Epic Classics

The poem "Song of Myself" by Walt Whitman first appeared in his 1855 volume Leaves of Grass. "Song of Myself" is written in Whitman’s signature free verse style. The "I" of the narrator should not be confused with the person of the historical Walt Whitman, as the first-person persona is portrayed as having transcended the conventional boundaries of self. Most critics consider "Song of Myself" as the core of Whitman’s poetic vision, and it remains one of the most acclaimed of all American poems.

The Circle—a thousand miles of perilous forests and warring clans. No one has ever tamed such treacherous territory before, but ex-soldier Teyr Amondsen, veteran of a hundred battles, is determined to try. With a merchant caravan protected by a crew of skilled mercenaries, Teyr embarks on a dangerous mission to forge a road across the untamed wilderness that was once her home. But a warlord has risen in the wilds of the Circle, uniting its clans and terrorizing its people. Teyr's battles are far from over . . .

When murdered sinners fail to show up in hell, it's up to Salim Ghadafar, an atheist warrior forced to solve problems for the goddess of death, to track down the missing souls. In order to do so, Salim will need to descend into the anarchic city of Kaer Maga, following a trail that ranges from hell's iron cities to the gates of heaven itself. Along the way he'll be aided by a host of otherworldly creatures, a streetwise teenager, and two warriors of the mysterious Iridian Fold.

In a world where magic is intrinsic to the fabric of everyday life, two kingdoms, centuries-long enemies, have long sought a powerful magical weapon that will win them lasting dominance. But neither realm is ready when they are both attacked by the Bottom-Dwellers, a bitter people whose own land was destroyed, and who now live only to take vengeance on those they blame for a wretched life in the storm-tossed abyss they inhabit. Using contramagic strengthened by blood sacrifice to attack the world above, they threaten to bring down whole cities, or even the island kingdoms themselves.

Taniel Two-Shot is a powder mage with the Tristan Ghost Irregulars, a band of volunteers who have made a name for themselves fighting in the Fatrastan Revolution. They range through the swamps of the frontier, cutting off enemy supplies and raiding towns while Taniel hunts the Privileged sorcerers that make the Kez armies so powerful. When a desperate call for help comes from the nearby city of Planth, the Irregulars aren't the only ones to answer and Taniel must deal with another hero of the revolution: Mad Colonel Styke.

Sent forth on a quest to bring magic to the Vale of Erl, the young lord Alveric obtains a sword of thunderbolt iron, and crosses the twilight border into Elfland, returning with the beautiful Princess Lirazel as his bride. But, for two people from different worlds, however much in love, happiness is not guaranteed, and in the fields, we know, where all things are subject to the remorseless march of time, nothing truly lives happily ever after.

One of the supreme masterpieces of world literature, the Homeric saga of the shipwrecks, wanderings, and homecoming of the master tactician Odysseus encompasses a virtual inventory of the themes and attitudes that have shaped Western culture. The tale of Odysseus' encounters with such obstacles as Calypso, Circe, Scylla and Charybdis, the Sirens, and the lotus-eaters, and his dramatic return to Ithaca and his patient wife, Penelope, forms a prototype for all subsequent Western epics.

First published in three separate volumes from 1855 to 1863, Bulfinch's Mythology quickly became the standard source of classic tales from ancient Greece and Rome, the Norse tradition, and beyond. This edition contains the full text of The Age of Fable, or Stories of Gods and Heroes, the first volume of Bulfinch's seminal work. From stories of the Greek gods of Mt. Olympus to retellings of the Iliad and the Odyssey, from descriptions of mythological monsters to tales of Hindu and Egyptian deities, Bulfinch's versions of these classic stories bring their characters to life.

The Mabinogion is a collection of tales, told over generations, recorded in two manuscripts; Llyfr Coch Hergest ( The Red Book of Hergest) and Llyfr Gwyn Rhydderch ( The White Book of Rhydderch). Translated into English by Lady Charlotte Guest, they contain a large number of tales from the Welsh storytelling tradition.

Torn from his family, Adam lands in a world of giants, wild animals, and marauding mountain people. Unable to find his way home, he discovers an alluring paradise - a golden city where he builds a new life, safe from the terrors outside the walls. But when the city begins to crumble, a chance encounter with a strange little girl changes everything. She claims to know why he was brought into this world and the way back to his family, but insists he leave the doomed city and follow her to the high country to join the mountain people.

The Trojan War is over, and Odysseus, the cunning King of Ithaca, sets out for home, his wife Penelope, and his son, Telemachus. It proves a long, 10-year journey, fraught with dangers.

La Ilíada es una epopeya griega, atribuida tradicionalmente a Homero. Compuesta en hexámetros dactílicos, consta de 15 693 versos y su trama radica en la cólera de Aquiles.​ Narra los acontecimientos ocurridos durante 51 días en el décimo y último año de la guerra de Troya. Tanto la Ilíada como la Odisea fueron consideradas por los griegos de la época clásica y por las generaciones posteriores como las composiciones más importantes en la literatura de la Antigua Grecia y fueron utilizadas como fundamentos de la pedagogía griega.

Out of the mixture of Latin and Germanic paganism and the Christianity of the Early Middle Ages has sprung one of the world's supremely great pieces of literature. J.R.R. Tolkien, author of The Lord of the Rings, delivered a famous lecture to the British Academy in 1936 in which he maintained that Beowulf was a poem all of a piece, and not (as had been suggested) a jumble of fragments for pedantic scholars to paw over.

In the beginning of Paradise Lost, Satan has ben banished to Hell and is working to organize the angels who fell with him and create his new kingdom. While a constant angelic war rages, Satan begins to wield his influence on the first humans created on Earth, and soon tempts them into defying God by using wit and logic to tempt Eve. The actions get Adam and Eve banished from paradise, and in the aftermath of their sin they get to glimpse the future of humanity based on their actions.

After years fighting in the Goblinblood Wars, the dwarven warrior Akina is returning home, accompanied by Ondorum, her silent companion of living stone. Yet what she finds is far from what she remembers: a disgraced brother, an obsessive suitor, and a missing mother. When her brother is kidnapped by subterranean enemies, Akina and Ondorum must venture below, into danger as old as the stones themselves.

Beowulf is an epic poem that has withstood the test of time. It has been translated and studied for centuries and is a hallmark of academic curricula. It is both an adventure and a tragedy and despite some difficult language is a beautiful story of loyalty and courage in the midst of danger.

A pioneer in the realm of imaginative literature, Lord Dunsany has gained a cult following for his influence on modern fantasy literature, including such authors as J. R. R. Tolkien and H. P. Lovecraft. This unique collection of short stories ranges over five decades of work.

The villainous Drad Redstar has won the favor of king and country after leading a decisive victory over the rebels at Winde Port. Now with a seat on the royal council, he condemns Torsten to a lifetime in the dungeon and invites his militant people to take up residence in the capital. But not all light has been squelched. There is one disgraced King’s Shieldsman left who remains loyal to Torsten, and only he can help free the Glass Kingdom from Redstar and his dark desires to revive the Buried Goddess.

Composed during the 14th century in the English Midlands, Sir Gawain and the Green Knight describes the events that follow when a mysterious green-coloured knight rides into King Arthur's Camelot in deep mid-winter. The mighty knight presents a challenge to the court: he will allow himself to be struck by one blow, on the condition that he will be allowed to return the strike on the following New Year's Eve.

This translation with its admirable projection of the various moods throughout the poem can be recommended to both classicist and non-classicist. -( The Classical World)