Entertainment Radio

古今東西、世界中で起きている殺人事件には色々なパターンがある。今回は、平和に生きる人達の建物に侵入し、暴虐の限りを尽した事件を紹介する。
何が彼らをそうさせたのか？恐るべき事件の全貌。

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready….

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true-life crime is retold. Mr Welles, we’re ready.

Frank Sinatra plays private eye Rocky Fortune, a 'footloose and fancy-free young man', frequently unemployed, who would then take on a range of odd-jobs that would lead into adventurous escapades. Rocky, always ready with a wise remark and a tongue-in-cheek approach, is a magnet for trouble. There is usually a beautiful woman involved; some good, some bad. His tough guy stays just inside the law, though we often get a glimpse of a soft heart beneath the hard-boiled exterior.

Frank Sinatra plays private eye Rocky Fortune, a 'footloose and fancy-free young man', frequently unemployed, who would then take on a range of odd jobs that would lead into adventurous escapades. Rocky, always ready with a wise remark and a tongue-in-cheek approach, is a magnet for trouble. There is usually a beautiful woman involved; some good, some bad. His tough guy stays just inside the law, though we often get a glimpse of a soft heart beneath the hard-boiled exterior.

When the Cowley sisters employ a carer to look after the ailing Carmela, Morag appears to suit their needs perfectly. But after a spectacular jewel theft on the night of the Hunt Ball, it appears that the perfect carer might be implicated.

Fifty years ago a dashing, ultra-talented motorbike racer planned to escape from Communist East Germany at the height of the Cold War. Award-winning presenter Stephen Evans tells how Degner, a hero in his homeland, risked everything, including the life of his young family, to flee to the west, taking with him groundbreaking technology developed deep behind the Iron Curtain. All that stood in his way was an increasingly repressive regime, the notorious Stasi, and the building of a certain wall that changed the course of European history.

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready.

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid, and Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true-life crime is retold. Mr Welles, we’re ready....

The annals of movie history are full of lost treasures - spectacular scripts from world-renowned writers that could have been classics, had they only been made. Now, for the first time, some of these forgotten gems have been brought to life, fully realised as vivid, cinematic radio productions. Scripted by major 20th-century writers, including Harold Pinter, Arthur Miller, Alfred Hitchcock and Dennis Potter, they star a host of A-list actors and feature richly evocative, atmospheric soundtracks.

Adapted and narrated by Caitlin Moran, this brand-new radio adaptation intersperses dramatised scenes from Moran's life (from her teenage years in a crowded council house in Wolverhampton, to setting out as a music journalist, to getting married and having children) with her thoughts on subjects that range from the necessity of big knickers to the experience of giving birth and having an abortion.

This is a fine, glad, happy, truestory set amid a small mining town in South Wales during the 1950s and '60s, as best-butties, Rhys and Ewan, turn their imaginations to finding endless new ways to escape the tedium of their childhood. Their future fame and fortune up for grabs, they take on everything from flying to horse racing, "carjacking", to "chemical experimentation". Even attempting to form The Valley’s answer to the Animals, Beatles, and Rolling Stones.

「新刊ラジオ＠第2部プレミアム」2011年10月配信分より、「ハイサワー」の博水社代表・田中秀子パッケージ版

In dem Ebook Ratgeber „Der Kleine Webradio-Helfer“ gibt der Autor interessante Tipps und Hinweise für angehende Webradio Moderatorinnen und Moderatoren. Er richtet sich dabei, bewusst an Neueinsteiger und Beginner der Internetradio Szene und beschreibt, wie man eine Sendung planen kann, wie man eine Musikrotation erstellt und mit einfachen Mitteln, das Sendesignal akustisch nachbearbeiten kann.

"Hörzeit - Radio wie früher" ist ein Audiomagazin für Menschen mit Demenz im Radiostil der 1950er Jahre. Jedes Magazin ist etwa 45 Minuten lang. Ihm schließt sich ein ca. 10-15 Minuten langer Teil für Angehörige an: Dort werden Bücher und Spiele, Hilfsangebote, Institutionen und Menschen vorgestellt.