Entertainment Radio

Sir Terry Wogan is one of the most popular entertainers in Britain today. But what must it be like to live the life of Sir Terry Wogan? From radio to TV studio, from host at a charity event to experiencing the thrills of a Eurovision Song Contest, from presenting awards to receiving awards.

Excerpts from the classic medieval poem, performed in the original language with English translation, original music, and commentary.

Tony Blackburn is probably one of the most recognisable disc jockeys working in Britain today, and is always busy doing what he does best: playing music to listeners. With Radio One celebrating its 40th anniversary this year, Tony feels the time is right to commemorate his own anniversary and look back on the time he has spent in radio and the media, from the days he spent as a radio pirate to becoming the number one DJ in the UK for the best part of a decade.

Excerpts from the classic medieval poem, performed in the original language with English translation, original music, and commentary.

With almost 20 million listeners on more than six hundred stations, Rush Limbaugh is the leading and most dangerous figure in the conservative movement today. John K. Wilson uses the most effective strategy of all—Rush’s own words—to show how Limbaugh’s flagrant disregard for the truth and penchant for savage personal attacks laced with racist, sexist, and homophobic slurs have held the political arena hostage.

Laura Solon won the Perrier Award at the Edinburgh Festival in 2005 with her sensational debut show. She now returns to Radio 4 with a new series of her bittersweet comedy show packed with characters, monologues and sketches from this extraordinary writer and performer. There will be talking, not talking, some stories, and a lion made out of china. Aided by Rosie Cavaliero, Ben Moor and Ben Willbond, Laura Solon is a remarkable talent with an astonishing eye for detail and ear for voice.

Excerpts from the classic medieval poem, performed in the original language with English translation, original music, and commentary.

The continuing adventures of Henry Gordon Jago and George Litefoot, characters first introduced on television in Doctor Who: The Talons of Weng-Chiang (1977), who have become Infernal Investigators, solving mysteries involving paranormal or alien phenomena in 1880s London.

When a haunted chess set causes consternation at the British Chess Championships, and a horse magically materialises in Kettering Agricultural Museum, MI:13 are called to investigate. Harry Crow (David Warner) and Professor Dunning (Terry Molloy) follow the trail of inexplicable happenings to an unremarkable terraced house in South Wales, home to the mysterious Mr Merriman (David Benson). He's very old, and very mad; but is there more to Merriman than first appears?

In Michael B. Druxman's outrageous comedy, Hail on the Chief!, cantankerous gentleman rancher Oliver Pettridge hates his neighbor, a former cowboy movie star. He's hated him for years over a property line dispute. As the play begins, the neighbor has just been elected President of the United States.

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready….

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Frank Sinatra plays private eye Rocky Fortune, a "footloose and fancy-free young man", frequently unemployed, who would then take on a range of odd jobs that would lead into adventurous escapades. Rocky, always ready with a wise remark and a tongue-in-cheek approach, is a magnet for trouble. There is usually a beautiful woman involved; some good, some bad. His tough guy stays just inside the law, though we often get a glimpse of a soft heart beneath the hard-boiled exterior. Rocky usually received job assignments from the Gridley Employment Agency, usually referred to as "the agency".

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true-life crime is retold. Mr Welles, we’re ready.

Frank Sinatra plays private eye Rocky Fortune, a 'footloose and fancy-free young man', frequently unemployed, who would then take on a range of odd-jobs that would lead into adventurous escapades. Rocky, always ready with a wise remark and a tongue-in-cheek approach, is a magnet for trouble. There is usually a beautiful woman involved; some good, some bad. His tough guy stays just inside the law, though we often get a glimpse of a soft heart beneath the hard-boiled exterior.

Frank Sinatra plays private eye Rocky Fortune, a 'footloose and fancy-free young man', frequently unemployed, who would then take on a range of odd jobs that would lead into adventurous escapades. Rocky, always ready with a wise remark and a tongue-in-cheek approach, is a magnet for trouble. There is usually a beautiful woman involved; some good, some bad. His tough guy stays just inside the law, though we often get a glimpse of a soft heart beneath the hard-boiled exterior.