Environmental Fiction

Anna's aged mother is dying. Condemned by her children's pity to living, subjected to increasingly desperate medical interventions, she turns her focus to her hospital window, through which she escapes into visions of horror and delight. When Anna's finger vanishes and a few months later her knee disappears, Anna too feels the pull of the window. She begins to see that all around her, others are similarly vanishing, yet no one else notices. All Anna can do is keep her mother alive.

Jax, Yas, Spider, and Han are the four cornerstones of Team Jericho, the best scavenger hunting team in all of Seattle. Each has their own specialty: Jax, the puzzler; Yas, the parkourist; Spider, the hacker; and Han, the cartographer. But now with an oil refinery being built right in their backyard, each also has their own problems. Their families are at risk of losing their jobs, their communities, and their homes. So when The Order hijacks the scavenger hunting forum and concocts a puzzle of its own, promising a reward of influence, Team Jericho sees it as the chance of a lifetime.

The year is 2393, and the world is almost unrecognizable. Clear warnings of climate catastrophe went ignored for decades, leading to soaring temperatures, rising sea levels, widespread drought, and the disaster now known as the Great Collapse of 2093. Dramatizing science in ways traditional nonfiction cannot, The Collapse of Western Civilization reasserts the importance of scientists and the work they do, providing a welcome moment of clarity amid the cacophony of climate-change literature.

When a black snake threatens to destroy the Earth and poison her people’s water, one young water protector takes a stand to defend Earth’s most sacred resource.

A Friend of the Earth opens in the year 2025, as Tyrone O'Shaughnessy Tidewater ekes out a bleak living in southern California, managing a rock star's private menagerie. Global warming is a reality. The biosphere has collapsed and most of the major mammalian species are extinct.

In these new essays, Williams explores the concept of erosion: of the land, of the self, of belief, of fear. She wrangles with the paradox of desert lands and the truth of erosion: What is weathered, worn, and whittled away through wind, water, and time is as powerful as what remains. Our undoing is also our becoming.

When Louise Root, a new client of Cecil Younger, is found murdered, the private investigator finds himself in the middle of an environmental law violation that has deadly repercussions. Cecil finds he is unable to leave behind Root, especially after her ex-lover Hannah asks him for help. On top of it all, Global Mining, the company that runs the gold mine where Root's body was found, hires Younger to get the dirt on an environmentalist who has a connection to the victim. In the midst of all this, Cecil's personal life is fraying.

A satisfying tale of honor, chance, and star-crossed love infused with Southern wit, grace, and charm - the story of two old Southern families. The Langleys have more money than the Morgan Stanley Bank. And they think they have more class. The Barrett family made their 19th-century fortune in a less distinguished manner: corner grocery stores and liquor stores.

Pyn-Poi's mother Marak wants her to grow up to be the matriarch of the tribe, learning how to cook, to make medicines, how to care for everyone, but Pyn-Poi would rather be out among the trees like her father Sook-Sook, learning how persuade tree roots into bridges, to feel when shoots are too crowded, when drooping leaves need attention. Then something starts going wrong in The Real: when the rains come, instead of nourishment, they bring a noxious stench that's poisoning people and plants alike.

After setting fire to the Forever Sea and leaving the surface world behind, Kindred Greyreach dives below to find a Seafloor populated by roving bands of scavengers. Among them, Kindred discovers a familiar face working to save the Sea from the continued spread of the Greys and the ravages of the world above. But when Kindred finds herself at odds with them, she and her friends will have to use every power available to them—including their link to the surface world—to forestall disaster.

The night the sky fell, Jack and Nora Abernathy’s daughter vanished in the woods. And Mia’s disappearance broke her parents’ already fragile marriage. Unable to solve her own daughter’s case, Nora lost herself in her work as a homicide detective. Jack became a shell of a man; his promising career as a biologist crumbling alongside the meteor strikes that altered weather patterns and caused a massive drought. It isn’t until five years later that the rains finally return to nourish Seattle.

The End of the End of the Earth is a collection of Jonathan Franzen's essays and speeches from the past five years, in which he grapples with the most important and heated ethical subjects of the day: environmentalism, capitalism, wealth inequality, race, technology, and the role of art. He challenges us to ask difficult questions: What is our civic responsibility in the face of climate change, the greatest ever threat to our planet and species? Does technology give us a sense of control or community or is it stripping these from us?

Why has psychoanalysis long been kept at the margins of environmental criticism despite the theories of eco-Marxism, queer ecology, and eco-deconstruction available today? What is unique, possibly even traumatic, about eco-psychoanalysis? The Environmental Unconscious addresses these questions as it provides an innovative and theoretical account of environmental loss focused on the counterintuitive forms of enjoyment that early modern poetry and psychoanalysis jointly theorize.

For acclaimed writer and environmental activist Rick Bass, it can be wearying to dwell relentlessly upon the broken, the fragmented, the dead and dying and doomed to extinction. Activism is a necessary part of the environmental movement, but so is the time-honored celebration of the beauty that inspires us.

Galina, a promising young geologist from Moscow, is falling in love with her pilot, Snow Crane, on an expedition for minerals in Siberia. As their helicopter hovers over what should be a stretch of uninhabited forest, they see a small hut and a garden—and, the following day, when they hike from their field camp to the hut, they find a family.

Emergency is a novel about the interconnectedness of all life on Earth. Our narrator is at home during lockdown, where she ponders both past and present. She remembers her 1990s childhood in rural Yorkshire. She recalls a kestrel hunt, helping a farmer save a renegade bull, and days playing with her best friend, Clare. In her village, neighbors argue, keep secrets, care for one another, and try to hold down jobs. Fox cubs fight in the woods, plants compete for space, a quarry slowly falls apart, and we see a three-legged deer who likes cake.

In the summer of 1976, Duane Oshun finds himself stranded in a remote Montana town beset by a series of strange and menacing events. He takes a job as a logger and builds a cabin on an isolated road near a reclusive neighbor—a hermit named Ted Kaczynski. The two men are captivated by the valley’s endangered old-growth forest, but Kaczynski’s violent grievances against modern society soon threaten the lives of all those around him.

For sixth grader Sam Warren and his friends Catalina, Alistair, Jaesang, and Zoe, the effects of climate change are too pressing to ignore. Adults don’t seem to be up to the challenge of taking action to make real change, but kids know it’s their futures on the line. If their parents, teachers, and government officials won’t step up well, then, they will!

Inspired by environmental activism, Tiger Work blends fiction, essay and poetry to make a powerful and very personal appeal for change. If we continue to live as we do now, Ben Okri argues in this evocative collection, there will be no world left for us to fix. He imagines messages, sent to us from beyond the end, from those who saw it coming—from Africa, Europe, the Americas and the rest of the world—exhorting us to change now. This is a collection comprising two poems and six prose pieces—three short stories, an essay, a letter, and an interview.

All of Mumbai's possessions and memories come to die at the Deonar garbage mountains. Towering at the outskirts of the city, the mountains are covered in a faint smog from trash fires. Over time, as wealth brought Bollywood knock offs, fast food, and plastics to Mumbaikars, a small, forgotten community of migrants and rag-pickers came to live at the mountains' edge, making a living by reusing, recycling, and reselling.