Environmental Art

The theory of architecture implicit in our world today, Christopher Alexander believes, is bankrupt. More and more people are aware that something is deeply wrong. Yet the power of present day ideas is so great that many feel uncomfortable, even afraid, to say openly that they dislike what is happening, because they are afraid to seem foolish, afraid perhaps that they will be laughed at. Now, at last, there is a coherent theory which describes in modern terms an architecture as ancient as human society itself.

In Fashionopolis, Thomas sees renewal in a host of developments, including printing 3-D clothes, clean denim processing, smart manufacturing, hyperlocalism, fabric recycling - even lab-grown materials. From small-town makers and Silicon Valley whizzes to such household names as Stella McCartney, Levi’s, and Rent the Runway, Thomas highlights the companies big and small that are leading the crusade.

In a world full of pressure to be more, do more and consume more, this practical guidebook will help you find your own version of enough. Enough is a springboard for self-belief, a healthy work pace and sustainable living, so you can move from striving to thriving.

This gripping, deeply thoughtful book considers the future of civilization in the light of what we know about climate change and related threats. David Orr, an award-winning, internationally recognized leader in the field of sustainability and environmental education, pulls no punches: Even with the Paris Agreement of 2015, Earth systems will not reach a new equilibrium for centuries.

Le Corbusier famously said, "A house is a machine for living in." We now confront the litany of environmental challenges associated with the legacy of the architectural machine: a changing climate, massive species die-off, diminished air and water quality, and resource scarcities. Brook Muller offers an alternative: water-centric urban design that fosters sustainability, equity, and architectural creativity.

The End of the End of the Earth is a collection of Jonathan Franzen's essays and speeches from the past five years, in which he grapples with the most important and heated ethical subjects of the day: environmentalism, capitalism, wealth inequality, race, technology, and the role of art. He challenges us to ask difficult questions: What is our civic responsibility in the face of climate change, the greatest ever threat to our planet and species? Does technology give us a sense of control or community or is it stripping these from us?

Susan Jeffers looks at the way different groups and individuals in The Lord of the Rings interact with their environments. Drawing substantially on ecocritical theory, she argues that there are three main ways these groups relate to their setting: power with, power from, and power over. Ents, Hobbits, and Elves have power with their environments. Dwarves and Men draw power from their place, interacting with the world symbolically or dialectically.

Dickson D. Despommier proposes a visionary yet achievable plan for creating a new, self-sustaining urban landscape. He argues that we can find solutions through the concept of biomimicry: emulating successful strategies found in nature. A better city is possible if we heed the lessons that forests and trees teach about how to store carbon, grow food, collect rainwater, and convert sunlight into energy.

From a 2017 Pulitzer-winning newspaperman, an unsentimental ode to America's heartland as seen in small-town Iowa—a story of reinvention and resilience, environmental and economic struggle, and surprising diversity and hope.

Es geht um seltene Tiere und Pflanzen. Leider bedeutet "selten" auch häufig "gefährdet". Doch wer ist eigentlich daran schuld? Antworten darauf gibt es in diesem Hörspiel, erklärt von Wigald Boning und anderen Experten. Kann man Arten überhaupt wiederbeleben? Und was macht die Orchidee eigentlich so wertvoll? Außerdem macht Wigald sich auf die Suche nach dem Yeti, Nessie und Co. Was hat es mit diesen Wesen und den Geschichten, die um sie ranken, eigentlich auf sich?