready.

Frank Sinatra plays private eye Rocky Fortune, a 'footloose and fancy-free young man', frequently unemployed, who would then take on a range of odd-jobs that would lead into adventurous escapades. Rocky, always ready with a wise remark and a tongue-in-cheek approach, is a magnet for trouble. There is usually a beautiful woman involved; some good, some bad. His tough guy stays just inside the law, though we often get a glimpse of a soft heart beneath the hard-boiled exterior.

Frank Sinatra plays private eye Rocky Fortune, a 'footloose and fancy-free young man', frequently unemployed, who would then take on a range of odd jobs that would lead into adventurous escapades. Rocky, always ready with a wise remark and a tongue-in-cheek approach, is a magnet for trouble. There is usually a beautiful woman involved; some good, some bad. His tough guy stays just inside the law, though we often get a glimpse of a soft heart beneath the hard-boiled exterior.

When the Cowley sisters employ a carer to look after the ailing Carmela, Morag appears to suit their needs perfectly. But after a spectacular jewel theft on the night of the Hunt Ball, it appears that the perfect carer might be implicated.

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready.

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid, and Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true-life crime is retold. Mr Welles, we’re ready....

The annals of movie history are full of lost treasures - spectacular scripts from world-renowned writers that could have been classics, had they only been made. Now, for the first time, some of these forgotten gems have been brought to life, fully realised as vivid, cinematic radio productions. Scripted by major 20th-century writers, including Harold Pinter, Arthur Miller, Alfred Hitchcock and Dennis Potter, they star a host of A-list actors and feature richly evocative, atmospheric soundtracks.

Adapted and narrated by Caitlin Moran, this brand-new radio adaptation intersperses dramatised scenes from Moran's life (from her teenage years in a crowded council house in Wolverhampton, to setting out as a music journalist, to getting married and having children) with her thoughts on subjects that range from the necessity of big knickers to the experience of giving birth and having an abortion.

「新刊ラジオ＠第2部プレミアム」2011年10月配信分より、「ハイサワー」の博水社代表・田中秀子パッケージ版

"Hörzeit - Radio wie früher" ist ein Audiomagazin für Menschen mit Demenz im Radiostil der 1950er Jahre. Jedes Magazin ist etwa 45 Minuten lang. Ihm schließt sich ein ca. 10-15 Minuten langer Teil für Angehörige an: Dort werden Bücher und Spiele, Hilfsangebote, Institutionen und Menschen vorgestellt.

Holmes is confronted with the disappearance of the bride of a nobleman - just minutes after the ceremony. "The Adventure of the Noble Bachelor" is one of the 56 original Sherlock Holmes stories and was first published in Strand Magazine in April 1892. It served as the (loose) basis for The Eligible Bachelor, a film starring Jeremy Brett as Holmes, Edward Hardwicke as Watson, and Simon Williams as Lord St. Simon.