Entertainment Science

For seven decades Katharine Hepburn played a leading role in the popular culture of the 20th century, reigning as an admired actress, a beloved movie star, and a treasured icon of the modern American woman. She also remained one of the most private of all the public figures of her time.

It was a magical time enhanced by radio as well as the great live performances. Radio and music of the Big Band Era were made for each other, and the so-called Swing Years were a golden age of rhythm. It was not just music that made you want to dance. It was music that made you glow, music that made you want to sing, music that made you come alive, music for falling in love. And, despite the passage of time, it still is.

Ryan Speedo Green had a tough upbringing in Southeastern Virginia: His family lived in a trailer park and later a bullet-riddled house across the street from drug dealers. His father was absent; his mother was volatile and abusive. At the age of 12, Ryan was sent to Virginia's juvenile facility of last resort. He was placed in solitary confinement. He was uncontrollable, uncontainable, with little hope for the future. In 2011, at the age of 24, Ryan won a nationwide competition hosted by New York's Metropolitan Opera, beating out 1,200 other talented singers.

Anne has spent most of her 13 years dreaming of the day she and her best friend Penelope will finally leave Saint Lupin's Institute for Perpetually Wicked and Hideously Unattractive Children. When the big day arrives, a series of very curious happenings lead to Anne being charged with an epic quest. Anne, Penelope, and new questing partner Hiro have only days to travel to strange new locales, solve myriad riddles, and triumph over monstrous foes - or face the horrible consequences.

If you read a standard history of magic, you learn that it begins in ancient Egypt with the resurrection of a goose in front of the Pharaoh. You discover how magicians were tortured and killed during the age of witchcraft. You are told how conjuring tricks were used to quell rebellious colonial natives. The history of magic is full of such stories, which turn out not to be true. Behind the smoke and mirrors, however, lies the real story of magic.

Murder isn’t uncommon in a big city, but when young women start turning up dead next to mysterious symbols painted in their blood, the police turn to Alex Lockerby to find the killer. Unfortunately, the bloody symbols aren’t any form of magic Alex knows, leaving him precious little to work with and a nagging feeling that he’d better stop this madman before he finishes whatever spell he’s attempting.

In the final installment of an exhilarating sci-fi adventure trilogy in the vein of The Hunger Games, Divergent, and Red Rising, Scott Sigler's unforgettable heroine, Em Savage, must come to grips once and for all with the perilous mysteries of her own existence.

Claire Wilcox has been a curator of fashion at the Victoria and Albert Museum for most of her working life. In Patch Work, she steps into the archive of memory, deftly stitching together her dedicated study of fashion with the story of her own life lived in and through clothes. From her mother's black wedding suit to the swirling patterns of her own silk kimono, her memoir unfolds in spare, luminous prose the spellbinding power of the things we wear.

Seventeen-year-old tagger Saira Elian can handle anything.… A mother who mysteriously disappears, a stranger who stalks her around London, and even the noble English grandmother who kicked Saira and her mother out of the family. But when an old graffiti tag in a Tube station transports Saira to the 19th century and she comes face-to-face with Jack the Ripper, she realizes she needs help after all.

This is Diablo's captivating fish-out-of-water story of her yearlong walk on the wild side, from quiet gentlemen's clubs to multilevel sex palaces and glassed-in peep shows. In witty prose she gives readers a behind-the-scenes look at this industry through a writer's keen eye, chronicling her descent into the skin trade and the effect it had on her self-image and her relationship with her now husband.

Marshall Seaver is being haunted. In the first installment of this chillingly compelling trilogy, sixteen-year-old Marshall discovers that something beyond our world is after him. The eerie clues pile up quickly, and when people start dying, it's clear whatever this is - it's huge. Marshall has no idea what's happening to him, but he's soon convinced that it has something to do with his best friend, Cooper, who's been missing for over a week.

The never-before-published edition of Francis Ford Coppola's notes and annotations on The Godfather novel by Mario Puzo reveals the story behind one of the world's most iconic films. In this one-of-a-kind audio production, Coppola provides listeners with unfiltered access to his creative process in his own voice. Featuring notes from eight scenes - handpicked by Coppola himself - The Godfather Notebook is a must-listen for fans of the 1972 film.

The Horror of It All is a memoir from the front lines of the industry that dissects (and occasionally defends) the hugely popular phenomenon of scary movies. Author Adam Rockoff traces the highs and lows of the horror genre through the lens of his own obsessive fandom, born in the aisles of his local video store and nurtured with a steady diet of cable trash.

Nora Colburn was perfectly content in life. A junior in high school, she had good friends, a great family, and did well in school. Nothing particularly exciting ever happened where she lived, and everything was stable. But that all drastically changes when a new student arrives at Nora's school. Wild rumors swirl about his past, and Nora becomes determined to find out the truth. As she gets to know the mysterious student, he shares with her an ancient secret - one that may yet put both of them in grave danger.

When 11-year-old Stella Rodriguez shows up at NASA to request that her recording be included in Carl Sagan's Golden Record, something unexpected happens: A black hole follows her home and sets out to live in her house as a pet. The black hole swallows everything he touches, which is challenging, to say the least - but also turns out to be a convenient way to get rid of those items that Stella doesn't want around.

Younger star and LGBTQIA+ advocate Nico Tortorella investigates love, sex, gender, addiction, family, fame, and fluidity through their personal story and the lens of their nonbinary identity. Expanding on themes explored on their popular podcast, The Love Bomb, Nico shares the intimate details of their romantic partnerships, the dysfunction of their loud but loving Italian family, and the mingling of their feminine and masculine identities into one multidimensional, sexually fluid, nonbinary individual.

Much has been written about the storied New Hollywood of the 1970s, but while Martin Scorsese, Steven Spielberg, and Francis Ford Coppola were making their first classic movies, a parallel universe of directors gave birth to the modern horror film - aggressive, raw, and utterly original. Based on unprecedented access to the genre's major players, New York Times critic Jason Zinoman's Shock Value delivers the first definitive account of horror's golden age.

Fate wants nothing more than to save Roxy from certain death in Galia, a death to which her fellow holy knights condemned her. As he follows Roxy's trail, he encounters a Galian girl he once met: Myne, who wields a black axe that eerily resembles Fate's own black sword. Myne agrees to help Fate fight the monsters between him and Galia--but once they get there, he must repay her favor in kind.

This production of The Lost World, based on the novel by Arthur Conan Doyle, was first broadcast on BBC Radio 4 in 1975, and amongst the cast are Francis de Wolff, Gerald Harper, Carol Boyd and the renowned radio actor Carleton Hobbs. The story follows a 19th century expedition to enter the rumoured lair of animals thought to have died out millions of years before - a terrifying world of pterodactyls and other 'prehistoric monsters'.

Greg Gutfeld hates artificial tolerance. At the root of every single major political conflict is the annoying coddling Americans must endure of these harebrained liberal hypocrisies. In fact, most of the time liberals use the mantle of tolerance as a guise for their pathetic intolerance. And what we really need is smart intolerance, or as Gutfeld reminds us, what we used to call common sense. The Joy of Hate tackles this conundrum head on- - replacing the idiocy of open-mindness with a shrewd judgmentalism that rejects stupid ideas, notions, and people.